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(b Boulogne-sur-Seine, May 3, 1870; d Paris, Aug 14, 1935).

French architect. He trained at the Ecole des Beaux-Arts under Paul-René-Léon Ginain and Louis-Henri-Georges Scellier de Gisors, receiving his architectural diploma in 1892. His early work included S. Bing’s Art Nouveau pavilion (destr.) at the Exposition Universelle of 1900 (inspired by Louis Bonnier’s initial project), blocks of flats in Paris in ashlar work, for example 236–238 Boulevard Raspail, 105 Rue Raymond Poincaré (both 1906) and the corner site of the Avenues du Bois de Boulogne et Malakoff (c. 1908), as well as regionalist constructions (garage in Neuilly and rural buildings in Herqueville and Heilly). He participated regularly in the competitions organized by the City of Paris, building low-cost housing schemes in the Rue Brillat-Savarin (1914–30) and the garden city at Chatenay-Malabry (1920–32) in collaboration with Joseph Bassompierre and Paul de Rutté. Following World War I he was named architect for the reconstruction schemes for the districts of Aisne and Pas-de-Calais....


French, 20th century, male.

Born 17 July 1877, in Paris; died 1941, in Ste-Maxime.

Designer, architect.

Art Nouveau, Art Deco.

Paul Follot studied under Eugène Samuel Grasset, who was renowned as an interior decorator. He exhibited in Paris at the Salon de la Société Nationale des Beaux-Arts, Salon d'Automne and Salon des Artistes Décorateurs, in which he was very active....


Hervé Paindaveine

(b Brussels, April 7, 1877; d Brussels, Feb 22, 1956).

Belgian interior designer and architect. He was the son of the painter Adolphe Hamesse (1849–1925) and studied architecture at the Académie Royale des Beaux-Arts in Brussels. He then worked successively in the offices of Paul Hankar and Alban Chambon. With the latter he found his true vocation in interior design using numerous ornamental components, manufactured industrially, which he excelled at combining in Art Nouveau compositions. Assisted by his two brothers, the painters Georges Hamesse (b 1874) and Léon Hamesse (b 1883), he responded to the eclectic tastes of the period by exploiting a very broad range of styles in such commissions as the Cohn-Donnay house (1904), the Ameke department store (1905), a masonic lodge (1909) and the Théâtre des Variétés (1909), all in Brussels. He also worked on a number of cinemas in Brussels, including the Artistic Palace (...


Raquel Henriques da Silva

(b Lisbon, June 1874; d Lisbon, 1944).

Portuguese architect. After completing his studies in architecture (1897) at the Academia de Belas Artes in Lisbon, where he was a pupil of José Luís Monteiro, Machado began his career working as an assistant to Rosendo Carvalheira on Parede Sanatorium (1901), Lisbon. This experience exposed Machado to contemporary styles, particularly the ornamental use of Art Nouveau as expressed in the fine azulejos (glazed tiles) that decorated the sanatorium. His own designs, however, adopted a Romanesque Revival style, for example the mausoleum of the Visconde de Valmôr (1900), Cemitério do Alto S João, Lisbon, which was his first work in this style and showed his preference for compact masses and heavy mouldings. He used similar features in the Colégio Academico (1904), 13 Avenida da Republica, which is one of the most important Romanesque Revival buildings in Lisbon, designed as a heavy circular structure on a corner site, set between two lateral blocks at right angles to each other. The suggestion of Romanesque weight is not, therefore, confined to a superficial application of motifs but is produced by the fundamental organization of the building’s masses. In the Sociedade Nacional de Belas Artes building (...


German, 20th century, male.

Born 16 May 1872, in Münster; died 5 April 1943, in Baierbrunn (Upper Bavaria), in Munich according to other sources.

Architect, painter, draughtsman, illustrator, engraver, sculptor, interior designer, graphic designer. Portraits, landscapes with figures, landscapes, portraits. Stage sets, designs (furniture).

Jugendstil, Art Deco...


Jacques-Grégoire Watelet

(b Liège, July 27, 1858; d Liège, Nov 10, 1910).

Belgian architect and designer. He studied architecture at the Académie des Beaux-Arts in Liège from 1874. He was mainly interested in the theories of John Ruskin and William Morris, but above all in those of Eugène-Emmanuel Viollet-le-Duc, particularly those expressed in Entretiens sur l’architecture (1863–72), which Serrurier-Bovy enthusiastically discussed with his fellow students. From 1882 he practised as an architect with his father, Louis Serrurier, a contractor, and built the Gothic Revival chapel (1882) at the Château de Chaityfontaine (between Liège and Verviers). Soon, however, he was devoting all his time to furniture design. In 1884 he went to London to visit the Schools of Handicrafts, Fine and Applied Arts, and to see the work of A. H. Mackmurdo and C. F. A. Voysey; he also signed agreements with Liberty’s. In the same year he married Maria Bovy, an invaluable assistant, whose name he added to his own. The Serrurier-Bovy firm opened in Liège, selling imported objects and designing unique pieces of furniture. Its first important public showing was (probably due to the intervention of Serrurier-Bovy’s friend Henry Van de Velde) at the first salon of the ...