1-9 of 9 results  for:

  • Industrial and Commercial Art x
  • Painting and Drawing x
  • Sculpture and Carving x
  • Architecture and Urban Planning x
Clear all

Article

Hans Frei

(b Winterthur, Dec 22, 1908; d Zurich, Dec 9, 1994).

Swiss architect, sculptor, painter, industrial designer, graphic designer and writer. He attended silversmithing classes at the Kunstgewerbeschule in Zurich from 1924 to 1927. Then, inspired by the Exposition Internationale des Arts Décoratifs et Industriels Modernes (1925), Paris, by the works of Le Corbusier and by a competition entry (1927) for the Palace of the League of Nations, Geneva, by Hannes Meyer and Hans Wittwer (1894–1952), he decided to become an architect and enrolled in the Bauhaus, Dessau, in 1927. He studied there for two years as a pupil of Josef Albers, László Moholy-Nagy, Paul Klee and Vasily Kandinsky, mainly in the field of ‘free art’. In 1929 he returned to Zurich. After working on graphic designs for the few modern buildings being constructed, he built his first work, his own house and studio (1932–3) in Zurich-Höngg; although this adheres to the principles of the new architecture, it retains echoes of the traditional, for example in the gently sloping saddle roof....

Article

Paul Huvenne

[Lancelot]

(b ?Poperinghe, 1488; d Bruges, bur March 4, 1581).

South Netherlandish painter, draughtsman, designer, architect, civil engineer, cartographer and engraver. He is said to have trained as a bricklayer, and the trowel he used to add as his housemark next to his monogram lab testifies to this and to his pretensions as an architectural designer. In 1519 he was registered as a master painter in the Bruges Guild of St Luke, where he chose as his speciality painting on canvas. The following year he collaborated with the little-known painter Willem Cornu in designing and executing 12 scenes for the Triumphal Entry of Emperor Charles V into Bruges. From then onwards Blondeel received regular commissions, mainly as a designer and organizer. Records of legal actions show that he was sometimes late with commissions; he took seven years to execute a Last Judgement ordered in 1540 for the council chamber at Blankenberge, and in 1545 the Guild of St Luke summoned him for his failure to supply their guild banner on time. Blondeel was married to Kathelyne, sister of the wood-carver ...

Article

Italian, 19th – 20th century, male.

Active in France from 1900.

Born 12 February 1856, in Milan; died 1940, in Molsheim (Bas-Rhin), France.

Painter, sculptor, designer of ornamental architectural features, decorative artist. Portraits. Furniture.

Orientalism, Art Nouveau.

Carlo Bugatti studied at the Accademia di Belle Arti di Brera in Milan, then at the École des Beaux-Arts in Paris. He was originally interested in architecture, producing work that was heavily influenced by the strong styles of ancient Egypt and Islam. He later decided to devote himself to designing furniture and ornamentation. His talent was soon recognised and he was awarded many distinctions at exhibitions in London, Turin and at the 1900 Exposition Universelle in Paris. He sold his company in Milan and settled in Paris, then in 1910 in Compiègne. At the end of his life, beset by tragedies, including the suicide of his son Rembrandt in 1916, he went to live with his other son, Ettore, who had the car factory at Molsheim. Giovanni, Ettore's son and heir, was killed when testing a car in 1939....

Article

French, 18th century, male.

Born 17 April 1731, in Aix-en-Provence; died 15 November 1788, in Paris.

Architect, sculptor, draughtsman, designer of ornamental architectural features. Decorative motifs. Furniture.

Gilles Cauvet, sculptor to Monsieur, the king's brother, banished the mannered style from interior decoration, preferring classical simplicity. He was director of the Académie de St-Luc in Paris, and organised the Exhibition of ...

Article

Gjergj Frashëri

[Nikollë]

(b Shkodër, Aug 15, 1860; d Shkodër, Dec 12, 1939).

Albanian painter, architect, sculptor and photographer. His grandfather Andrea Idromeno was a painter and a doctor of theology; his father, Arsen Idromeno, was a furniture designer and painter. Kol Idromeno took private lessons in painting (1871–5) at the studio of the photographer and painter Pietro Marubi (1834–1903). In 1875 he won a competition and began studies at the Accademia di Belle Arti, Venice. However, due to arguments with his teacher, he abandoned the school and continued his studies in one of the large studios in Venice (1876–8).

At first Idromeno produced works with both religious and secular themes that were noted for their highly realistic rendering of the human form (e.g. St Mary Magdalene, oil on canvas, 1877; Shkodër Mus.). Many of his biblical works were executed in churches within the Shkodër district, with perhaps his best work being the frescoes of the Orthodox Church in Shkodër, especially the fragment depicting ...

Article

German, 19th – 20th century, male.

Born 30 September 1864, in Lörrach; died 12 December 1952, in Lörrach.

Painter, architect, draughtsman, sculptor, potter. Designs (fabrics/furniture/ceramics).

Max Laeuger began training as a painter in 1881 at the Kunstgewerbeschule, Karlsruhe under Franz Sales Mayer, before finishing his studies at the Académie Julian, Paris, from ...

Article

Elisabeth Lebovici

(b Béziers, Hérault, Dec 25, 1924).

French painter and sculptor. He studied drawing and painting in Pau from 1939 to 1945 while qualifying as an engineer there. From 1945 to 1955 he worked as an aeronautics designer and draughtsman within the firm Turboméca before deciding to devote himself full-time to painting, taking as his starting-point Art informel and particularly the work of Jean Dubuffet. He wrote, in a sort of graffiti, directly on to the substances from which he made his pictures, favouring materials that offered resistance and that could be built up and modelled, such as crushed flint mixed with a synthetic resin and coloured with powdered pigments. Through such methods an affinity was suggested with ancient palimpsests covered in successive layers of writing.

Noël lived in New York from 1969 to 1981 and under the influence of Minimalism subjected his work to a more formal structure. His signs lost their resemblance to mysterious writing, instead becoming enmeshed in patterns of latticework, grids and patchworks that defined the painted surface. On his return to France he again took up the large scale and themes of murals that he had painted on commission before moving to New York, for example at the Lycée du Grand Lac in Var, Alpes Maritimes, in ...

Article

German, 19th – 20th century, male.

Born 20 June 1868, in Munich; died 15 April 1957, in Munich.

Painter, sculptor, decorative designer, designer, architect, interior designer. Genre scenes. Furniture, fabrics, ceramic, glassware, carpets, toys.

Richard Riemerschmid trained in painting at the Kunstakademie of Munich from 1888...

Article

Martin Kemp

(b Anchiano, nr Vinci, April 15, 1452; d Amboise, nr Tours, May 2, 1519).

Italian painter, sculptor, architect, designer, theorist, engineer and scientist. He was the founding father of what is called the High Renaissance style and exercised an enormous influence on contemporary and later artists. His writings on art helped establish the ideals of representation and expression that were to dominate European academies for the next 400 years. The standards he set in figure draughtsmanship, handling of space, depiction of light and shade, representation of landscape, evocation of character and techniques of narrative radically transformed the range of art. A number of his inventions in architecture and in various fields of decoration entered the general currency of 16th-century design.

Although he brought relatively few works to completion, and even fewer have survived, Leonardo was responsible for some of the most influential images in the history of art. The ‘Mona Lisa’ (Paris, Louvre) may fairly be described as the world’s most famous painting. When the extent of his writings on many branches of science became increasingly apparent during the 19th century, he appeared to epitomize the idea of the universal genius and was hailed as one of the prophets of the modern era. More recent assessments of his intellectual achievements have recognized the medieval and Classical framework on which his theories were constructed but have done nothing to detract from the awesome range and intensity of his thought....