1-20 of 47 results  for:

  • Modernism and International Style x
  • Sculpture and Carving x
Clear all

Article

Austrian, 20th century, male.

Born 10 March 1871, in Waidhofen-am-Ybbs; died 19 May 1956, in Vienna.

Painter, sculptor, engraver, illustrator. Genre scenes. Toys.

Art Nouveau.

Secession group.

Andri studied under Julius Berger and Edouard Lichtenfels at the Venice Academy, then, from 1892, under Claus Meyer at Karlsruhe Academy, before returning to settle in Venice. In ...

Article

Bauhaus  

Rainer K. Wick

[Bauhaus Berlin; Bauhaus Dessau, Hochschule für Gestaltung; Staatliches Bauhaus in Weimar]

German school of art, design and architecture, founded by Walter Gropius. It was active in Weimar from 1919 to 1925, in Dessau from 1925 to 1932 and in Berlin from 1932 to 1933, when it was closed down by the Nazi authorities. The Bauhaus’s name referred to the medieval Bauhütten or masons’ lodges. The school re-established workshop training, as opposed to impractical academic studio education. Its contribution to the development of Functionalism in architecture was widely influential. It exemplified the contemporary desire to form unified academies incorporating art colleges, colleges of arts and crafts and schools of architecture, thus promoting a closer cooperation between the practice of ‘fine’ and ‘applied’ art and architecture. The origins of the school lay in attempts in the 19th and early 20th centuries to re-establish the bond between artistic creativity and manufacturing that had been broken by the Industrial Revolution. According to Walter Gropius in ...

Article

French, 20th century, female.

Born in Lille.

Sculptor. Figures, portraits, animals.

Art Deco.

Marguerite de Bayser-Gratry was a pupil of the sculptor Charles Vital-Cornu. Her most important works were shown at the Salon des Artistes Français. These include busts, portraits and figures such as: Maternity; Woman from Martinique...

Article

French, 20th century, male.

Born in Paris.

Sculptor.

Art Deco.

Gabriel Beauvais exhibited at the Salon d'Automne in 1909, at the Société Nationale des Beaux-Arts in 1914 and at the Salon des Artistes Français between 1912 and 1925, where he also became a member.

Paris...

Article

Deborah Nash

(b Berlin, Aug 26, 1886; d Krailling, June 9, 1972).

German sculptor. Between 1905 and 1907 he worked as an assistant to a figurine modeller and then joined the Spezialauftrage für Theater-dekoration und plastische Modelle der Bühne Max Reinhardts from 1908 to 1910. In 1911 he entered the Hochschule der Künste in Berlin and studied there under Peter Breuer for one year. At this stage his sculptures of the human figure were expressionistic, but, influenced by the works of Naum Gabo, Alexander Archipenko and the Constructivist ideals that were prevalent in Germany, he soon moved towards a more abstract rendering of form, for example the mahogany Dreiklangs (1919; Berlin, Alte N.G.), three crinkled smooth-faceted forms emerging and diverging like leaves of a plant from a small base: this was his first completely abstract work. During this period he helped found the Novembergruppe and undertook a number of commissions for parks, memorials and restaurants, in which he was able to explore the relationship between sculpture and architecture. The most typical of these was the sculpture for the Scala Kasino in Berlin (...

Article

Italian, 19th – 20th century, male.

Active in Casale Monferrato.

Born 14 March 1859, in Casale Monferrato (Piedmont); died 2 September 1933, in Turin.

Sculptor, engraver. Figures. Groups, monuments.

Symbolism, Art Nouveau.

Piedmont-born artist who is perhaps more properly regarded as being from the Lombard School, insofar as he trained at the Accademia di Belle Arti di Brera in Milan. Bistolfi's sculpture has a distinct pictorial edge. His earliest work comprised various groups (for example ...

Article

German, 19th – 20th century, male.

Born 1871, in Perleberg (Brandenburg).

Sculptor, medallist. Busts.

Art Nouveau.

Die Sieben (Group of Seven). Darmstadt Artists' Colony.

Rudolf Bosselt studied in Frankfurt am Main and went on to work in Paris, Darmstadt and, from 1903, Düsseldorf. Rudolf Bosselt received an honourable mention at the ...

Article

Brazilian, 20th century, male.

Active also active in France.

Born 22 February 1894, in São Paulo; died 17 December 1955, in São Paulo.

Sculptor. Figures. Busts, groups, monuments.

Art Deco.

Brecheret lived in Europe and at first in Rome, where he studied sculpture under the supervision of the sculptor Arturo Dazzi between ...

Article

French, 20th century, male.

Born 1925, in Paris.

Painter, watercolourist, draughtsman, engraver, sculptor, designer of ornamental architectural features. Figures, landscapes. Statues.

Art Deco.

François Brochet was the son of the painter and playwright Henri Brochet, and was taught dance, theatre and puppeteering at home. In ...

Article

French, 19th – 20th century, male.

Born 10 January 1858, in Bollène; died 7 December 1924, in Paris.

Sculptor.

Art Nouveau.

Félix Charpentier studied under Cavelier at the École des Beaux-Arts in Paris. In 1882 he began exhibiting at the Salon showing allegories. In 2003 his work appeared in the collective exhibition ...

Article

Belgian, 20th century, male.

Born 1869, in Antwerp; died 1941, in Brussels.

Painter, sculptor, illustrator, poster artist. Religious subjects, portraits, landscapes.

Art Nouveau.

Having first studied law, Ghisbert Combaz became a pupil at the academy in Antwerp and a professor at the Brussels academy. He spent most of his life in Antwerp, where he exhibited from 1886 onwards; he also exhibited in conjunction with the association of Art Nouveau artists known as the Libre Esthétique from 1897. As an art historian, he made special study of the art of the Far East. With their sinuous and undulating rhythm, the arabesques in his engravings and posters provide typical examples of the Modern Style....

Article

Polish, 19th – 20th century, male.

Born 1866, in Lubaczów; died 1924, in Cracow.

Painter, draughtsman, illustrator, decorative artist, ceramicist, sculptor, designer. Portraits, genre scenes, landscapes. Furniture.

Symbolism, Art Nouveau.

Debicki studied at the Akademie der bildenden Künste in Vienna from 1881 to 1884, then in Munich, Paris, Lemberg (now Lviv, Ukraine) and Cracow. He first settled in Lemberg and began teaching in ...

Article

American, 20th century, female.

Born 23 December 1901, in Cleveland (Ohio); died 22 September 1994, in New York City.

Painter, sculptor. Abstraction.

Modernism, New York School, Abstract Expressionism.

Dorothy Dehner’s immediate family (her mother, father, and sister) had all passed away by the time she was 18 and her aunt Flo became her primary caregiver. Her aunts, Flo and Cora, were artistically inclined and aroused her interests in the arts. In 1915, Dorothy, her mother, Lulu, older sister Louise, and aunt Flo moved to California. In 1916, Dehner enrolled at Pasadena High School and began to study theatre at the Pasadena Playhouse under director Gilmore Brown. In 1922, she studied drama at the University of California Los Angeles; however, she didn’t graduate with a degree. After only one year at the University of California Los Angeles, she decided to pursue a full-time career as an actor. Dehner moved to New York in the mid-1920s and was cast in several Off-Broadway productions including Walter Hartwig’s Little Theater Productions....

Article

Marsha Meskimmon

(b Blainville, 1889; d Neuilly, 1963).

French sculptor, collagist and draughtsman. Sister of (Henri-Robert-)Marcel Duchamp. Suzanne Duchamp’s work was significant to the development of Paris Dada and modernism and her drawings and collages explore fascinating gender dynamics. She worked closely with her husband, the artist Jean Crotti and her brother, which has exacerbated the tendency to subsume her particular production under their influence.

Beginning her art studies in 1905 at the Ecole des Beaux-Arts in Rouen, by the outset of World War I Duchamp had moved to Paris. Between 1916 and 1921 she produced a significant body of work in a formal language that has come to be called ‘mechanomorphic’—images taken from commonplace mechanical or technological objects (such as cogs, pulleys, lightbulbs, car parts, etc) arranged to describe or infer human agency, desire or behaviour. The work of Francis Picabia, with whom Duchamp and Crotti were closely allied even after his ‘rejection’ of Dada in the 1920s, typifies the mechanomorphic tendency. Duchamp’s own mechanomorphic works, such as ...

Article

Swiss, 20th century, male.

Active in France.

Born 20 March 1877, in Lancy (Geneva); died 7 June 1942.

Painter (lacquer), decorative designer, coppersmith, sculptor.

Art Deco.

Jules John Dunand trained at the École des Arts Industriels in Geneva, along with the wood engraver François Louis Schmied, who would be his friend and collaborator for the rest of his life. Together, they went to work in Paris in 1897. Dunand was one of the artists employed to make groups of winged horses for the Pont Alexandre III, in readiness for the opening of the Exposition Universelle of 1900. He also managed to find time for his own work, and began exhibiting some quite conventional sculptures at the Salon de la Société Nationale des Beaux-Arts....

Article

German, 20th century, male.

Born 16 May 1885, in Barth; died 23 December 1945, in Berlin.

Sculptor (bronze), medallist. Animals. Monuments (fountains).

Jugendstil, Art Deco.

Max Esser trained in wood sculpture at a young age and attended evening classes at the Kunstgewerbemuseum in Berlin. He was a pupil of, and assistant to, the animal sculptor August Gaul ...

Article

Swiss, 20th century, male.

Born 1909, in Zurich.

Sculptor, painter, architect.

Hans Fischli studied architectural drawing from 1925 to 1928. During a journey to Stuttgart he visited the Weissenhof estate, the first manifestation of modernity in architecture. From 1929 to 1930 he was a student of architecture and decoration at the Bauhaus, also attending courses in painting given by Kandinsky and Klee, and by Oskar Schlemmer in the wall painting department. At the Bauhaus he met Max Bill. On returning to Zurich in ...

Article

Lauretta Dimmick

(b Fargo, ND, April 7, 1895; d New York, Jan 6, 1942).

American sculptor. An important proponent of modernism in America, he began studying painting in 1914 at the Minneapolis Institute of Arts. In New York he met the painter Arthur B. Davies, who suggested Flannagan try wood-carving. By 1927 Flannagan had abandoned both painting and wood-carving and, essentially self-taught, settled on direct carving in stone, although he did later experiment with metal casting. Flannagan preferred natural fieldstone to quarried material, favouring its rude and basic qualities. Similarly, he eschewed academic art, preferring simplified and abstracted forms. He chiselled as little as possible from the stones that he chose, seeking solely to release in his small-scale works the pantheistic image he believed existed in every rock. Often he made only shallow incisions to delineate his generalized animal and human figures. He dealt particularly with mother and child themes, such as Woman and Child (1932–3; Poughkeepsie, NY, Vassar Coll. A.G.), and with concepts of birth and rebirth, as seen in ...

Article

French, 20th century, male.

Born 1893; died 1941.

Sculptor, designer, decorative artist. Furniture.

Art Deco.

Jean-Michel Franck was one of the great decorators in France in the 1940s. The inlay work of his furniture established his fame. His work as a sculptor, however, is little documented....

Article

German, 19th – 20th century, male.

Born 13 July 1873, in Neuhaus; died 1948, in Dresden.

Sculptor, medallist. Religious subjects, figures, animals. Funerary monuments, designs (porcelain).

Art Deco.

Max Hermann Fritz was a student of Lorenz Hutschenreuther, and was active in Dresden from 1898. He carried out numerous sculptures for Hartau Church (including a ...