1-20 of 38 results  for:

  • Sculpture and Carving x
  • Religious Art x
  • Architecture and Urban Planning x
  • Medieval Art x
Clear all

Article

Italian, 16th century, male.

Active from 1511 to 1540.

Born in Sassoferrato (Ancona); died, in Cupramontana (Ancona).

Painter, sculptor, architect. Religious subjects.

Many of Pietro Paolo Agabiti's paintings decorate the churches of his native town. Santa Maria del Piano has a Virgin with St Catherine and St John the Baptist...

Article

Italian, 15th century, male.

Born 1418, in Florence; died before 1498, in Perugia.

Sculptor, architect. Religious subjects.

Florentine School, Perugian School.

The son of the weaver Antonio di Duccio, Agostino d'Antonio di Duccio produced works in marble and terracotta of the Della Robbia type. His earliest known works are four low reliefs in Modena Cathedral. While living in Florence in ...

Article

Italian, 13th century, male.

Active in Modena.

Sculptor. Religious subjects.

The son of Anselme and the nephew of Arrigo, Alberto da Campione was employed as an architect in the building of Modena Cathedral until after 1244.

Article

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time.

Astrology developed into a scientific branch of learning in ancient Greece, but because of the opposition of the Church Fathers it was transmitted to early medieval Europe in only fragmentary form in technically unsophisticated textbooks and popular divinatory genres. Literary and scientific texts provided more general ideas about the nature and attributes of the planets which were influential on later iconography. The first significant astrological images appear in 11th-century illustrated astronomical texts (e.g. London, BL, Cotton MS. Tiberius BV), which were acquired and produced by monasteries to aid with time-keeping and the construction of the Christian calendar....

Article

Italian, 15th century, male.

Born c. 1434, probably in Padua; died c. 1496, probably in Padua.

Sculptor, architect. Religious subjects, animals. Low reliefs, church decoration, funerary monuments.

Venetian School, Paduan School.

Bellano is said to have studied under Donatello, in Padua, and followed his master to Florence in ...

Article

Italian, 16th century, male.

Born to a family originally from Alzano; died c. 1550.

Sculptor, architect. Religious furnishings and altars.

He was active in Venice in 1515. In 1520, in collaboration with other artists, Bergamasco constructed and carved the altar of the Thousand Martyrs in S Antonio di Castello, and then, working alone, another altar in the same church. In ...

Article

Italian, 16th century, male.

Born shortly before 1536, in Cremona; died c. 1591.

Painter, draughtsman, engraver, sculptor, architect. Religious subjects, figures, portraits.

Antonio Campi was the son of Galeazzo and brother of Giulio and Vincenzo Campi. He worked first with his father and later at the studio of his brother Giulio. Before moving to Milan in 1561 he had worked in many different towns, notably Piacenza, Lodi, Brescia, Mantua, Cremona and Rome....

Article

Alison Manges Nogueira

Monumental, marble paschal Candlestick of the late 12th to early 13th century with reliefs signed by Nicolaus de Angelo and Vassallettus now in S Paolo fuori le Mura, Rome. The imposing column (h. 5.6 m), adorned with six registers of reliefs and surmounted by a fluted candle holder, rests upon a base of sculpted lions, sphinxes, rams and female figures. The upper and lower reliefs bear vegetal and ornamental patterns while the three central registers portray Christ before Caiaphas, the Mocking of Christ, Christ before Pilate, Pilate Washing his Hands, the Crucifixion, the Resurrection and the Ascension. The culminating Easter scenes reflect the paschal candle’s function during the Easter season as a symbol of Christ resurrected, as evoked in an inscription on the base. A second fragmentary inscription refers to the unidentifiable patron’s desire for commemoration. A third inscription identifies Nicolaus de Angelo as the master sculptor and Petrus Vassallettus as playing a secondary role. Both were active in the second half of the 12th to the early 13th century and came from leading families of Roman sculptors: the Vassalletti and Cosmati (Nicolaus’s family). The candlestick is the only work signed by and securely attributed to Nicolaus and the scope of his contribution remains uncertain. A plausible theory attributes the base and first register to Petrus, based upon similarities to works signed by him and ascribed to his family, such as the cloister of S Giovanni in Laterano in Rome and the narthex of S Lorenzo fuori le Mura in Rome. Nicolaus probably executed the Christological scenes, distinguishable for their more dynamic, expressive figures and decorative chisel work, and appropriate for the master sculptor because of their centrality and significance. Early Christian sarcophagi and Carolingian ivories may have provided models for the figural types. This form of paschal candlestick was probably inspired by Roman columnar monuments carved with triumphal scenes....

Article

Italian, 16th century, male.

Born 1509, in Gandino near Bergamo; died 1579, in Madrid, in 1569 according to the Larousse Dictionary.

Painter, sculptor, draughtsman (including wash), architect, decorative artist, art restorer. Religious subjects, historical subjects, mythological subjects. Wall decorations, frescoes.

After a study trip to Rome, paid for by his protector Tobia Pallavicini, Giovanni Battista Castello (Il Bergamasco) produced a series of works in Genoa and Bergamo. His best-known works in Bergamo include the fresco ...

Article

Spanish, 16th century, male.

Born 1538, in Cordova; died 28 July 1608, in Cordova.

Painter, sculptor, architect. Religious subjects, portraits.

School of Cordova.

Pablo de Céspedes initially studied theology, then Oriental languages. He began painting during a trip to Rome, under the direction of one of Michelangelo's pupils. While he was in Rome he painted a number of frescoes in various chapels, which were so successful that he was nicknamed the 'Spanish Raphael'. He was offered a canonicate in his home town and returned to Cordova in 1575 or 1577, before settling there permanently after a second trip to Rome in 1583. It was there that he painted his ...

Article

Italian, 15th century, male.

Born 5 June 1436, in Lucca; died 12 October 1501, in Lucca.

Sculptor, architect. Religious furnishings (altars).

Florentine School.

Matteo Civitali was a pupil of Antonio Rossellino, then worked with his master in Florence. He was responsible for introducing printing to Lucca. His work as an architect includes the Palazzo Pretorio in Lucca: its plans are attributed to him. He was a humanist, and his first works as a sculptor were representations of humanists of his day: ...

Article

Italian, 16th century, male.

Born 1530, in Perugia; died 1576, in Perugia.

Painter, sculptor (bronze/marble/cast iron/clay), draughtsman, goldsmith, architect. Religious subjects, historical subjects, mythological subjects. Groups, statues, low reliefs.

Vincenzo Danti was the brother of Girolamo and Egnazio Danti. He worked initially in the goldsmiths' trade, in whose guild he enrolled in ...

Article

French, 12th century, male.

Died 29 December 1163.

Sculptor. Religious subjects.

Architect and Bishop of Metz, this artist was also known as a sculptor. He decorated the high-altar choir of his cathedral and restored the churches of St-Pierre-aux-Images and Notre-Dame-la-Ronde.

Article

German, 15th – 16th century, male.

Born c. 1450, in Schmidmühlen; died 1518, in Munich.

Architect, sculptor. Religious subjects, figures.

Bavarian School.

In 1480 he carried out 16 Carnival figures for the old Munich town hall, six of which are extant. No other works of the period evince such a grotesque humour, clearly dictated by the patron in question. Also sometimes attributed to him are the wooden busts representing the Prophets at the Church of Our Lady in Munich....

Article

French, 14th century, male.

Sculptor, architect.

In 1326 he decorated the portal of the church of St-Sépulcre in Paris with the statues of Christ and the Twelve Apostles, and low reliefs of The Entombment and The Resurrection

Article

Marie-Claire Burnand

(fl 1460; d Toul, 1491).

French architect and sculptor. Claims that he was born at Commercy in 1371 are unproven. Owing to the faulty reading of his lost epitaph in the Cordeliers’ church at Toul by Dom Calmet, his Christian name has been wrongly given as Rogier and the date of his death as 1460. From 1460 Jacquemin was engaged by the cathedral chapter of Toul as ‘masson’; in a document of 1474 he is described as ‘maître’. His most important work was for the façade of Toul Cathedral (now St Etienne), designed by Tristan de Hattonchatel (fl 1460). The original plans for the project have disappeared, so it is impossible to evaluate Jacquemin’s contribution to the creation of this magnificent Flamboyant façade, on which he worked until his death.

As a sculptor Jacquemin worked in the service of René II, Duke of Lorraine. In 1480 the latter commissioned an Annunciation (untraced) for the oratory of his palace, and in ...

Article

Jean  

10th – 11th century, male.

Born between 960 and 970, in Italy or in Greece; died 1016, in Liège.

Painter, sculptor, architect. Religious subjects. Church decoration.

Jean was employed by the emperor Otto III in 980 and 1002. He was rewarded for work on the chapel of Charlemagne by the gift of a bishopric in Italy. He returned to Germany, then went to Liège where he became a friend of the bishop Baldéric II, who encouraged him to decorate the choir of St James' Abbey. He built the church of St Andrew in Liège. This may be the same man as the painter Johannes who was working at this period at Nepi....

Article

Jutland  

Harriet Sonne de Torrens

Mainland peninsula of modern-day Denmark and one of the three provinces (Jutland, Zealand and Skåne, southern Sweden) that constituted medieval Denmark. The conversion of the Danes to Christianity initiated a reorganization of the economic, social and legal structures of Denmark that would change the shape of Jutland dramatically between the 11th and 14th centuries. Under Knut the Great, King of Denmark and England (reg 1019–35), Jutland acquired a stable diocesan system (1060) that enabled a systematic collection of tithes and the growth of religious institutions between 1050 and 1250. During this period, agricultural practices changed as manor houses and landed estates were established, producing wealth for the ruling families. Under Valdemar I (reg 1157–82) and Knut VI (reg 1182–1202), Jutland witnessed a great building activity; on Jutland more than 700 stone churches were constructed, some replacing earlier wooden churches, each needing liturgical furnishings. Workshops, such as that of the renowned sculptor Horder and many others, were actively engaged in carving stone baptismal fonts (e.g. Malt, Skodborg, Ut, Stenild), capitals, reliefs (Vestervig, Aalborg) and tympana (Gjøl, Ørsted, Stjaer, Skibet), wooden cult figures, Jutland’s golden altars (Lisbjerg, Sahl, Stadil, Tamdrup) and wall paintings. Evidence of the earliest wall paintings in Jutland, ...

Article

French, 16th century, male.

Sculptor, architect. Liturgical objects, religious furnishings, armorials.

The son of Antoine Le Rupt, in 1555 he made a polychrome marble throne for the church of Notre-Dame in Dôle (Jura). Between 1562 and 1570, he made the rood screen, organ case and a font for the same church and, in ...

Article

Italian, 15th – 16th century, male.

Active from 1515 in France.

Born 15 April 1452, in Anchiano, near Vinci; died 2 May 1519, in Clos-Lucé, near Amboise, France.

Painter, sculptor, draughtsman, architect, engineer. Religious subjects, mythological subjects, portraits, topographic subjects, anatomical studies.

Leonardo da Vinci was the illegitimate son of the Florentine notary Ser Piero da Vinci, who married Albiera di Giovanni Amadori, the daughter of a patrician family, in the year Leonardo was born. Little is known about the artist’s natural mother, Caterina, other than that five years after Leonardo’s birth she married an artisan from Vinci named Chartabriga di Piero del Veccha. Leonardo was raised in his father’s home in Vinci by his paternal grandfather, Ser Antonio. Giorgio Vasari discusses Leonardo’s childhood at length, noting his aptitude for drawing and his taste for natural history and mathematics. Probably around 1470, Leonardo’s father apprenticed him to Andrea del Verrocchio; two years later, Leonardo’s name appears in the register of Florentine painters. Although officially a painter in his own right, Leonardo remained for a further five years or so in Verrocchio’s workshop, where Lorenzo di Credi and Pietro Perugino numbered among his fellow students....