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Çigdem Kafesçioglu and Walter B. Denny

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Çigdem Kafesçioglu and Walter B. Denny

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J. M. Rogers

[Muh‛ammad ibn al-Zayn; Ibn al-Zayn]

(fl early 14th century).

Arab metalworker. He is known from signatures on two undated inlaid wares, the Baptistère de St Louis (Paris, Louvre, LP 16, signed in six places) and the Vasselot Bowl (Paris, Louvre, MAO 331, signed once). His style is characterized by bold compositions of large figures encrusted with silver plaques on which details are elaborately chased. His repertory develops themes characteristic of later 13th-century metalwork from Mosul (see Islamic art, §IV, 3(ii) and (iii))—mounted or enthroned rulers, bands of running or prowling animals, an elaborate Nilotic composition, courtiers bearing insignia of office, and battle scenes on scroll grounds with strikingly naturalistic fauna. His work is marked by a realism of facial expression, in which Turco-Mongolian physiognomy, dress, headgear and even coiffure are prominent, and a vigour of movement, gesture or stance that enlivens and transforms even the running animals and rows of standing courtiers, some in Frankish costume. The technique and style of these pieces allow their attribution to the Bahri Mamluk period in Egypt and Syria (...

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Shannen Hill

Apartheid, an Afrikaans word meaning ‘separateness’, was a system of racial segregation in South Africa that curtailed the economic, political, and social rights of black, coloured, and Indian people. Enforced through the legislation of the National Party, apartheid was the rule of the land between 1948 and 1994. Apartheid affected art and art-making in three primary areas: expressions of nationalism; limited access to education and commercial art markets for black, coloured, and Indian artists; and articulations of political resistance to this system of governance.

Although apartheid is equated with the 20th century, its notions of segregation predate this period. As descendants of Dutch settlers who first settled in southern Africa in 1651, Afrikaners were long at odds with people indigenous to this region and with British and German imperialists who sought to colonize it in the 19th century. In Afrikaner lore, the Great Trek (1835–52) represents the spirit of struggle to claim a land in the name of God. The pilgrimage was driven by a desire both to civilize a so-called heathen place through the introduction of Christianity and to establish a republic free of English intrusion in the heartland. This spirit is embodied by Pioneers (...

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Ayyubid  

Islamic dynasty that ruled 1169–1252 in Egypt, 1180s–1260 in Syria and south-east Anatolia, and 1174–1229 in the Yemen, with minor branches continuing until the end of the 15th century. The Ayyubids were the Kurdish clan brought to power in 1169 by Salah al-Din (Saladin; reg 1169–93) and his nephew Shirkuh when they occupied Egypt on behalf of the Zangid family ruler of Damascus, Nur al-Din (reg 1146–74). Shirkuh soon died, and Salah al-Din became master of Egypt. He ended the Shi‛ite Fatimid dynasty of Egypt in 1171 and brought Aleppo and Damascus under his control in 1183 and 1186. Salah al-Din is best known in both East and West as a tireless foe of the crusaders, and for his liberation of Jerusalem in 1187. The Ayyubid lands were governed by leading members of his family. The sultan ruling in Cairo was paramount, and Damascus was the second capital, but Ayyubid possessions extended to the Yemen and into Anatolia. The counter-crusade continued throughout the Ayyubid period; notable is the failed treaty between al-Malik al-Kamil (...

Article

El Hadji Sy

(b Agniam Thiodaye Matam, July 11, 1945).

Senegalese painter. Primarily an autodidact, he also learnt engraving at the Institut National des Arts du Senegal, Dakar, in 1975. His early work was often rendered in china ink, but he later worked mainly with oil or acrylic paint. In the 1980s and 1990s his canvases focused on the world of Fulani cow herders, as seen in Vache (1988; Frankfurt am Main, Friedrich Axt priv. col.). Ba employs a palette of subtle, earth-tone hues to suggest the arid Sahelian landscape, populating these scenes with stylized cows and herders. His painting is often appreciated by collectors for its visual affinity with ancient rock art. He was considered for membership of the Ecole de Dakar and participated in the government-sponsored exhibition Art contemporain du Senegal, which traveled internationally from 1974 to 1982.

Contemporary Art of Senegal/Art Contemporain du Senegal (exh.cat., Hamilton, Ont., A.G., 1979) F. Axt and El Hadji M. B. Sy...

Article

[Arab. Dawlat al-Baḥrayn; anc. Dilmun, Tilmun, Gr. Tylos]

Independent state in the Persian/Arabian Gulf, comprising an archipelago of low-lying islands. The capital, Manama, is on the main island, also known as Bahrain. Bahrain Island is c. 586 sq. km in area and consists mostly of sand-covered limestone, with a fertile strip in the north and oases fed by natural springs. The discovery of oil in 1932 transformed Bahrain’s revenues, replacing pearls as its main export. Many of the islands are linked by causeways, including one between Bahrain Island and Muharraq Island, and a major causeway (1986) links Bahrain with Saudi Arabia. The indigenous population (c. 500,000) consists mainly of Shi‛a and Sunni Muslims. From the 3rd millennium bc to the mid-1st Bahrain can be identified as Dilmun, a powerful trading centre between the east (e.g. Iran, the Indus Valley) and Mesopotamia, with a colony on Failaka Island (Kuwait) from c. 2000 bc. Islam came to Bahrain ...

Article

Gavin Stamp

(b Cobham, Kent, June 9, 1862; d Cobham, Feb 4, 1946).

English architect and writer, also active in South Africa and India . He was articled to a cousin, Arthur Baker, a former assistant of George Gilbert Scott I, in 1879 and attended classes at the Architectural Association and Royal Academy Schools before joining the office of George & Peto in London (1882), where he first met and befriended Edwin Lutyens. Baker set up in independent practice in 1890 but moved to South Africa in 1892 to join his brother Lionel Baker. In Cape Town he met Cecil Rhodes, Prime Minister of the Cape Colony, who directed his attention to the traditional European Cape Dutch architecture of the province and asked him to rebuild his house Groote Schuur (1893, 1897), now the official residence of South Africa’s prime ministers. Applying the ideas of the English Arts and Crafts movement to local conditions, Baker produced a series of houses, both in the Cape Province and the Transvaal, which were instrumental in the revival of Cape Dutch architecture. In ...

Article

Gordon Campbell

Unwoven cloth made from the bast (inner bark) of a tree. It is also known as ‘tapa’, with reference to the Polynesian bark cloth made from the bark of the paper mulberry and used for clothing. There is a huge collection of Polynesian bark cloth in the Bernice Pauahi Bishop Museum in Honolulu. In sub-Saharan Africa bark cloth was traditionally decorated with free-hand painting applied with grass brushes, and was used for room-dividers and screens as well as clothing. Its widest application was in Japan, where bark cloth was used for windows, screens, kites, flags and umbrellas.

L. Terrell and J. Terrell: Patterns of Paradise: The Styles of Bark Cloth around the World (Chicago, 1980)M. J. Pritchard: Siapo: Bark Cloth Art of Samoa...

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Egyptian, 20th century, female.

Active in Lebanon.

Born 1945, in Alexandria.

Painter, graphic designer, illustrator. Figure compositions, figures.

Mouna Bassili Sehnaoui studied for two years at the American University in Beirut, Lebanon, and completed her higher education at the University of Arizona in Tucson where she was awarded a diploma in graphic art and painting. She also won the first prize at the university's exhibition of students' works in ...

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Çigdem Kafesçioglu and Walter B. Denny

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Bazaar  

Mohammad Gharipour

Bazaar, which is rooted in Middle Persian wāzār and Armenian vačaṟ, has acquired three different meanings: the market as a whole, a market day, and the marketplace. The bazaar as a place is an assemblage of workshops and stores where various goods and services are offered.

Primitive forms of shops and trade centres existed in early civilizations in the Near East, such as Sialk, Tepe in Kashan, Çatal Hüyük, Jerico, and Susa. After the 4th millennium BC, the population grew and villages gradually joined together to shape new cities, resulting in trade even with the remote areas as well as the acceleration of the population in towns. The advancement of trade and accumulation of wealth necessitated the creation of trade centres. Trade, and consequently marketplaces, worked as the main driving force in connecting separate civilizations, while fostering a division of labour, the diffusion of technological innovations, methods of intercultural communication, political and economic management, and techniques of farming and industrial production....

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Italo Zannier

British photographers of Italian origin. Antonio Beato (b ?the Veneto, c. 1830; d Luxor, 1903) and his brother Felice [Felix] Beato (b ?the Veneto, c. 1830; d Mandalay, after 1904) were for many years thought to be one person with two names, Antonio and Felice, and only recently has the mystery been solved of the almost contemporaneous presence of a Beato in two different (and often very distant) places. The misunderstanding arose from the fact that both their names (Antonio Felice Beato) appear on several photographs. A closer inquiry brought to light a letter written by Antonio and published in the French paper, Moniteur de la photographie (1 June 1886), in which he explains that he is not the producer of the exotic photographs recently exhibited in London, mention of which had been made in the Moniteur of 10 March; the photographer was instead ‘[his] brother Monsieur Felice Beato of Japan’....

Article

Susan Kart

(b Mbarara, 1963).

Ugandan photographer, film maker, and installation artist of Indian descent, active in the UK. Bhimji was born in Uganda to Indian parents. The family fled Uganda to England in 1972 due to President Idi Amin’s expulsion of all Asians and Asian-Ugandans from the country along with seizure of their property and businesses as part of his ‘economic war’ on Asia. Bhimji studied art at Goldsmiths College and the Slade School of Art in London and her photographic work primarily consists of close-up, sometimes abstracted glimpses of seemingly abandoned spaces, objects, and landscapes. Bhimji’s work focuses on India and Uganda, which are treated as almost anthropomorphic subjects that appear restless, unfinished, abandoned, or frozen in her photographs, films, and film stills. Bhimji was one of four shortlisted finalists for the Turner Prize in 2007, and her work has been exhibited alongside such artists as El Anatsui, António Olé, Yinka Shonibare, and ...

Article

Konjit Seyoum

[Eskender, Alexander]

(b Addis Ababa, July 22, 1937; d Washington, DC May 4, 2003).

Ethiopian painter of Armenian descent, active in the USA. Boghossian studied at St Martin’s School of Art and the Central School in London from 1955 to 1957. He then moved to Paris to study at the Ecole Supérieure des Beaux-Arts and the Académie de la Grande Chaumière. During his Paris years, Boghossian embraced Pan-Africanist ideals and participated in the Negritude movement. Skunder returned to Ethiopia in 1966 and taught at the Fine Arts School in Addis Ababa, where he exerted considerable influence on young Ethiopian artists, until 1969. In 1967 he was awarded the Haile Selassie I Award for Fine Arts. He migrated to the United States in 1970 and became active in the Black Power movement. He joined Howard University in 1972 where he taught until 2001. During his tenure at Howard he inspired many Ethiopian diaspora and African American artists. Skunder drew on African mythology and Ethiopian Orthodox Church art to create mystical universes populated with masks, creatures, magical forms, and symbols. In works such as ...