Site of an obscure Early Christian settlement formerly known as Kilclispeen (St Crispin’s Church) in Co. Tipperary, Ireland. The only remains are two outstanding stone crosses and the base of a third (c. 750–900), which are situated in a graveyard below the village. The crosses belong to a well-defined regional group and were constructed of three characteristic elements: a square base with sloping sides, a shaft with an unusually wide ring and a peculiar, rather ill-fitting, conical cap (the latter missing on the south cross). With its capstone, the north cross measures 3.7 m in height. The form of the Ahenny crosses is emphasized by a bold cable ornament along the outer contours. Projecting from the main faces are sculpted bosses, the most prominent feature of the ‘Ahenny school’. The ring and shaft of the crosses are covered with dense patterns of carved ornament, including interlace, spirals, frets, entangled beasts and interlocking men. Much of this decoration can be compared with the metalwork and manuscript illumination of the period, and it appears that the sculptors were in effect transposing altar or processional crosses into stone. With the addition of pigment, the analogy with metalwork would have been complete. In contrast to the shafts and rings, the bases bear figure sculpture in low relief. That on the north cross is best preserved and represents Adam and Eve with the animals in the Garden of Eden, a chariot procession (a theme repeated on other Irish crosses), seven ecclesiastics (possibly symbolizing Christ’s mission to the Apostles) and an enigmatic funeral procession with a headless corpse....
Early Christian monastery on the southern slopes of the Taurus Mountains in Isauria, part of the Roman province of Cilicia in south-western Turkey. It is some 300 m above the main road between Silifke (anc. Seleucia) and Konya (anc. Iconium), 21 km north of Mut (anc. Claudiopolis). From two funerary inscriptions, pottery and coins, the monastery may be securely dated to the reigns of two Isaurian emperors, Leo (reg
The monastery was originally founded in a series of caves in a limestone outcrop at the west end of a narrow mountain ledge. The largest of these caves contained two rock-cut churches. The ledge was later enlarged by quarrying to the north and by the construction of a retaining wall to the south. The earliest building, immediately to the east of the caves, was the three-aisled Basilica. It was originally lavishly decorated, both inside and out, with architectural sculpture in a flowing naturalistic style, including plant forms, birds and fishes; figures occur only on the jambs and lintel of the main doorway between the narthex and the central aisle. On the west side of the lintel is a head of Christ set in a circle supported by angels, and at each end of the lintel and on the doorposts are four busts in high relief, possibly of the Evangelists. On the inner faces of the jambs are full-length figures of the archangels Michael and Gabriel in flat relief, while on the underside of the lintel is a remarkable relief of the four ...
Italian, 13th century, male.
Painter. Religious subjects.
Of Venetian origin. An Behold the Man ( Ecce Homo) in the Byzantine style is signed Angelus painted this ( Angelus pinxit).
Venice (Mus. Correr): Ecce homo (signed)
Greek and Roman city in western Asia Minor (now Turkey) on a plateau above Yalvaĉ. It was founded by the Seleucids in the 3rd century
Roman and Early Christian city at the east end of the plain of the Veneto, c. 90 km north-east of Venice and 5 km from the Adriatic coast. Founded as a Roman colony in 181
[Gr. Panagia Phorbiotissa: ‘Our Lady of the Pastures’]
Byzantine church in Cyprus, situated on the west side of the island, 4 km south-west of the village of Vizakia. The church was originally part of the monastery of the Phorbia (destr.), and a marginal note in a synaxarion copied in Cyprus or Palestine in 1063 indicates that the manuscript once belonged to this monastery. The church is renowned for its well-preserved cycles of wall paintings and painted inscriptions, two of which attribute the foundation and decoration of the church to Nicephoros Ischyrios, the Magistros, in 1105–6. A third, damaged inscription mentions a certain ‘Theophilos’ and ‘the people’, who were probably responsible for a programme of redecoration in 1332–3. The wall paintings were cleaned and restored in 1965–8 by Ernest Hawkins and David Winfield under the auspices of the Center for Byzantine Studies at Dumbarton Oaks, Washington, DC.
The church is a single-aisle structure with a semicircular apse and barrel-vaulted nave supported by transverse ribs and engaged piers, forming three blind niches in the north and south walls. In plan it resembles the parekklesion of the Cypriot monastery of St John Chrysosthomos, but it does not have a dome. Although the original walls were of stone mortared with mud, probably in the late 12th century, yellow sandstone of better quality was used for the construction of a domed narthex with north and south absidioles; this arrangement is found elsewhere in Cyprus, at the monasteries of St John Chrysosthomos, and the Panagia Apsinthiotissa. The church was later given a secondary steeply pitched wooden roof of a type common among the Cypriot mountain churches....
Village c. 40 km north of Sofia in Bulgaria. It is famous for its Byzantine church dedicated to St Peter. Built on the edge of the River Nishava, the church has a single nave (4.50×8.50 m) and contains on the west façade fragments of a donor inscription referring to King John Asen II (reg 1218–41), during whose reign it may have been built. There is some controversy regarding the date of its paintings, which have been assigned to both the 13th and the 14th centuries. In the apse all has been lost apart from Four Bishop–Saints Officiating at the Liturgy Accompanied by Two Deacons. The Mandylion was painted on the eastern wall above the apse, between the Virgin and the Archangel of the Annunciation. The Ever-seeing Eye occupies the western niche in the prothesis, and a large bust of St Peter near the iconostasis is surrounded by a masonry frame imitating the appearance of an icon. The scenes and figures painted on the vaulting have disappeared, but part of the ...
Ancient settlement around the upper reaches of the Büyük Monderes (Meander River), near Çivril in Turkey, that flourished during the Bronze Age (c. 3500–1200
These excavations revealed 40 successive levels of occupation with modest building remains. At the earliest levels, the pottery can be dated to a late phase of the Chalcolithic period (c. 3500
Village 8 km south of Sofia in Bulgaria, famous for its two Byzantine churches. The earlier of the pair, which stand side by side, is dedicated to the Virgin; various building dates have been proposed, including the 10th century, the 11th and the early 12th. It is a small cruciform structure with a dome over a high drum and an apse pierced with arched windows. Several badly damaged frescoes survive inside, depicting the Fathers of the Church Officiating at a Service, the Dormition of the Virgin and the Crucifixion.
The second church is dedicated to SS Nicholas and Panteleimon, and according to an inscription its construction and decoration were funded by Sebastokrator Kaloyan in 1259. It has two storeys: the ground floor was used for burials and the upper floor as a chapel. Its cruciform plan is surmounted by a dome supported by pendentives. The wall paintings were executed in tempera and are often thought to derive from the Komnenian style of painting found in several churches at ...
Annemarie Weyl Carr
(b Berlin, Aug 11, 1909; d London, Nov 10, 1996).
German scholar of Byzantine, East Christian and European illuminated manuscripts. He took his degree in 1933 at the University of Hamburg in the heady community of the Warburg Library (later Institute) under the tutelage of Erwin Panofsky and Fritz Saxl. Immigrating with the Warburg staff and library to London in 1934, he served from 1940 to 1949 as the Institute’s Librarian and from 1944 to 1965 as Lecturer, Reader and then Professor of Byzantine art at the University of London. In 1965 he came to the Institute of Fine Arts, New York University, becoming in 1970 the first Ailsa Mellon Bruce Professor. He retired in 1975 to London, where he died in 1996.
Buchthal is best known for his Miniature Painting in the Latin Kingdom of Jerusalem (1957), which laid the foundation for the now well-established art-historical field of Crusader studies. It exemplifies both his originality and the methods that made his scholarship so durable. Fundamental among these were his holistic approach to manuscripts, giving as much attention to ornament, liturgical usage, text traditions, palaeography and apparatus as to miniatures, and his relentlessly keen visual analysis. Aided by a powerful memory, he worked from original monuments, developing exceptional acuity in dissecting the formal components of their images. Mobilized in his dissertation, published in ...
[anc. Prusa; Fr. Brousse]
City in north-west Turkey. Located on the northern foothills of Mysian Olympus (Mt Ulu Dağ), the ancient city of Prusa was a spa town of note and the capital of Bithynia. The city prospered under Roman and Byzantine rule and changed hands frequently between Christians and Muslims in the 11th and 12th centuries. In 1326 it was taken by the Ottoman sultan Orhan (reg c. 1324–60) and served as the capital of the Ottoman empire until 1402. The several important buildings preserved from the early Ottoman period exemplify the Ottoman pattern of urbanization whereby sultans successively built architectural complexes (see Külliye) in unurbanized parts of the city, which then became the nuclei of new quarters. The city was also an international centre for the silk and textile trade.
Orhan began his complex of mosque, kitchen, bath and caravanserai in 1339–40, near the Byzantine citadel in the area that later became the commercial centre of the city. The mosque (rest.) is an early example of the Bursa- or ...
(b London, Feb 26, 1905; d off Stornaway, Feb 24, 1941).
British writer and traveller. His travels in Greece in 1925–7 resulted in two books, The Station and The Byzantine Achievement, in which he presented readers brought up on the culture of Classical antiquity with a novel view of the importance of the civilization of Byzantium and the seminal influence of its art on the later development of European painting. In The Birth of Western Painting he developed this line of thought with a reassessment of El Greco as the ‘last and greatest flower of Byzantine genius’. His best-known book is The Road to Oxiana, a record of travels through Persia and Afghanistan in 1933–4 in search of the origins of Islamic architecture and culture. He contributed a conspectus of Timurid architecture and photographs taken on his journeys to the Survey of Persian Art. Although his views were often coloured by personal enthusiasm and prejudices (for example his hatred of the historical writings of Edward Gibbon) a surprising number of his insights into Byzantine and Islamic culture have been confirmed by later scholarship, and he played a major role in bringing these cultures to the attention of educated readers. He was also a founder-member of the ...
Italian village in Lombardy, 14 km south of Varese, with a population of c. 1000. It was an important town from the Early Christian period to the late Middle Ages and its architectural and artistic remains were rediscovered, excavated and studied after World War II following centuries of dereliction. In the 4th or 5th century a fortified settlement called Sibrium was established in the hilly area between present-day Milan and Varese. It played an important military and strategic role and was soon granted a parish church, with jurisdiction over a vast territory stretching from Lake Lugano to the gates of Milan. Under the Lombards (569–774) it became the regional administrative centre. During the Carolingian period the surrounding region of Seprio experienced substantial prosperity and independence. Around the year 1000, however, its fortunes turned owing to the desire of the increasingly powerful cities of Como and Milan to extend their influence over this rich and strategically significant territory. Castelseprio sided with Frederick Barbarossa in his conflict with the ...
James Stevens Curl
Place, usually a ground but sometimes a structure, used for the entombment of the dead. The term derives from the Latin coemeterium, an adaptation of koimetrion (Gr: ‘dormitory’). It was employed by Early Christian writers to describe underground burial-places, also known as catacombs or hypogea (see Catacomb §1), and it was later applied to the consecrated enclosure attached to a church or even extended to the church building itself. The term has since come to denote a burial-ground, especially a large public park or land laid out for the interment of the dead, and in this form it has become distinguished from the ‘yard’ of a church. This article is confined to cemeteries in the Western Christian tradition; for further discussion see Cemetery.
During the Middle Ages the parish graveyard and church were closely associated. In many cities arcaded, cloistered walks lined the perimeters of churchyards; one of the largest of these burial-grounds was the ...
Early Christian mausoleum in Catalonia, Spain, with an outstanding 4th-century mosaic cycle. It is situated 5 km north of Tarragona, which, as Tarraco, was the capital of the Hispano-Roman province of Hispania Tarraconensis. Excavations between 1959 and 1970 by Schlunk and Hauschild revealed that it was built within the living quarters of a Roman suburban villa, which was extensively remodelled during the 4th century. An adjacent room may also have been a mausoleum. Its ground-plan comprises a double-shell design, consisting of a circular core (diam. 10.7 m) and a quadrangular outer shell with an apse at each corner. A stairway leads down from the mausoleum’s centre to a barrel-vaulted burial crypt and sub-crypt or chamber, which insulated the crypt from the damp subsoil. The mausoleum is built in brick and concrete and has a domed roof 13.6 m high; the construction of the dome has parallels in eastern Roman architecture. It is lit by two windows in the mausoleum’s north and south sides and by the main northern entrance....
[Lat. calix: ‘drinking vessel’]
Liturgical implement in which the eucharistic wine is offered, consecrated and distributed to communicants. Other names for it are scyphus, crater, proculum and fons. In the Early Christian period the same materials were used for the eucharistic chalice as for secular drinking vessels: glass, rock crystal, hardstones and wood, horn and ivory, but especially precious and base metals. This diversity reflects the lack of restrictions governing the materials to be used for its manufacture until the Carolingian period. Thus most surviving chalices from pre-Carolingian and Carolingian times—even such a splendid example as the Tassilo Chalice (c. 769–88; Kremsmünster, Stiftskirche, Schatzkam.)—were still made from gilt-copper. From the late 8th century, however, synodal decrees repeatedly forbade the use of materials such as glass, wood, copper, bronze, ivory, horn and pewter. The chalice was instead to be made at least from silver, with the inside of the bowl gilded. (The same injunctions were applicable to the ...
G. van Hemeldonck
Monumental structure of wood, stone, or metal consisting of four or more columns supporting an ornamented roof; this is sometimes a cupola, as in the Byzantine tradition, or it may be pyramidal or a crossover pitched roof. The term is often used synonymously with baldacchino, although, strictly speaking, a ciborium is fixed, frequently on a raised base, while a baldacchino is movable (the most famous example—the Baldacchino built by Gianlorenzo Bernini and others in St Peter’s, Rome, in 1623–34 (see §2, (ii) below)—is in fact a fixed ciborium). Ciboria in a church were placed above altars and tabernacles portraying the throne of Christ, above the ambo where the Gospel was promulgated and above baptismal fonts and atrium springs where holy water was revered. Much later they were also placed above reliquaries and martyrs’ graves and, outside the church, above thrones, statues of the saints and above the cross of Golgotha. The purpose of the ciborium was to concentrate attention on the object of veneration or to protect this object either symbolically or actually. Small portable altars were sometimes placed under a ciborium of this type. Reigning monarchs were portrayed enthroned under a ciborium; this was intended to suggest that their secular power was received from God....
[Gael. Cluain Moccu Nóis]
Monastery in Co. Offaly, Ireland. Clonmacnois was one of the most celebrated Early Christian monasteries in Ireland, famed for its learning and artistic patronage and best known today for an outstanding collection of monuments and stone carvings. The monastery was founded by St Ciaran in 548 (or 545 according to some authorities) on a commanding site above a bend in the River Shannon. Located in the heart of the country, it enjoyed the patronage of a number of Irish dynasties and benefited particularly from the O’Conor kings of Connaught, several of whom were buried there. What started as a small religious community became the core of a monastic city, with much commercial activity and hundreds of lay inhabitants (in one incident in 1179 no fewer than 105 houses were burnt). Associated with the monastic workshops are such major items of Irish metalwork as the shrine of the Stowe Missal (...
Clare Harris and M. E. Heston
City on the coast of Kerala, India. Facing the Arabian Sea, Cochin experienced strong contacts with Europe and other parts of Asia from early times, and signs of Portuguese, Chinese, Jewish, early Christian, Dutch and British influence are evident everywhere.
St Thomas the Apostle is said to have visited the area in
Romanian city in the district of the same name. Constanţa experienced a remarkable economic, political and artistic blossoming in the Greek, Roman, Early Christian and Byzantine periods. It was first founded as the city of Tomis (or Tomi), a colony of Miletos dating from the 7th to the 6th century