1-4 of 4 results  for:

  • Twentieth-Century Art x
  • Performance Art and Dance x
  • Prints and Printmaking x
Clear all

Article

Anthony Parton

(Sergeyevna)

(b Negayevo, Tula Province, June 16, 1881: d Paris, Oct 17, 1962).

Russian painter, stage designer, printmaker and illustrator. She was a leading artist of the Russian avant-garde in the early 20th century but became a celebrity in the West through her work for Serge (de) Diaghilev and the Ballets Russes. During the 1920s she played a significant role within the Ecole de Paris and continued to live and work in France until her death.

She was the daughter of Sergey Mikhaylovich Goncharov, an architect, and Yekaterina Il’icha Belyayeva but grew up in her grandmother’s home at Ladyzhino, near Kaluga, in Tula Province. She attended the Fourth Gymnasium for Girls in Moscow and in 1898 entered the Moscow School of Painting, Sculpture and Architecture as a sculpture student where she was taught by Paolo Troubetskoy. At the school Goncharova became friendly with Mikhail Larionov. He became her lifelong companion and colleague, and he encouraged her to relinquish sculpture for painting. Goncharova’s early work comprised mainly pastels, which were exhibited in ...

Article

Anthony Parton

(Fyodorovich)

(b Tiraspol, Moldova, June 3, 1881; d Fontenay-aux-Roses, nr Paris, May 10, 1964).

Russian painter, stage designer, printmaker, illustrator, draughtsman and writer of Moldovan birth. He was a leader of the Russian avant-garde before World War I but came to prominence in the West through his work for Serge Diaghilev and the Ballets Russes. During the 1920s he played a significant role within the Ecole de Paris and continued to live and work in France until his death.

He was the son of Fyodor Mikhailovich Larionov, a doctor and pharmacist, and Aleksandra Fyodorovna Petrovskaya, but he grew up in his grandparents’ home in Tiraspol. He completed his secondary education at the Voskresensky Technical High School in Moscow and in 1898 entered the Moscow School of Painting, Sculpture and Architecture. Here he studied under Valentin Serov and Konstantin Korovin, and he also became friendly with Natal’ya Goncharova who was to remain his lifelong companion and colleague. Larionov’s work soon caught the imagination of collectors and critics. In ...

Article

Ester Coen

(b Portogruaro, Venice, April 30, 1885; d Cerro di Laveno, Varese, Feb 6, 1947).

Italian painter, printmaker, writer and composer. The fourth of five children, he was trained in music by his father, who was a clockmaker and organist. In 1901 he went to Milan to join his family, who had moved there so that his two brothers, Giovanni and Antonio, could study music at the conservatory. Diverging from his father’s inclinations, Luigi was attracted towards other forms of art, especially painting. Though not actually enrolled at the Accademia di Brera, through new friends he indirectly followed the ideas taught there. In the same period he worked for the restorer Crivelli in Milan, serving his apprenticeship working on the interior decorations of the Castello Sforzesco and on Leonardo’s Last Supper in the refectory of S Maria delle Grazie. In December 1909 he took part in the exhibition Bianco e nero at the Famiglia Artistica in Milan, contributing a series of etchings, made during the preceding year, which show a definite leaning towards Symbolist forms and images. The undulating quality of the line in such etchings as his portrait of ...

Article

Italian, 20th century, male.

Active in France.

Born 30 April 1885, in Portogruaro (Veneto); died 1947, in Cerro di Laveno (Lake Maggiore), in 1941 according to some sources.

Painter, watercolourist, collage artist, engraver (etching/aquatint), musician. Figures, portraits, self-portraits, landscapes, still-lifes. Stage sets.

Futurism.

Luigi Russolo studied music but became a self-taught painter. He frequented avant-garde literary circles and was a contributor to the review ...