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Belgian, 20th century, male.

Born 1939, in Liège.

Painter, sculptor, video artist, film producer. Comic strips.

Jacques Charlier lives and works in Liège. In 1982 he had La route de l'art published in comic strip form by the publishers Gewad and Moretti in Ghent. He draws together the activities of painting, sculpture, video, films and comic strips in order to deal with one common theme: art and the world of art, highlighting its contradictions and paradoxes. In an exhibition of photographs of reports by the Belgian organisation STP, ...

Article

Dutch, 20th – 21st century, male.

Born 1968, in Volkel.

Sculptor of assemblages, installation artist, draughtsman, publisher.

Conceptual Art.

Since 1986 Mark Manders has considered his works to be self-portraits, buildings inhabited by himself or 'self-portrait dwellings'. At exhibitions he first fits out the allocated space, working on all the surfaces, walls and floor. Then, in this 'container-environment', he proceeds to install significant elements from each of his creations; these elements are joined by assemblage, connections or various links. To this majority of pre-existing elements, which he has deliberately selected in order to reunite them, and which are a testimonial of his relationship with the outside world, he adds others that he has made himself, and which are generally in the schematic image of a living creature, human or animal, and spring in outline from his inner world....

Article

Morgan Falconer

(b London, Aug 17, 1943).

English conceptual artist and sculptor. He studied at Ealing School of Art (1962–3), began editing and publishing Control Magazine in 1965 and in 1972–3 was Director of the Centre for Behavioural Art in London. Consistently interested in art as an intervention in social patterns and identities, Willats frequently grounded his work in research-based projects. His early art, however, was more object-based. Light Modulator No. 2 (1962; see 1979–80 exh. cat., p. 13), for example, was a project for an outdoor public sculpture made of moving vertical panels, perspex and painted wood, through which people would pass and interact. Willats soon developed these more phenomenological and behavioural concerns into sets of problems concerned with social interaction and cognition. Another early work, Meta Filter (1973; Lyon, Mus. St Pierre A. Contemp.), demonstrates this: a very large installation organized around a large computer, it invites two participants to seek agreement over the meanings of a set of images and statements. Throughout his career Willats continued to design similar interactive projects aimed at encapsulating problems of social conflict. Often his exhibitions evolved out of complex research-based initiatives and extensive collaboration with the public. ...