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A. Ziffer

German designer, painter, teacher and theorist. A self-taught artist, he made several study trips to Italy and the Tyrol. In painting he found inspiration in late German Romanticism, before turning to the English Arts and Crafts Movement. His designs were exhibited in 1899 at the exhibition of the Bayerische Kunstgewerbeverein (Munich, Glaspal.) and in ...

Article

Rosamond Allwood

Scottish designer, Botanist and writer. He trained at the Government School of Design, Somerset House, London, between 1847 and 1854, during which time he was strongly influenced by the design reform efforts of Henry Cole, Richard Redgrave and Owen Jones. In 1854 he began to lecture at the school on botany and in ...

Article

Pamela A. Patton

Embroidered textile (Girona, Cathedral; see Girona, §1) produced in Catalonia c. 1100. Although popularly labelled a tapestry, it is in fact a monumental embroidery in wool and linen on fine wool twill. It might have been produced for the cathedral following its consecration in ...

Article

Anna Rowland

Swiss painter, textile designer, teacher, writer and theorist. He trained first as a primary school teacher in Berne (1904–6), where he became familiar with progressive educational and psychoanalytical ideas. He was, however, interested in art and music, and in 1909 he decided to become a painter. He enrolled at the Ecole des Beaux-Arts in Geneva but was so disappointed that he returned to teacher training in Berne. He read widely and developed an interest in religion and mystic philosophy. After qualifying he returned to Geneva and greatly enjoyed the course on the geometric elements of art run by the Swiss painter ...

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English museum curator. In 1905 he joined the Victoria and Albert Museum in London as an Assistant in the Department of Textiles; subsequently he moved to the Department of Architecture and Sculpture. His lifelong career at the Museum was interrupted during World War I, by a period of service (...

Article

Resist  

Material such as wax or varnish used to cover those parts of a surface (e.g. cloth, pottery or a metal printmaking plate) that are not meant to be exposed to dye, lustre or acid (see Textile, §III, 1, (ii), (b)). In printmaking, the term refers to both the ground and the stopping-out varnish; in watercolour it is often called ‘masking medium’....

Article

Yuka Kadoi

American art historian , specializing in medieval Islamic textiles. Having studied at the University of Michigan under Mehmet Ağa-Oğlu and R. Ettinghausen (BA 1939; MA 1940), Shepherd enrolled at the Institute of Fine Arts of New York University to conduct further research on Hispano-Islamic textiles. In ...