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(b Najaf, 1944).

Iraqi calligrapher, painter, printmaker and writer, active in Paris (see fig.). He studied painting and calligraphy in Baghdad from 1960 to 1969, and in 1969 exhibited his work at the Iraqi Artists’ Society exhibition and at the French Cultural Centre in Baghdad. The same year he went to Paris and studied at the Ecole des Beaux-Arts until 1975. Thereafter he lived in Paris. Although influenced by traditional calligraphy, he developed his own calligraphic style, which incorporated painterly elements. In many of his works, for example Je suis le feu tapi dans la pierre. Si tu es de ceux qui font jailler l’étincelle alors frappe (1984; Paris, Inst. Monde Arab.), he employed proverbs and quotations from a range of sources. He also researched and wrote about Arabic calligraphy.

Article

Salima Hashmi

(b Simla, India, 1929; d Stafford, England, Jan 18, 1985).

Pakistani painter, printmaker, writer and teacher, active in England. He was born into a Kashmiri family of carpetmakers and grew up in Lahore. He received a diploma in fine arts in 1947 from the Mayo School of Arts, Lahore, and studied at the Slade School of Fine Art, London (1959–60). He was active in the literary circles of Lahore as a poet and short-story writer throughout the 1950s. Although trained in traditional miniature techniques, calligraphy and formal tessellated pattern making, in his early work he propagated a modernist, iconoclastic approach to painting, creating cubistic cityscapes and still-lifes in oil on canvas. Strongly influenced by Paul Klee, Shemza later drew on Arabic and Persian calligraphy in strongly linear works. In his ink-and-watercolour Untitled Drawing (1959; Lahore, A. Council Col.) the structure is geometric yet the forms remain fluid and rhythmic. He participated in the International Print Biennial, Tokyo (...