Buddhist monastery of the 7th century
T. I. Zeymal’
Buddhist monastery of the 7th century
Japanese, 9th – 10th century, male.
Active in Kyoto 9th-10th century.
Painter. Religious subjects.
Aimi was the son and pupil of Kose no Kanaoka, the founder of the Kose school, and a member of the imperial bureau of painting. Like his father he painted mainly Buddhist subjects as well as imaginary scenes....
W. A. P. Marr
Buddhist monastery in a small valley on the left bank of the River Indus, c. 64 km west of Leh in Ladakh, India. Tradition attributes the monastery’s origin to the Tibetan scholar and temple-builder Rinchen Sangpo (
Ringed by a wall and votive chortens (stupas), the religious enclave (Tib. chökhor) comprises three entrance chortens, a number of shrines and temples, the Dukhang (assembly hall) with its courtyard and monastic dwellings (see Tibet §II, and Indian subcontinent §III 6., (i), (a)...
Japanese, 14th century, male.
Painter. Religious subjects, figures.
Kose no Arihisa was the third son of Kose no Ariyuku and held important positions at court. His works include the portrait of two Mandarins and an image of Benzaiten, Goddess of Fortune. He worked at the temple of Kyoogokokuji in Kyoto between ...
Period in early Japanese history (see Japan, §I, 2). It is variously defined and dated, depending on the criteria under consideration, but conventional dates are from
The most far-reaching development in Japan during this period was the formal introduction of Buddhism. When, in 552, the king of Paekche in Korea (Jap. Kudara) presented Emperor Kinmei (reg 531 or 539–71) in Japan with a bronze image of the Buddha, some canopies, banners and copies of Buddhist ...
City in northern Afghanistan, believed to be the site of Bactra, capital of ancient Bactria, and a major city in the province of Khurasan during the Islamic period. Located on a fertile plain, Balkh commanded trade routes between India, China, Turkestan and Iran. It was already a wealthy city under the Achaemenid dynasty (538–331
S. J. Vernoit
(b London, Dec 25, 1881; d Wendover, Bucks, Feb 28, 1968).
English civil servant and collector of Islamic and Chinese art. The eldest son of Sir Thomas Barlow, royal physician and president of the Royal College of Physicians, he was educated at Marlborough and Corpus Christi College, Oxford. In 1906 he was appointed to a clerkship in the House of Commons, by 1933 he was principal private secretary to the Prime Minister Ramsay MacDonald, and from 1934 to 1948 he served at the Treasury. He began collecting Oriental ceramics in 1900 and started acquiring Islamic pottery five years later, amassing a comprehensive collection with a special emphasis on Ottoman and Iranian items within 20 years. He built up his collection of Chinese art in the early 1920s, when several British collectors led by George Eumorfopoulos acquired objects excavated in China. Barlow preferred early austere Chinese pottery with little polychrome decoration. During the 1920s and 1930s he also continued to acquire Islamic items, and some of his pieces were shown in ...
(b Washington, Co. Durham, July 14, 1868; d Baghdad, 11/July 12, 1926).
English archaeologist and architectural historian. The first woman to achieve a first-class honours in modern history at Oxford University, she travelled widely in Europe, Japan and especially the Middle East in the 1890s, achieving fluency in a number of European languages as well as in Persian, Turkish and Arabic. She developed an interest in archaeology and architecture that was reflected in an authoritative set of articles on the Early Byzantine churches of Syria and southern Turkey, based on her travels in 1905. Her first major travel book, The Desert and the Sown, contains a mixture of travellers’ tales and archaeological information, as does her Amurath to Amurath. Between 1905 and 1914 she made archaeological studies of the Early Byzantine and Early Islamic monuments of Turkey, Syria and Mesopotamia (now Iraq). In 1905 and 1907 she surveyed Binbirkilise with Sir William Ramsay; their book, The Thousand and One Churches, remains the authoritative account of this important site. The architectural recording by survey and photography at Binbirkilise was carried out by Bell and is a lasting monument in its own right. Bell’s interest in Anatolia was inspired by Josef Strzygowski and his book ...
Site in the Xinjiang Uygur Autonomous Region of China, 56 km north-east of Turfan. It is the site of the most outstanding complex of Buddhist cave temples in Khocho and is located in the steep side of an extensive terrace above the Murtuk River. At one time access to the caves was via free-standing timber buildings or terraces constructed in front of them, but by the time the caves were discovered by Albert von Le Coq at the beginning of the 20th century these were largely in ruins. In type the caves conform to those in the Kucha region (see Kizil; see also Central Asia, §II, 2).
The cave temples contained sculptures made of unfired clay, but it was mainly the wall paintings (removed by von Le Coq for safekeeping, few survive; see below) that in their unsurpassable diversity provided evidence of a flourishing Buddhist community. The most impressive were the paintings depicting consecration of a ...
Chinese, 12th – 13th century, male.
Bo Liangyu was a member of the academy of painting during the reign of Emperor Ningzong (1195-1225). He devoted himself to painting Taoist and Buddhist figures.
Chinese, 14th century, male.
Active in the first half of the 14th century, during the Yuan dynasty.
Bo Ziting was a Buddhist painter from Jiading (Jiangsu) who painted rocks and flowers.
Japanese painter and Zen monk. He was a close disciple of Ikkyū Sōjun, the Zen abbot of Daitokuji in Kyoto. After Ikkyū’s death, Bokusai compiled his master’s biography, and he became first-generation head of Shūon’an in Takigi (Tanabe, Kyoto Prefect.), the mortuary temple Ikkyū built for himself. In 1491 Bokusai built ...
Japanese Zen monk, scholar, calligrapher, poet and painter. He began his training as a monk at Nanzenji in Kyoto, under Shun’oku Myōha, the nephew and disciple of Musō Sōseki, one of the leading Zen prelates of the Muromachi period (1333–1568). His other teachers included the Zen recluse Shakushitsu Genkō and Gidō Shūshin, under whom he studied literature. A trusted adviser of the fourth Ashikaga shogun, Yoshimochi, Gyokuen was appointed to the prestigious abbacies of Kenninji (c. 1409) and Nanzenji (1413) in Kyoto. His true wish, however, was to retire from the world, and in 1420, after a disagreement with Yoshimochi, he left Kyoto to lead a life of seclusion. An accomplished poet, Gyokuen also brushed colophons on many shigajiku (poem-painting scrolls) of the period, including Josetsu’s Catching a Catfish with a Gourd (c. 1413–15; Kyoto, Myōshinji). His own painting, which shows the influence of the mid-14th-century Chinese priest–painter Xue Chuang and of Tesshū Tokusai, strongly reflects his literary disposition. He is especially well known for his subdued monochrome ink paintings of orchids (emblems of moral virtue), 30 of which have survived (...
Japanese, 20th century, male.
Born 1877; died 1970.
Shunkai Bundo was a monk of the Buddhist Tendai sect and a member of the Japan Art Academy.
New York, 27 April 1994: Universal Brotherhood and International Peace (hanging scroll in a casket of wood, ink on paper...
(fl c. 1450–60).
Zen monk and ink painter, active in Japan. He may have come to Japan from Korea, where his work is also known: a couple of paintings in the National Museum of Korea in Seoul bear his seal. Moreover, some of his extant landscapes in Japan were done in Korean style. His seal, which appears on only a handful of paintings, is similar to that used by Josetsu, with whom until the mid-20th century he was sometimes confused. Bunsei is thought to have worked at Daitokuji in Kyoto.
Bunsei’s extant works suggest the influence of Tenshō Shūbun. They show a range of subjects, including several landscapes (Osaka, Masaki A. Mus.; Boston, MA, Mus. F.A.), a portrait of Abbot Yosō of Daitokuji (1452) and the popular ecumenical subject Three Laughers of the Tiger Ravine (Powers priv. col.). Bunsei’s masterpiece is a painting of the famous Buddhist Layman Yuima (1457...
Donald F. McCallum
[Kuratsukuri no Tori; Shiba Kuratsukuribe no Obito Tori]
(fl early 7th century).
Japanese sculptor. He is associated with the inception of Buddhist image production in Japan and is generally considered to be the first great master of Japanese Buddhist sculpture (see also Japan §V 3., (i)). Tori Busshi is believed to have worked on the most important monumental sculpture of the Asuka period (c. 552–710), the bronze Great Buddha (Jap. Daibutsu) enshrined in the Asukadera (Japan’s first fully fledged temple complex, on the Yamato Plain c. 25 km from Nara). In addition, his name is inscribed on the mandorla of the gilt-bronze Shaka Triad of the Golden Hall (Kondō) at Hōryūji in Nara (623). He may, however, have operated primarily as a supervisor rather than a craftsman. Scholars usually associate most Asuka period images with his studio, which produced work modelled on the stone sculpture of Chinese Buddhist cave temples of the Northern Wei period (386–535). This is termed ...
Mimi Hall Yiengpruksawan
Japanese Buddhist temple in the city of Uji, c. 18 km south of Kyoto. It occupies 1.65 ha of woodland along the western bank of the River Uji. Its ‘mountain name’ (sangō) and identifier prefix is Asahiyama.
Byōdōin is an independent temple affiliated with the Jōdo (Pure land) school of the Tendai sect of Esoteric Buddhism and has been in operation since the late Heian period (
Uji has long been noted for its picturesque setting on the river. From at least the late Nara period (710–94) it also served as an important trade stop between Yamato and Yamashiro provinces (now Kyoto Prefect.). By the 9th century Uji had been developed as a ‘resort’ for the villas (...
Chinese, 17th century, male.
Chen Xian worked for the Huangbo sect around 1635-1675. He painted many Buddhist figures.
Chinese, 11th century, male.
Born in Yancheng (Henan).
Painter. Religious subjects, figures, scenes with figures.
Chen Yongzhi was a member of the Imperial Painting Academy during the Tiansheng period (1023-1032). A skilful artist, he painted Buddhist and Taoist as well as secular figures and was esteemed for his close attention to detail....
Japanese, 12th century, male.
Born 1091; died 1152.
Painter. Religious subjects.
Fujiwara no Chinkai was a priest at the Zenriji temple in Yamashiro. One of his favourite subjects was Tokai Monju (the Buddha Monju crossing the waves).