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Article

Marco Livingstone

(b Nashville, TN, June 1, 1937).

American painter, sculptor, installation artist, draughtsman, performance artist and film maker. He studied at the School of the Art Institute of Chicago (1955), at the New School for Social Research in New York (1956) and under Hans Hofmann in Provincetown, MA (1957). Together with Allan Kaprow, Claes Oldenburg, Jim Dine, Robert Whitman (b 1935) and others, he was briefly an instrumental figure in the history of performance art in New York during the late 1950s with the Happenings he presented as early as 1957, most famously The Burning Building (1959), which took place in his loft at 148 Delancey Street (designated the Delancey Street Museum). With their narrative flow and elements of comedy, Grooms’s highly engaging performances were closer to the ‘painter’s theatre’ of Dine than to the events created by Kaprow or the Fluxus artists. The energy that went into these performances was soon redeployed into films, beginning with ...

Article

American, 20th century, male.

Born 1927; died 21 June 1995, in Cologne.

Performance artist.

Neo-Dadaism, Fluxus.

Al Hansen was born in Queens, New York. He joined the US Air Force and served his country during World War II. While in Frankfurt with the Army of Occupation, he pushed a piano off the top of a five-storey building, an act he was to repeat many times elsewhere. He took part in the first demonstration of the Fluxus group in Wiesbaden in ...

Article

Julia Robinson

(b New York, Oct 5, 1927; d Cologne, June 22, 1995).

American composer and collagist. Hansen was a New York-based artist and a key figure in the founding of Happenings. He served in the US Air Force between 1946 and 1948, and studied under the GI Bill at the Art Students’ League, Tulane University, and at Hans Hofmann’s Art School. In the 1950s, Hansen joined John Cage’s Experimental Composition class at the New School for Social Research in New York (1957–9) where he met fellow poets and artists crucial to the development of Concrete poetry, Happenings, and Fluxus (Jackson Mac Low (1922–2004), Allan Kaprow, George Brecht, Dick Higgins (1938–98), and Larry Poons). A classic Hansen score written in Cage’s class—and performed there, and later at the Living Theater—was his Alice Denham in 48 Seconds. Using a Cagean system where letters (e.g., of a name) could be replaced by numbers that would define limits for the piece—which sound, how loud, and for how long—Hansen replaced the letters of “Alice Denham” with numbers. Handing out toy noise-makers to the class, he placed the score (comprised of large numbers) on the classroom blackboard, to cue the sound. In ...

Article

American, 20th century, female.

Born 1933, in New York.

Performance artist, environmental artist.

Neo-Dadaism, Fluxus.

Paris (FNAC): Wild Goose Moon; Jibway (1991)

Paris (Prints Collection)

Beaumont-Maillet, Laure/Woimant, Françoise/Pernoud, Emmanuel: De Bonnard à Baselitz - Dix ans d'enrichissements du Cabinet des estampes 1978-1988...

Article

American, 20th century, male.

Born 12 December 1922, in Chicago; died 8 December, 2004.

Painter, performance artist, poet, writer.

Fluxus.

Jackson Mac Low has taught in numerous schools, mainly in association with New York University. He is the author of about 30 works. He lived and worked in New York. In the USA in the 1960s Mac Low was one of the Fluxus artists grouped around George Maciunas. He often carried out his performances with his wife, Anne Tardos....

Article

Klaus Ottmann

(b San Rafael, CA, Jan 11, 1955).

American sculptor, installation artist and musician. Marclay studied at the Ecole Supérieure d’Art Visuel in Geneva and at the Massachusetts College of Art in Boston. Influenced by Fluxus, the interdisciplinary art movement of the 1960s, the experimental music of John Cage, and the punk and art bands of the late 1970s, Marclay started to perform in clubs in New York, playing his own record collages, which he had made by cutting up vinyl records and gluing them back together in different configurations.

For Marclay, making objects is about altering objects in order to extract new meaning, as with his stitched-together record covers or his Record without a Cover (Recycled Records, 1985) that was distributed without a sleeve or cover to allow it to accumulate dust and scratches. In 1989 he created Footsteps, an installation at the Shedhalle in Zurich, by covering the floor of one of its galleries with 3500 vinyl records. Visitors had to step on the records to reach the other galleries. The scratched and stepped-on records, which featured the sounds of a tap dancer, were sold afterwards....

Article

American, 20th century, male.

Born 22 October 1925, in Port Arthur, Texas; died 12 May 2008, in Captiva Island, Florida.

Painter (mixed media), watercolourist, sculptor of assemblages, engraver, lithographer, screen printer, installation artist, performance artist. Stage sets.

Neo-Dadaism, Fluxus, Citationism, Copy Art.

Experiments in Art and Technology group...

Article

American, 20th century, male.

Born 9 November 1945, in Providence (Rhode Island); died 14 September 2001, in San Francisco.

Sculptor, performance artist, installation artist, video artist, film maker.

Fluxus, Conceptual Art.

Stuart Sherman wrote poems and worked as an actor in the Fluxus group of avant-garde theatre companies in the USA in the 1960s. He was a friend and also later a companion of the writer Carson McCullers. His artistic activity began about ...