Italian architect, sculptor, painter, theorist and writer. The arts of painting, sculpture and architecture were, for Alberti, only three of an exceptionally broad range of interests, for he made his mark in fields as diverse as family ethics, philology and cryptography. It is for his contribution to the visual arts, however, that he is chiefly remembered. Alberti single-handedly established a theoretical foundation for the whole of ...
Paul Davies and David Hemsoll
Italian, 15th century, male.
Born 14 February 1404, in Genoa, illegitimate son of a noble Florentine banking family (in exile at the time of his birth); died 1472.
Architect, theorist, painter, sculptor.
Leon Battista Alberti was a leading scholar and architect of the fifteenth century. After receiving his doctorate in canon and civil law from Bologna University in ...
Italian, 17th century, male.
Active in Rome.
Born 1593, in Borgo San Sepolcro.
Painter, sculptor, engraver, art theorist. Religious subjects. Frescoes.
Served as Secretary to the Accademia di San Luca in Rome (founded by Zuccharo). In 1585, he published in Rome a benchmark Treatise on the Noble Art of Painting...
Italian, 20th – 21st century, male.
Born 17 July 1947, in Milan.
Painter, sculptor, theorist.
Arte Povera, Conceptual Art.
Adriano Altamira put forward his first critical observations on the phenomena of vision in 1967. Next he began to use minimalist structures, plaits and interlacings, like some of the methods used in France by the ...
Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time....
Annie Scottez-De Wambrechies
French sculptor and writer . At an early age he showed a talent for drawing and enrolled at the Académie in Valenciennes under the sculptor Léonce de Fieuzal (1768–1844). In 1830 he received a scholarship from the city of Valenciennes to study in Paris at the Ecole des Beaux-Arts in the atelier of ...
Isabel Mateo Gómez
Spanish painter, miniaturist, sculptor, architect and writer. He belongs to the Toledan school of the second half of the 16th century. The son of the painter Lorenzo de Ávila, he developed a Mannerist style that is smooth and delicate and derives from his father’s and from that of Juan Correa de Vivar and of Francisco Comontes (...
Lithuanian art historian, scholar of folklore and Egyptology, and diplomat of Russian birth. Son of the celebrated Lithuanian Symbolist poet of the same name, Jurgis Baltrušaitis II studied under
M. N. Sokolov
He attended the Surikov Institute of Art in Moscow (1942–7), where he completed undergraduate and postgraduate studies; his teachers there were Aristarkh Lentulov, Pavel Kuznetsov and Lev Bruni. He obtained a doctorate in art history and was a specialist in the historiography of Russian art. In ...
Swiss architect, sculptor, painter, industrial designer, graphic designer and writer. He attended silversmithing classes at the Kunstgewerbeschule in Zurich from 1924 to 1927. Then, inspired by the Exposition Internationale des Arts Décoratifs et Industriels Modernes (1925), Paris, by the works of Le Corbusier and by a competition entry (...
Italian sculptor, painter, printmaker and writer. As one of the principal figures of Futurism, he helped shape the movement’s revolutionary aesthetic as a theorist as well as through his art. In spite of the brevity of his life, his concern with dynamism of form and with the breakdown of solid mass in his sculpture continued to influence other artists long after his death....
English sculptor, designer and architect. In 1810 he exhibited at the first Liverpool Academy Exhibition and showed models and drawings there in 1811, 1812 and 1814. These included designs for the restoration of the screen in Sefton church, Merseyside, and for a chimney-piece for Speke Hall, Liverpool, and two drawings of Joseph Ridgway’s house at Ridgmont, Horwich, Lancs. Bridgens designed furniture and furnishings in Gothic and Elizabethan styles for ...
Kenneth G. Hay
English sculptor, draughtsman, architect and writer. After training as an architect from 1933 to 1936, he taught at the Architectural Association in London and practised as an architect as Cotterell Butler until 1939; among the buildings designed by him were two houses at Bushey (...
Rebecca W. Corrie
In the 20th century, discussion of the relationship between Byzantine art and the art of the Latin West evolved in tandem with scholarship on Byzantine art itself. Identified as the religious imagery and visual and material culture of the Greek Orthodox Empire based at Constantinople between ...
Spanish sculptor, teacher, critic and scholar. He was seminal in introducing the Neo-classical style to Spain and has been justly called the prototype of the academic artist (Bédat). The 14 years he spent in Italy (1733–47) studying ancient art and the work of such artists as Alessandro Algardi and Gianlorenzo Bernini were central to his career. De Castro’s earliest training was under ...
Italian goldsmith, medallist, sculptor and writer. He was one of the foremost Italian Mannerist artists of the 16th century, working in Rome for successive popes, in France for Francis I and in Florence for Cosimo I de’ Medici. Among his most famous works are the elaborate gold figural salt made for ...
Flemish sculptor, draughtsman and writer. He entered the Antwerp workshop of Peeter Verbrugghen the elder in 1682–3 and remained there after the latter’s death in 1686, collaborating with his son Peeter the younger. De Cock joined the Antwerp Guild in 1688–9 and, following the death of Verbrugghen the younger in ...
Term used in modern writing about art for the posture of a sculpted figure standing at rest with weight shifted on to one leg. Polykleitos’ Doryphoros (c. 440
Francesco Paolo Fiore and Pietro C. Marani
Italian architect, engineer, painter, illuminator, sculptor, medallist, theorist and writer. He was the most outstanding artistic personality from Siena in the second half of the 15th century. His activities as a diplomat led to his employment at the courts of Naples, Milan and Urbino, as well as in Siena, and while most of his paintings and miniatures date from before ...
Italian sculptor. He showed early evidence of a natural talent for drawing and sculpture and at the age of 12 he left school and worked first as a cartoon-maker for a silk-weaver, and later as assistant to a marble-carver. After his apprenticeship he began to work independently as an artisan, restoring balustrades, columns and statues for churches and palaces in Cremona and neighbouring cities. He also carved statues for cemeteries, garden fountains and fireplaces, mainly in the 15th-century Lombard style. In ...