American organization dedicated to improving the quality of architectural education. Incorporated in 1916 by the architect Lloyd Warren (1867–1922), the Beaux-Arts Institute of Design (BAID) was an outgrowth of the Society of Beaux-Arts Architects (SBAA; 1894–1942) established by his brother Whitney Warren (...
Elizabeth Meredith Dowling
Marisa J. Pascucci
Terms applied to painters who had studied at either of the two academies in Germany where numerous American artists sought painting instruction. In the mid-19th century some of America’s most esteemed artists studied at the German art academies in Düsseldorf and Munich. By the end of the 19th century hundreds of American artists in search of the latest artistic styles and techniques were working and training at both academies....
Person subjecting his or her body to an artist’s observation. A tradition of working from living models, begun in Classical times, was revived in Europe in the Renaissance and was an important feature of academic practice until the 20th century.
The model, in the academic sense, was from its inception until the 19th century synonymous with the male figure. The earliest recorded reference to artists’ models comes from ...
American family of Philadelphia printmakers, printers, painters, and educators. John Sartain and his children, Emily and William, played an important role in the art world of Philadelphia for over a century. Their influence on American art lies primarily in the impact of their work example and leadership on others, and somewhat less from the value placed on their own artistic output. The patriarch, John Sartain (...
Artist’s place of work. The term is also used to define the work of an artist’s assistants or followers.
In the most straightforward sense, a studio is the place where an artist works, its nature determined by the practical needs of production: adequate light by which to see and space in which to create the work of art. Subsequent activities (e.g. storage, display, and sale) and related activities (e.g. training) may also be considerations. Since work in a studio might involve a whole range of artistic practices, often each with several different processes, separate areas of work are required. There has always been some difference between the needs of painting and of sculpture, for example the latter’s requirement of distinct areas for modelling in clay and in plaster, for casting in metal, and for carving in wood and various types of stone. The processes involved in creating a painting require the preparation of drawing implements, paints, wood panels or canvases, and frames; these are all carried out within the studio, but can take place within one large room. On the other hand, a stained-glass studio (whether medieval or 19th century) might have employed many people, who remained segregated within specialist activities, which were carried out in separate areas under the same roof. Although a studio thus implies a specific space reserved for artistic activity, in the medieval period, because so many works were carried out ...