1-6 of 6 results  for:

  • Painting and Drawing x
  • Performance Art and Dance x
  • Oceanic/Australian Art x
Clear all

Article

John Hovell

(b Wairoa, Hawke’s Bay, NZ, Aug 27, 1939).

Maori painter, carver, weaver, costume and stage designer. His involvement with art began at Te Aute Maori Boys’ College (1954–7), Hawke’s Bay, Waipawa County, and continued with formal art training at Ardmore Teachers’ College (1958–9) and at Dunedin Teachers’ College (1960), where he trained as an art specialist. He subsequently worked for the Department of Education as an arts and crafts adviser and served on committees for national art education policies, the Historic Places Trust (with particular reference to Maori sites), art museums and tribal committees (dealing with traditional and customary art forms and architecture). He helped to promote contemporary developments in Maori arts for community buildings, meeting houses, churches and public sites, serving on private and governmental commissions. In his own work he maintains a balance between the conservation of older traditional materials and forms of Maori arts and the experimental use of new materials, such as composite chipboard, synthetic dyes, plastic-coated basketry fibres and composite, laminated board. His painted and woven-fibre works are notable for their rich but subtle colours and controlled sense of line. They vary in size from complex architectural installations or stage designs for the Royal New Zealand Ballet to designs for postage stamps. At Te Huki Meeting House (...

Article

Paul Foss

(b Santiago, Oct 6, 1946).

Australian painter and performance artist of Chilean birth. He studied law and fine arts at the University of Chile. Following the coup of 1973, he arrived in Melbourne as a tourist after meeting an Australian in Buenos Aires, and later took up residence. He exhibited widely in Australia, Europe, and South America, returning frequently to Chile, which, thematically and politically, remained a focus for his art. He worked primarily with the quotation of cultural ephemera (e.g. newspaper photographs, advertisements, etc.). Originally noted for his adaptations of Pop art in an effort to rewrite the international history of painting from a provincial or Third World perspective, he increasingly developed a hybrid pictorial language that refused the strict confines of Modernism or Postmodernism, seen, for example, in Fable of Australian Painting (1982–1983; U. Sydney, Power Gal. Contemp. A.). His art deals with fragments, attempting to present a utopia of narrative from another place and time. In canvases such as ...

Article

Australian, 20th – 21st century, male.

Born 1947.

Painter, performance artist. Figures.

Ivan Durrant produces provocative photo-realist paintings and sculptures of animals that force viewers to acknowledge the butchery involved in the production of meat. In his seminal 1975 work, he left the bloody carcass of a cow outside the National Gallery of Victoria in Melbourne....

Article

Jane Clark

(Robert)

(b Melbourne, April 22, 1917; d London, Nov 28, 1992).

Australian painter, draughtsman, printmaker and stage designer. Australia’s most honoured and internationally acclaimed modern painter, and one of the most travelled artists of his generation, he worked prolifically in a variety of media on themes that often related closely to the story of his own life. He remained a controversial figure, considered by Kenneth Clark to be one of the major artists of the 20th century, but often criticized for trying to do too much. Alternating bright moods with blackest drama, he tended to work in series, reviving formal elements and iconography from previous works and maintaining a spontaneous style by devising new painting techniques in the process of execution.

Nolan was enrolled twice at the National Gallery of Victoria’s School of Art (1934 and 1936) while employed as a commercial artist, but he preferred to educate himself in the public library. Reproductions of works by Picasso, Paul Klee, Henri Matisse and the Surrealists influenced his idiosyncratic, quasi-abstract works of the late 1930s, for example ...

Article

Australian, 20th century, male.

Born 1945, in Sydney.

Painter, pastellist, draughtsman, engraver, performance artist, installation artist.

In 1971, together with other artists, Mike Parr created the Inhobidress Gallery, a place in which to show their work and present performances. He has produced numerous performance pieces and for several years also worked with photography, film and other means of expression, abandoning this in ...

Article

Chinese-Australian, 20th – 21st century, male.

Born 1956, in Hong Kong.

Painter, performance artist, writer. Multimedia.

John Zerunge Young emigrated from Hong Kong for Australia in 1967 during Hong Kong’s period of unrest and riots. He spent his formal school years in Sydney and went on to study philosophy at the city’s university. His interest in painting, however, remained a constant part of his early childhood, and he furthered his studies in painting and sculpture at the Sydney College of the Arts. It was there that he came into contact with a number of leading visual artists of the time, including the conceptual artist Imants Tillers. Young’s investigation into Western late modernism prompted a period in which his works dealt with themes of his dual nationality and the diasporic Chinese communities in Australia. Young has participated in many regional group travelling exhibitions. In ...