1-20 of 250 results  for:

  • Prints and Printmaking x
  • 1400–1500 x
Clear all

Article

A  

15th – 17th century (?), male.

Monogram of an engraver (wood).

Cited by Brulliot as having engraved a Conversion of St Paul.

Article

A. A.  

14th – 17th century (?), male.

Initials of a painter and engraver.

Cited by Bartsch and Defer; known for an engraving of Young Satyr and Old Satyr copied from an etching by Marcantonio Raimondi.

Article

A. A.  

15th – 16th century (?), male.

Monogram of an engraver (wood).

Cited by Bartsch and Brullior; known to have engraved two works, a St Jerome and a Three Graces.

Article

German (?), 14th – 17th century (?), male.

Monogram of an engraver.

Brulliot made a reference to this artist. His monogram is usually interpreted as A. A. B., but it could also be read as M. B. He left a cartouche, held by two eagles and topped by a ram's head....

Article

A. B.  

German (?), 14th – 17th century (?), male.

Monogram of an engraver (stippling).

Brulliot makes a reference to A. B. He produced decorations in gold and silver.

Article

German, 14th – 16th century ?, male.

Monogram of an engraver.

The monogram A.H.C. is found on various prints, in particular a Bacchus and Woman Bathing.

Article

14th – 16th century (?), male.

Monogram of an engraver (wood).

Article

A. J.  

14th – 17th century (?), male.

Monogram of an engraver. Religious subjects.

Cited by Defer; credited with a Nativity.

Article

A. M.  

German, 14th – 17th century (?), male.

Monogram of a draughtsman, engraver (wood).

The monogram A. M. is found on an engraving on wood of a View of the Town of Meissen.

Article

A. M.  

German, 15th century, male.

Monogram of an engraver.

The monogram A. M. was discovered on a stone which served as a decorative mount showing children amid leaf decorations, dated 1443. It is mentioned by Ris Pacquot in Dictionary of Monograms ( Dictionnaire des Monogrammes)....

Article

German, 14th – 17th century (?), male.

Monogram of an engraver.

Article

15th – 17th century (?), male.

Monogram of an engraver.

Cited by Ris-Paquot.

Article

A. P.  

15th – 16th century (?), male.

Monogram of an engraver (copper).

Article

15th – 17th century (?), male.

Monogram of a draughtsman, engraver (wood).

Monogram found on a three-plate chiaroscuro etching of Absalom's Death at the Hands of Joab.

Article

A. V.  

14th – 17th century (?), male.

Monogram of an engraver.

Article

A. V.  

15th century, male.

Engraver.

Cited by Defer as having been active towards the end of the 15th century; noted for an etching of St Peter and St Paul Carrying the Shroud.

Article

Adam  

German, 15th century, male.

Active in Cologne at the end of the 15th century.

Sculptor, engraver (stone).

Cologne School.

In 1487 Adam, along with other master sculptors, was commissioned to plan the western part of the church of St Victor in Xanten, Germany.

Article

Flemish, 15th – 16th century, male.

Painter.

Antwerp School, Flemish School.

Thomas Adam studied under the engraver Lenart van Bergen and became a master painter of the Guild of St Luke in 1499. Another reference to him is dated 1516.

Article

Swiss, 15th – 16th century, male.

Active in Fribourg from 1498 to 1509.

Sculptor, engraver (stone), architect.

Gylian Aetterli worked in the funerary chapel of St Nicholas in Fribourg, and in 1501 sculpted the baptismal font for the church at Guin in the canton of Fribourg....

Article

Gennaro Toscano

(b Sassoferrato, c. 1470; d Cupramontana, c. 1540).

Italian painter and possible woodcutter. He spent his early years in Sassoferrato, where his family owned a ceramics workshop. Around 1497 he probably visited the Veneto region, since his Virgin and Child with Saints (Padua, Mus. Civ.) painted that year shows the strong influence of painters active there such as Cima da Conegliano. The painting also reflects the Bolognese style of Francesco Francia and that of the Romagnian Marco Palmezzano. In Venice, Agabiti may have made woodcuts after the illustrations for Francesco Colonna’s Hypnerotomachia Poliphili (Venice, 1499). By 1502 he had returned to the Marches, where he executed a painting (untraced) for S Rocco, Jesi, the town where in 1507 he is documented as residing. After 1510 he was again in Sassoferrato, where in 1511 he signed and dated both the Virgin and Child Enthroned with Saints (Sassoferrato, Gal. A. Mod. & Contemp.) and the Nativity in S Maria del Piano. In ...