1-13 of 13 results  for:

  • Sculpture and Carving x
  • Installation Art, Mixed-Media, and Assemblage x
  • South/Southeast Asian Art x
Clear all


Francis Summers

(b Karachi, 1935).

Pakistani conceptual artist, sculptor, painter, writer and curator, active in England. He graduated in civil engineering from the University of Karachi in 1962 and moved to London in 1964. He began working as an artist without any formal training, producing sculptures influenced by Minimalism and by his engineering experience; the four-part Boo (1969; Liverpool, Walker A. G.), with its cage-like compartments, recalls in particular the work of Sol LeWitt. In 1972, appalled by the institutionalized racism that he found to be endemic in Britain, he became interested in radical politics and joined the Black Panther movement. Six years later he founded and began editing the journal Black Phoenix, which, in 1989, was transformed into Third Text, one of the most important journals dealing with art, the third world, post-colonialism and ethnicity. He continued to contribute to and edit Third Text, and was one of the pivotal figures in establishing a black voice in the British arts through his activities as a publisher, writer and artist. His performance ...


Eleanor Heartney

(b Bangkok, Feb 25, 1953; d Bangkok, Aug 25, 2000).

Thai sculptor and installation artist. Boonma studied at the Poh Chang Arts and Crafts School, Bangkok (1971–3) and went on to study painting at Silpakorn University, Bangkok (1974–8). He became a Buddhist monk in 1986 and his work explores a distinctively Buddhist art language. His early work dealt with environmental issues that came out of his concerns about the effects of industrialization on rural Thailand. Increasingly his work became involved with issues of illness and death as his own health faltered. He subtly melded natural forms, Buddhist architecture and ritual objects with a minimalist sense of structure inspired by his study of Western art. He fashioned sculptural objects based on Buddhist alms bowls, ‘painted’ with healing herbs and created walls and enclosures from stacks of hundreds of ceramic temple bells.

From 1991 Boonma’s wife struggled with breast cancer, until she succumbed in 1994. During this period the pair turned to both Western and Eastern tools to battle her disease, alternating chemotherapy with visits to shrines and offerings to propitious spirits. In ...


Morgan Falconer

(b Lahore, 1962; d London, Sept 1994).

British sculptor of Pakistani birth. He studied at Goldsmiths College, London (1987–90). After initially working in a wide variety of media, Butt settled exclusively on installations in the late 1980s. Because of his early death little of his work has become widely known, but that which has demonstrates by an interest in alchemy and a thematic preoccupation with seduction, pleasure and danger. Transmission (1990; see 1995 exh. cat., p. 65) comprises a circle of objects that look like open books, resting on the floor. The glass pages reveal a triffid motif that is lit by dangerous ultra-violet light. The series Familiars includes some of his best-known work and is concerned with the dichotomy between physical impurity and divine grace. It also derives from his interest in chemical properties, each of the three parts employing a different member of the chemical family of halogens: Substance Sublimation Unit (1992; see 1995 exh. cat., pp. 72–3) employs iodine confined in tubes set up in a ladder formation (the form was inspired by the mythical Santa Scala, or Holy Ladder of Perfection); ...


Peter A. Nagy

(b Lucknow, Nov 28, 1958).

Indian sculptor and installation artist (see fig.). Raised in a family of physicians in the north Indian capital of Lucknow, Dube studied art criticism at the M.S. University in Baroda, in the western Indian state of Gujarat. Afterwards, Dube gravitated to New Delhi where she wrote on contemporary art and began to make sculpture. Early works were influenced by the carved-wood sculptures of her peers in Baroda, however she immediately began to integrate found objects and unconventional materials with the wood centrepieces to create ensembles that were abstract, yet still essentially figurative.

An important development in her thinking occurred with the work Desert Queen (1996; see Nagy, p. 145) made during her residency in Namibia. An animalistic form was crafted from blue velvet, elaborately beaded and embroidered, and then hung from the ceiling with cords. The work refers to the body, death, indigenous crafts, luxury commodities, and the relationship between exoticism and desire. ...


Anthony Gardner

(b Singapore, July 12, 1959).

Malaysian conceptual artist, active also in Australia. Gill studied at the University of Western Sydney, completing her MA in 2001. Despite working in a range of media, she is best understood as a process-based artist who has consistently explored notions of migration and transformation within material culture. These include the effects of international trade on such everyday activities as cooking and eating. The spiral form of Forking Tongues (1992; Brisbane, Queensland A.G.), for example, entwines Western cutlery and dried chillies from the Americas and Asia, highlighting how foods and utensils from across the globe have come together to transform local cuisines and inform culinary habits. Gill’s later photographic series refer to other understandings of migration, such as the spread of the English language or of capitalist desire throughout South-east Asia in recent decades. For Forest (1998; Sydney, Roslyn Oxley9 Gallery; see Chua), Gill cut out words and sentences from books written in English, placed the texts within tropical landscapes and photographed the results before the books’ paper began rotting into the humid environment. For ...


Peter A. Nagy

(b Patna, Jan 2, 1964).

Indian mixed media artist and sculptor. After studying art in Patna, Gupta travelled with a Hindi-language theatre company, acting and designing sets. Primarily a sculptor, Gupta also painted, created installations, performances, videos and photography. Often the imagery used in one medium is operative in another, creating a symbiotic relationship between works. In 1991 he moved to New Delhi and concentrated on painting, favouring a style of abstract figuration that was prominent in India. His work matured with 54 Mornings (1996), a work comprised of 54 small, generic wooden stools with painted imagery and found objects. The work catalogued the objects of daily ritual use, both sacred and secular, and set the artist on the path to exploring the quotidian and clichéd.

In works such as My Mother and Me (1997) and The Way Home (2001, see Oslo exh. cat., pp. 34–5), Gupta arranges common objects into uncommon ensembles, creating sculptures that take on the grandeur of stage sets. He has also cast such objects as chairs, a Vespa motorbike, bicycles, bamboo sticks or liquor bottles in bronze or aluminium to create rarified monuments from the most humble things ...


Indonesian, 20th century, male.

Active in the Netherlands from 1938.

Born 1924, in Sabang, Indonesia.

Engraver, painter, collage artist, sculptor, draughtsman.

A self-taught artist, Anton Heyboer lived in Curaçao in the Dutch Antilles from 1933 to 1938.

He was in a concentration camp in 1943...


Pandit Chanrochanakit

(b Bangkok, July 23, 1965).

Thai sculptor, installation artist, teacher and curator. He graduated from Silpakorn University, Bangkok in 1989 and went to study at the Sydney College of the Arts where he received a masters degree in visual arts in 1993. Kunavichayanont’s early works focused on Buddhism and the contemplation of ephemeral stages of life, creating works such as Time and Mind (1993; see 1994 exh. cat.), in which he drew on recycled paper everyday and allowed it to become his daily ritual of practising mediation. In Every Moment (1993; see 1994 exh. cat.), he examined the question of time by placing differently shaped sculptures on papers and spraying paint on them, before removing the sculptures. What was left was a trace of the sculpture once placed on the paper.

After visiting Sukhothai in 1994 and being inspired by ruined pagodas, Kunavichayanont produced a series of elephant installations. He had seen fragments of stuccoed elephants that someone had tried to reconstruct, as if to give them a new lease on life, and in his subsequent work, ...


French and Ivorian, 20th century, female.

Born in Hué, Vietnam.

Sculptor (marble/bronze/wood), installation artist, designer. Artists’ books.

Born of a Vietnamese mother and a French father, Dominique Le Houelleur holds a passion for Africa and lives and works in the Ivory Coast. A self-taught artist, she sought guidence from the Italian sculptor Giorgio Angeli in Querceta where she also met the Japanese sculptor Isamu Noguchi. In ...


Filipino, 20th century, male.

Active in the UK.

Born 1942, in Manila.

Sculptor (mixed media).

Process Art, Kinetic Art, Conceptual Art.

David Medalla is of mixed race and was brought up in the port city of Manila, an ideal location for cultural exchange. Apart from his fascination with the abundant tropical flora of the 7,000 islands constituting the Philippine archipelago, two things caught Medalla’s attention from an early stage: the concept of hylozoism put forward by the pre-Socratic philosopher Thales (which proposes that all matter is living) and contemporary astrophysics (which proposes that the universe is expanding). At the start of the 1960s Medalla settled in London, where he worked. He visited Paris and saw the first works by Soto and Takis. His place in the history of art is entirely bound up with the appearance, development and fading away of the kinetic art phenomenon in the 1960s and 1970s. Just as Frank Popper’s ...


Filipino, 20th century, male.

Active settled and naturalised in the USA from 1930.

Born 2 August 1916, in Manila; died 1990, in East Hampton (New York).

Painter, collage artist, assemblage artist, engraver, draughtsman, sculptor, illustrator, mixed media.

Alfonso Ossorio spent his childhood in Great Britain and in ...


Andrew Cross

(b Savannakhet, Laos, 1961).

British sculptor and installation artist, of Laotian birth. After completing his studies at the Ecole des Beaux-Arts, at Aix-en-Provence in 1985, he emigrated to England. Reference to the transitory nature of existence and to the passing between two cultures underlies much of his subsequent work. His site-specific installations acknowledge recent British sculpture through the use of largely unadulterated everyday material, but they are characterized also by the presence of culturally charged materials such as bamboo, silk and rice. A number of his works were made for outdoor situations. Ash & Silk Wall (installed London, Greenwich Park, 1994) was a large glass structure lined with ash on one side and silk on the other. The work was illuminated from inside to emphasize the translucency of the chosen materials, and a displaced section offered a doorway suggesting a passage through cultural boundaries. A visual and metaphorical layering, largely created by the contrasting of materials (hard and soft, organic and synthetic) has been a constant throughout Phaophanit’s work. In ...


(b Kuthuparamba, Feb 15, 1924).

Indian painter, sculptor and writer. He began drawing before he was ten but under the influence of Gandhian ideology became a political activist. In 1942, during the Quit India Movement, he was arrested and imprisoned for six months. Banned from government colleges and disillusioned with politics, he went in 1944 to Shantiniketan in West Bengal to study art. There Nandalal Bose, Mukherjee family and Ramkinker Baij were his teachers; he assisted Mukherjee on the Hindi Bhavan mural (2.44×23.07 m, 1947) at Shantiniketan. He began teaching at the Faculty of Fine Arts at Baroda (now Vadodara) in 1951 and was closely associated with it until he returned to Shantiniketan in 1980. He also went to the Slade School of Fine Art, London, for a year (1955–6), worked in New York during 1966–7 and was Deputy Director of the All India Hand-loom Board from 1958 to 1960. Widely travelled and exhibited, he was awarded prizes at the São Paulo Biennale (...