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Article

Uruguayan, 19th – 20th century, male.

Active also active in France.

Born 29 June 1861, in Montevideo, to Italian parents; died 24 July 1938, in Montevideo.

Painter. Genre scenes, local scenes.

A brilliant lawyer, man of public affairs, well-known politician, writer, philosopher, aesthetician and portrayer of the Uruguayan identity through his many activities and through his painting, Pedro Figari played a role of paramount importance in his country's development in the early part of the 20th century and particularly in the 'nativist' movement which stood for maintaining the racial and cultural diversity that created the country of Uruguay....

Article

Uruguayan, 19th – 20th century, male.

Born 1871, in Montevideo; died 22 May 1910, in Montevideo.

Painter. Seascapes.

Manuel Larravide was self-taught. In his youth he was strongly influenced by the works of Edouard de Martino, a naval painter to the English court who lived for a time in Rio de la Plata. Larravide is closely associated with the early development of art in Uruguay and Argentina. His seascapes were highly successful and can be seen in the museums of Buenos Aires and Montevideo....

Article

Uruguayan, 19th – 20th century, male.

Active between 1924 and 1932 in France.

Born 25 July 1874, in Montevideo; died 8 August 1949, in Montevideo.

Painter, draughtsman, watercolourist. Toys.

Constructivism.

Groups: Cercle et Carré, Atelier Torres García.

Torres García's father was Catalan and his mother Uruguayan. They moved to Barcelona when he was seven. He studied at the Escuela Oficial de Bellas Artes in Barcelona ('La Llotja') and at the Academia Baixas. He copied works by Degas and Steinlen. At the same time he decorated the rooms of the Diputación and the library of the city hall, and executed commissions in different churches. He executed these works in a style of Puvis de Chavannes. Little remains today of these paintings, except those of the central library of the Diputación in Madrid. In 1903, Torres García assisted Antoni Gaudi with the execution of stained glass windows for the cathedral of Palma, Majorca and later with the windows for the Sagrada Familia in Barcelona. After a difficult period Torres García went to Paris, hoping to come into as close contact as possible with contemporary art movements. He also spent time in Brussels, Florence and Rome. After his arrival in 1910, he was first influenced by the Futurists. His works most clearly in this style are dated 1917-1918, and are devoted to themes mixed together on the canvas: ...