Unwoven cloth made from the bast (inner bark) of a tree. It is also known as ‘tapa’, with reference to the Polynesian bark cloth made from the bark of the paper mulberry and used for clothing. There is a huge collection of Polynesian bark cloth in the Bernice Pauahi Bishop Museum in Honolulu. In sub-Saharan Africa bark cloth was traditionally decorated with free-hand painting applied with grass brushes, and was used for room-dividers and screens as well as clothing. Its widest application was in Japan, where bark cloth was used for windows, screens, kites, flags and umbrellas....
Zimbabwean sculptor. Bickle studied at Durban University and Rhodes University. She showed extensively in Zimbabwe in the 1980s and exhibited in India, Sweden and New Zealand in the late 1980s and early 1990s. Active in the arts in Bulawayo, she was a founding member of its Visual Artists’ Association. Her pieces are philosophical, both specifically in that she cites Foucault and Yourcenar, and generically in that they comment on the human condition: on hopes, dreams, conflicts and fantasies. Made of multiple manufactured and natural materials, her simple forms speak to complex situations, as seen in ...
Australian, 19th – 20th century, female.
Born 1867, in Port Elizabeth, South Africa; died 17 July 1946, in Mosman.
Painter. Genre scenes, portaits.
Florence Fuller moved to Australia with her family as a child. In 1883 she joined the National Gallery School in Melbourne where she met fellow students Rupert Bunny, Arthur Streeton and E. Phillips Fox. She lived between France and England ...
Australian painter, draughtsman and printmaker of Kenyan birth. He studied art at the Chelsea School of Art, where he gained a strong command of drawing, together with perceptive powers of observation and an intelligent understanding of the formal traditions in painting. He moved to Perth in ...
Australian, 20th century, female.
Born 1945, in Melbourne.
Lorraine Jenyns creates ceramic vases in violent colours, decorated with figures and animals depicted with populist humour. These bear a certain similarity with Egyptian urns used to store the mummified internal organs of the dead....
Australian painter, also active in England. In 1900–01 he spent 16 months as a trooper in charge of remounts with the South African Light Horse during the Boer War. After this he moved to London where he studied at the Heatherley School of Fine Art. On his return to Australia he taught art privately until he joined the Australian Imperial Force in ...
The market for ‘tribal art’ emerged in the first decades of the 20th century. By way of avant-garde artists and pioneering dealers, African and Oceanic art slowly became accepted as ‘art’—with its inclusion in the Musée du Louvre in Paris in 2000 as a decisive endorsement. Initially, it was referred to as ‘primitive art’—alluding to an early ‘primitive’ stage in human development; later replaced by the equally biased ‘tribal art’. While still used widely among dealers and collectors (for want of a better word and being conveniently short), the term ‘tribe’, or its derivative ‘tribal’, is frowned upon by the scholarly community....
Australian installation artist, born in Sierra Leone. Resident in Australia from 1972, Piccinini graduated in 1988 from the Australian National University, Canberra, with a BA and then from the Victorian College of the Arts, Melbourne, in 1991 with a BA (Painting). She produced images and objects that embodied imaginary evolutionary jumps and mutations (see, for example, ...
Noémie Goldman and Kim Oosterlinck
Term for the return of lost or looted cultural objects to their country of origin, former owners, or their heirs. The loss of the object may happen in a variety of contexts (armed conflicts, war, colonialism, imperialism, or genocide), and the nature of the looted cultural objects may also vary, ranging from artworks, such as paintings and sculptures, to human remains, books, manuscripts, and religious artefacts. An essential part of the process of restitution is the seemingly unavoidable conflict around the transfer of the objects in question from the current to the former owners. Ownership disputes of this nature raise legal, ethical, and diplomatic issues. The heightened tensions in the process arise because the looting of cultural objects challenges, if not breaks down, relationships between peoples, territories, cultures, and heritages....
William H. Davenport
Archipelago in the Temotu Province of the Eastern Solomon Islands. It is composed (from north to south) of two small groups called the Duff and Reef Islands, and Nendö (the largest island, also known as Santa Cruz Island), Utupua and Vanikoro. The total population is ...
Australian painter and museum administrator. He studied at Hornsey School of Art, London, and at Kingston School of Art (1937–40). After serving as a fighter pilot in World War II he continued his studies from 1947 to 1949 at the National Art School, East Sydney Technical College. In ...