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Edward McParland

(b c. 1690; d June 2, 1765).

Irish painter and architect. He was the only Irish artist other than Charles Jervas to study at Godfrey Kneller’s Academy of Painting and Drawing, London. Bindon’s family held an estate in Co. Clare, and, like his father and brother, he was MP for Ennis, Co. Clare. He travelled in Italy, had a notable library and was a friend of Jonathan Swift, whom he painted four times between 1735 and 1740. During his lifetime he enjoyed a high reputation as a painter, probably based more on lack of competition than on his skill.

The buildings most securely attributed to Bindon are houses in Co. Kilkenny: Bessborough (c. 1744; rebuilt), Woodstock (mid-1740s; ruined) and Castle Morres (partially destr.). They are related in style to the houses of Richard Castle, with whom Bindon collaborated in the 1740s (he probably completed Russborough, Co. Wicklow, after Castle’s death in 1751). The houses confirm Bindon’s status as a gentleman–amateur rather than an innovative and imaginative professional. The routine rhythms of his façades are enlivened by rusticated detail (Gibbs surrounds and quoins), features that suggest Bindon’s presence or influence at undocumented contemporary houses such as Sopwell, Co. Tipperary, Altavilla, Co. Limerick, and Carnelly, Co. Clare, and also at St John’s Square (begun ...

Article

Cinzia Maria Sicca

(b Bridlington, bapt Jan 1, 1685; d London, April 12, 1748).

English architect, painter, landscape gardener and designer. He was the most exuberant and innovative architect and designer active in England in the first half of the 18th century. He was trained as a painter but was not particularly successful or remarkable in this work, showing greater skill as a draughtsman. As an architect he was highly versatile, practising in both the Palladian and Gothick styles, and this versatility extended to his work as a designer, which included interior decoration, furniture and silverware, book illustration, stage sets and gardens.

Kent was born into a poor family in the East Riding of Yorkshire. Nothing is known of his early education, nor of the circumstances that led to his apprenticeship to a coach-painter in Hull at about the age of 15. Kent is first recorded in London in 1709, when he applied for a passport to go to Italy. He was then 24 and, according to ...

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Donata Battilotti

[ Gioseffe ]

(b Padua, ?1575–80; d Padua, 1631).

Italian theorist, architect, cartographer and painter. He was trained by his father Giulio, city architect of Padua, and at the school of Vincenzo Dotto (1572–1629), a Paduan cosmographer and architect in the Palladian tradition. Despite his vast and genuine erudition, Viola Zanini never held an important post and was beset with financial difficulties throughout his life. He worked as an architect and, by necessity, as a painter of architectural perspectives; none of his work has survived, however, apart from the Palazzo Cumano in Padua (1628–31; now Liceo Ippolito Nievo), which is generally attributed to him. His town plan of Padua, drawn in 1599, was widely imitated, and his treatise on architecture (1629) brought him fame. The organization of topics seems to have been influenced in particular by Leon Battista Alberti’s De re aedificatoria, while its architectural forms were inspired by Vitruvius and the writings and buildings of Andrea Palladio. Viola Zanini’s work differed from these sources, however, in omitting all considerations of urban planning, ethics and aesthetics. Dry, schematic in content and limited in its aspirations, his work reflects the transition from Renaissance expository writing to the purely technical works that began to appear in the 17th century....