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Debra Higgs Strickland

(b London, Dec 2, 1947; d Edinburgh, Dec 27, 2006).

English art historian and epigrapher. Higgitt earned degrees at Oriel College, Oxford University (BA Hons, 1969), and the Courtauld Institute of Art (MA, 1972). He taught History of Art at the University of Edinburgh from 1974 until his death in 2006. He is best known for his progressive work on medieval epigraphy and its functions in his contributions to numerous edited anthologies, eight volumes of the Corpus of Anglo-Saxon Stone Sculpture, as well as in several separately published studies on early medieval sculpture, patronage, and inscriptions. He also edited three important volumes dedicated to art historical and epigraphical analysis of the early medieval standing stones of the British Isles and Ireland. As an advocate for ancient and medieval Scottish art, he served on the Ancient Monuments Board for Scotland and on the archaeological advisory body for Historic Scotland. Motivated by his particular concern with conservation issues relevant to Scotland’s sculptural heritage, he helped to found, and also chaired, the National Committee on the Carved Stones of Scotland, which oversees the conservation of regional carved monuments from prehistoric rock art to contemporary gravestones....

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Clark Maines

(b Bayonne, Jan 7, 1935; d Aug 10, 2009).

French medieval art historian and archaeologist. Pressouyre studied history and geography as well as archaeology and art history at Bordeaux (1960) and received his doctorate from Strasbourg in 1979. He taught at the Sorbonne as well as at Yale and Michigan universities. Pressouyre was renowned as a stimulating lecturer and supportive teacher. His medieval archaeology seminar brought together students and specialists, influencing many in the field for more than 20 years. His students’ admiration was expressed in a festschrift, Utilis est lapis in structura (2000).

Pressouyre’s early publications focused on 12th-century sculpture, particularly on the rich ensemble from the cloister of Châlons-en-Champagne, Notre-Dame-en-Vaux at Châlons-en-Champagne (formerly Châlons-sur-Marne), which he excavated and for which he created an on-site museum. Among the more than 80 articles he had published in major journals, his studies on stylistic trends in 12th-century sculpture in the Champagne region, and on the iconography of the medieval cloister, remain standards in the field....