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Alexandra Wedgwood

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Gordon Campbell

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German, 15th century, male.

Active in Nuremberg.

Stonemason, sculptor.

Nuremberg School.

Heinrich Abschrot became a citizen of Nuremberg in 1415.

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Italian, 14th century, male.

Active in Orvieto in 1345.

Sculptor, designer of ornamental architectural features.

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Italian, 13th century, male.

Activec.1295.

Born in Brescia.

Painter, draughtsman, architect.

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French, 16th century, male.

Born c. 1513, in Jargeau (Loiret).

Sculptor, architect.

Michel Adam spent time in Italy. Some biographers claim that he was a student of Michelangelo. He was certainly influenced by the Florentine master. On returning to France he settled in Orléans and was one of the many artists who contributed to the building of the 'Petits Logis' (mansions) that are one of the city's attractions....

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Italian, 12th century, male.

Sculptor, architect.

According to an inscription, this artist worked on the columns of the crypt of S Zeno, Verona.

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British, 16th century, male.

Born 1540, in London; died 1595, in London.

Architect, draughtsman, engraver.

Robert Adams was a talented man and his competence earned him the position of architect to Queen Elizabeth I of England. A series of rare engravings by Augustus Ryther, based on Adams' drawings, was published in ...

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French, 16th century, male.

Active in Normandy at the beginning of the 16th century.

Sculptor, designer of ornamental architectural features.

Gaillon School.

In 1507 Adrian du Trait produced various pieces of furniture for the Château de Gaillon, which belonged to the cardinal of Amboise.

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Flemish, 15th century, male.

Activec.1496.

Painter, designer of ornamental architectural features.

Flemish School.

Adrian van Peghem painted coats of arms and banners.

Article

Margaret Lyttleton

Columnar niche or shrine applied decoratively to a larger building. The word is a diminutive from the Latin word aedes (‘temple’). Summerson traced its application to Gothic architecture and drew attention to the importance of playing at being in a house for all small children; he claimed that this kind of play has much to do with the aesthetics of architecture and leads ultimately to the use of the aedicula. The earliest surviving examples of aediculae are shop-signs from Pompeii, such as that showing Mercury or Hermes emerging from a small building. Later aediculae appear extensively in wall paintings of the Fourth Style (c. ad 20–c. 90; see Rome, ancient §V 2.). Later still, aediculae were often used in the architecture of the eastern provinces of the Roman Empire; they consisted of columns or pilasters flanking a niche for statuary, with a pediment above, as in the stage-building of the theatre at ...

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Flemish, 16th century, male.

Active in Amsterdam in 1553.

Died 1575.

Painter, draughtsman. Architectural views, church interiors.

Flemish School.

Hendrick Aerts painted and decorated church interiors, one of which was engraved by J. Londerseel.

London, 1 Dec 1978: Interior of an Imaginary Cathedral during a Procession...

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Swiss, 15th – 16th century, male.

Active in Fribourg from 1498 to 1509.

Sculptor, engraver (stone), architect.

Gylian Aetterli worked in the funerary chapel of St Nicholas in Fribourg, and in 1501 sculpted the baptismal font for the church at Guin in the canton of Fribourg....

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Italian, 15th century, male.

Born 1418, in Florence; died before 1498, in Perugia.

Sculptor, architect. Religious subjects.

Florentine School, Perugian School.

The son of the weaver Antonio di Duccio, Agostino d'Antonio di Duccio produced works in marble and terracotta of the Della Robbia type. His earliest known works are four low reliefs in Modena Cathedral. While living in Florence in ...

Article

Spanish, 16th century, male.

Active in Sevillec.1537.

Sculptor, designer of ornamental architectural features, decorative designer.

School of Seville.

Pedro de Aguirre worked on the construction or ornamentation of public buildings in Seville.

Article

French, 16th century, male.

Painter, designer of ornamental architectural features.

In 1576 Alardin Parquet organised the celebrations to mark the arrival of the duke of Alençon in Bourges.

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Alfonso Rodríguez Ceballos

(b Alava, c. 1480; d Salamanca, Sept 3, 1537).

Spanish architect. After an initial training in Burgos, an important centre of Gothic architecture towards the end of the 15th century, he moved to Salamanca, where his patrons included Alonso de Fonseca, Archbishop of Santiago de Compostela and Patriarch of Alexandria, and subsequently his son, Alonso de Fonseca y Acevedo, Archbishop of Santiago de Compostela and then of Toledo. Alava worked during a period of transition from the Gothic to the Renaissance style and made a synthesis of the two that was not entirely successful. Even his late churches have a Gothic structure, with rib vaults and buttresses terminating in pinnacles. His façades are embellished with early Renaissance motifs, such as friezes, grotesques and medallion busts. In his use of the orders, he was notably uninhibited by conventional forms and proportions. In 1505 Alava built the sacristy for the chapel of Salamanca University, and he may have contributed to the university façade (...

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Italian, 15th century, male.

Born 14 February 1404, in Genoa, illegitimate son of a noble Florentine banking family (in exile at the time of his birth); died 1472.

Architect, theorist, painter, sculptor.

Leon Battista Alberti was a leading scholar and architect of the fifteenth century. After receiving his doctorate in canon and civil law from Bologna University in ...

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Italian, 13th century, male.

Active in Modena.

Sculptor. Religious subjects.

The son of Anselme and the nephew of Arrigo, Alberto da Campione was employed as an architect in the building of Modena Cathedral until after 1244.