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Article

American, 20th century, male.

Born 24 January 1940, in New York.

Painter, sculptor, performance artist, video artist. Multimedia.

Body Art, Conceptual Art.

Vito Acconci was born in the Bronx, New York and lives and works in Brooklyn. He studied at Holy Cross College in Worcester, Massachusetts and at the University of Iowa. He has taught in various art schools and universities and in particular at the School of the Art Institute of Chicago, Yale University and the Parsons School of Design in New York....

Article

Frazer Ward

(Hannibal)

(b New York, Jan 24, 1940).

American poet, performance, video, and installation artist, and urban designer. Acconci worked for an MFA degree at the University of Iowa from 1962 to 1964. He initially devoted himself to poetry and writing that emphasized the physicality of the page and then began to produce visual work in real space in 1969. He worked as a performance artist from 1969 until 1974. His performance work addressed the social construction of subjectivity. A central work, Seedbed (1972; New York, Sonnabend Gal.), saw Acconci masturbate for six hours a day, hidden under a sloping gallery floor, involving visitors in the public expression of private fantasy. Between 1974 and 1979 he made a series of installations often using video and especially sound, mainly in gallery spaces, examining relations between subjectivity and public space. For Where We Are Now (Who Are We Anyway) (1976; New York, Sonnabend Gal.), a long table in the gallery and recorded voices suggested a realm of public or communal debate, but the table extended out of the window over the street like a diving board, countering idealism with the realities of city life. In the 1980s Acconci made sculptures and installations, many viewer-activated, invoking basic architectural units and domestic space. ...

Article

American, 20th century, male.

Active from 1930 in the USA.

Born 1926, in Ayios Nikolaos (Crete), Greece; died 17 August 2013, in New York City.

Sculptor, draughtsman. Multimedia.

Stephen Antonakos immigrated to New York in 1930 and lived there the remainder of his life. He attended Brooklyn Community College and graduated in ...

Article

Christiane Paul

(b Buffalo, NY, May 25, 1978).

American computer artist, performance artist, video artist, installation artist, composer, sculptor, and printmaker. He graduated in 2000 from the Oberlin Conservatory of Music, where he originally studied classical guitar but later switched to the technology of music. At Oberlin he also met Paul B. Davis with whom he formed the Beige Programming Ensemble in 2000, and released a record of 8-bit music entitled The 8-Bit Construction Set. In 2010 he co-founded, with Howie Chen and Alan Licht, the band Title TK.

Arcangel’s body of work has consistently addressed a series of themes, such as the manner in which we express ourselves through technological tools and platforms (from Photoshop to YouTube) in funny, original, creative, and awkward ways. His projects often explore our fascination with technology by playfully undermining our expectations of it and limiting viewers’ control. Another theme that frequently surfaces is the speed of technological obsolescence and the absurdity of a given technology’s lifecycle, which often moves from the cutting-edge of design to an insult of good taste (see Siegel, pp. 81–2). Arcangel connects these themes to the history of art, drawing parallels between pop-cultural vernacular and approaches in the fine art world and combining high tech and do-it-yourself (DIY) approaches. Among his best-known works are his hacks and modifications of Nintendo game cartridges and obsolete computer systems from the 1970s and 1980s (...

Article

American, 20th – 21st century, female.

Born 20 November 1946, in Harrisburg (Pennsylvania).

Sculptor, draughtswoman, multimedia artist.

Land Art.

Alice Aycock studied at Rutgers University (Douglass College), New Brunswick, NJ, receiving a BA in 1968, when she moved to New York. She obtained an MA from Hunter College in ...

Article

American, 20th – 21st century, female.

Installation artist, video artist, photographer, sculptor, film maker. Multimedia.

Beth B. attended art school as a child. She studied at University of California, Irvine, and at San Diego State University, and obtained a BFA from the School of Visual Arts, New York. She took her initial as a surname from 'B-Movies', the film company she founded in New York City in the late 1970s. Beth B. has received grants from the National Endowment for the Arts and from the New York State Council on the Arts. She is co-founder of the artists' group Collaborative Projects Inc. She lives in New York City....

Article

Frazer Ward

(b San Francisco, CA, 1967).

American sculptor, installation artist, filmmaker, and video artist. Barney emerged in the early 1990s to considerable fanfare, based on the reputation of works made while still an undergraduate at Yale University (he graduated with a BA in 1989), and early exhibitions in New York galleries. Exhibitions such as Field Dressing (1989; New Haven, CT, Yale, U., Payne Whitney Athletic Complex), and early works in the series Drawing Restraint (begun in 1987), established characteristics of Barney’s work: striking imagery drawn from an idiosyncratic range of sources (sport-oriented in the earliest works), sculptural objects in signature materials (e.g. petroleum jelly, ‘self-lubricating plastic’), and athletic performances by the artist, in the service of arcane personal mythology (see fig.). These characteristics are most fully expressed in the Cremaster cycle of five films (1994–2003, released out of order, beginning with Cremaster 4 (1992)). Elaborate and expensive productions featuring lush imagery, drawing on both marginal and mainstream histories (performance art and Hollywood cinema), Celtic and Masonic lore, popular cultural references (Harry Houdini, Gary Gilmore), and anatomical metaphors (the Cremaster is the muscle by which the testicles are raised and lowered), the ...

Article

American, 20th – 21st century, female.

Active in New York and Berlin.

Born 1949, in Columbus (Ohio).

Installation artist, sculptor, mixed media, video artist. Multimedia.

Judith Barry studied finance, architecture and art at the University of Florida, graduating in 1972. She received an MA in Communication Arts from New York Institute of Technology in ...

Article

Canadian First Nations (Micmac/Mi’kmaq), 21st century, male.

Born 1986, in Stephenville Crossing (Newfoundland).

Performance artist, installation artist, sculptor, painter.

Jordan Bennett is a multimedia artist born and raised in Newfoundland. In 2008 he received a BA in Fine Arts from Sir Wilfred Grenfell College (Corner Brook, Newfoundland), and later continued his education with anthropology and art history courses at the same college. Bennett describes himself as a ‘multi-disciplinary’ artist who liberally mixes visual and intellectual references from his own tribal background, intertribal issues, popular cultures and politics, Bennett conveys with buoyant vitality messages related to Canadian Aboriginal peoples that he feels are hard to communicate to the general public. Bennett’s artistic strategy is a direct engagement with the audience, which aims at stimulating interest and generating curiosity about indigenous issues and concerns such as treaty rights, land rights, cultural change and language loss. Directly engaged in recovering his native language (Micmac), Bennett exploits the multi-layered nature of the linguistic sign to reveal the variety of meanings that symbols can carry in different contexts. His re-fashioning of consumer products such as skateboards, Mac computers, turntables, shoes and surfboards turns mass production into quintessentially indigenous manufacturing that triggers in the viewer questions about authenticity and identity at the core of his artistic project. The indigenisation of commercial objects becomes an act of translation, which turns personal experience into political statements through the potential of objects to become catalysts for intercultural dialogues in public spaces as much as in the art gallery....

Article

American, 20th century, male.

Born 7 March 1926, in Halfway (Oregon); died 5 December 2008, in Cologne.

Painter, sculptor. Multimedia.

Neo-Dadaism, Fluxus.

From 1946 to 1950, George Brecht studied physical sciences at the Philadelphia College of Pharmacy & Science, and from 1950 to 1955, he trained as a chemist. He met John Cage in ...

Article

Naomi Beckwith

(b Fulton, MO, Feb 4, 1959).

American sculptor and multimedia artist working in fibre, installation, video, and performance. The youngest of seven sons born into a central Missouri family, Cave demonstrated an early acumen with hand-made objects and throughout his career has created works out of texturally rich materials imbued with cultural meaning. Cave received his BFA (1982) from the Kansas City Art Institute, developing an interest in textiles and, after some graduate-level work at North Texas State University, received his MFA (1989) from the Cranbrook Academy of Art, renowned for their textile, fibre art, and design programmes. While working toward his art degrees, Cave simultaneously studied with the Alvin Ailey Dance Theater, a company known for introducing African American folk traditions into the modern dance vocabulary. Cave moved to Chicago where he became chair of the Department of Fashion Design at the School of the Art Institute in 1980.

Working across the disciplines of sculpture, textile, dance, and cultural performance, Cave’s oeuvre is based on the human figure; he has produced wearable art as sculptures, arrangements of human and animal figurines as installations, and performance works. Cave’s signature works, the multi-sensory ‘...

Article

Mary M. Tinti

(b Houston, TX, 1951).

American sculptor, installation and conceptual artist. His multimedia works investigate the pathology of contemporary culture. Mel Chin was born and raised in Houston, Texas to parents of Chinese birth and received his BA in 1975 from the Peabody College in Nashville, Tennessee. The works in Chin’s oeuvre are diverse in both medium and subject, but a consistent undercurrent of social, political, and environmental responsibility runs throughout. Whether a sculpture, film, video game, installation, public project or earthwork, Chin’s artworks consistently targeted a broad spectrum of pressing cultural and ecological interests and spread their message in subtle, if not viral ways.

In the 1980s, Chin produced a number of sculptures that set the stage for his ever-evocative artistic journey. The Extraction of Plenty from What Remains: 1823 (1988–9) is a frequently referenced piece from this period. It is a symbolic encapsulation of the effects of the Monroe Doctrine, referencing the complicated dealings between the US (represented by truncated replicas of White House columns) and Central America (represented by a cornucopia of mahogany branches, woven banana-tree fiber, and a surface layer of hardened blood, mud, and coffee grinds). From the 1990s, however, Chin moved away from strictly gallery-based installations and began creating works that directly engaged contemporary culture in a variety of physical and theoretical landscapes....

Article

Canadian First Nations (Ojibwa), 20th–21st century, female.

Born 1952, in Toronto.

Sculptor, performance artist, multimedia artist, installation artist.

A member of the Serpent River First Nation, Bonnie Devine is a Canadian Ojibwa artist, writer and curator. She studied at the Ontario College of Art and Design in ...

Article

John-Paul Stonard

(b Washington, AR, July 10, 1940).

Native American Cherokee sculptor, performance artist, and video artist. In 1968 he moved to Geneva, where he attended the Ecole des Beaux-Arts in 1972. After his return to the USA he lived on the Pine Ridge Reservation in South Dakota and played an active part in the American Indian Movement; he also served from 1975 to 1979 as the executive director of the International Indian Treaty Council in New York. He left both organizations in 1980. Durham’s sculptures and installations can be seen against a background of activism, in which he records the plight of Native Americans in the face of Western colonial culture. His sculptures, bricolages of found objects, often take the form of vivid anthropomorphic constructions, appearing as ironic fetishes in an ethnographic display. Durham often includes words that provide witty if inconclusive suggestions of the type of protest that he is staging, as in the wall-mounted work ...

Article

American, 20th – 21st century, male.

Born 1952.

Sculptor, video artist. Multimedia.

Ken Feingold took part in the 1995 Lyons Biennale, with an interactive sculpture entitled Childhood/Hot and Cold Wars.

Article

Native American (Eastern Band of Cherokee), 20th–21st century, female.

Born 1957, in Baltimore.

Multimedia artist, photographer, illustrator, basket-weaver with paper.

Shan Goshorn, given the Cherokee Wolf Clan name of Yellow Moon, began training in silversmithing at the Cleveland Institute of Art and transferred to the Atlanta College of Art for her final year, receiving a BFA degree in painting and photography (double major) in ...

Article

American, 20th century, male.

Born 1942, in Urbana (Illinois).

Installation artist, performance artist, sculptor, photographer. Multimedia.

Conceptual Art, Body Art.

Dan Graham lives and works in New York, where he has achieved renown as a gallery owner (he opened the John Daniels Gallery in the 1960s), art theorist (championing Minimal Art) and artist. The closure of his gallery for financial reasons caused Dan Graham to question the economic and social purpose of 'gallery art'. Influenced by Pop Art, which introduced an element of social realism to his work, Graham gradually rejected the concept of artistic autonomy promoted by the American Minimalists. Drawing on his experience of the commercial and economic realities of the art world, he realised that the value of a work of art is above all determined by the extent to which it is reproduced. He began to publicise his own work by reproducing it on inserts in, for example, the art and rock press and women's magazines, rather than by holding exhibitions in commercial galleries. His exploration of art, the means of reproduction and 'mediatisation' continued with the distribution of his own series of photographs of tract-houses (pre-fabricated, mass-produced American suburban homes): ...

Article

Canadian First Nations (Saulteaux-Ojibwa), 20th-21st century, male.

Born 9 March 1947, in St. Boniface (Winnipeg).

Painter, sculptor, multimedia and installation artist.

A member of Sandy Bay First Nation, Robert Houle is a Canadian Saulteaux-Ojibwa artist, writer and curator, as well as a survivor of the Sandy Bay Indian Residential School. He received a BA in Art History from University of Manitoba in ...

Article

American, 20th–21st century, male.

Born 27 October 1954, in Detroit. Died 1 February 2012, in Los Angeles.

Sculptor of assemblages, installation artist, draughtsman, mixed media, illustrator. Multimedia.

Neo-Conceptual Art.

Mike Kelley received a BFA from University of Michigan, Ann Arbor, in 1976, and an MFA from the California Institute of the Arts, Valencia, in 1978. He lived and worked in Los Angeles. His work is critical of psychoanalysis, capitalism and post-industrial American culture, particularly the injustices, crudity and hypocrisy concerning racism, physical taboos, political conscience and machismo....

Article

Margaret Barlow

(b York, PA, Jan 21, 1955).

American sculptor, painter, and multimedia artist. He trained at Maryland Institute College of Art, Baltimore (BA 1976), and worked as a Wall Street commodities broker before embarking upon his career as an artist. In the 1980s he won international recognition as a radical exponent of Neo-Geo, an American movement concerned with appropriation and parody. Following the example of Pop artists of the 1960s, Koons used his work to reflect the commercial systems of the modern world. He also referred back to the Duchampian tradition, appropriating an art status to selected products (see Appropriation art). His vacuum cleaners encased in Perspex (1980–81; see 1993 exh. cat., pls 5–9) were classified as monuments to sterility. His immaculate replicas of domestic products, advertisements, kitsch toys, and models exercised an enthusiastic endorsement of unlimited consumption, unlike the veiled criticism of some work of the first generation of Pop artists. Koons perceived Western civilization as a driven society, flattered by narcissistic images and with a voracious appetite for glamorous commodities. In his expressions of the ecstatic and the banal he did not hesitate to breach the borderlines of taste; in the body of work titled ...