American, 20th century, male.
Born 1924, in Ann Arbor (Michigan); died 1997.
Painter, sculptor, draughtsman, photographer, installation artist.
Conceptual Art, Appropriation Art.
Douglas Charles Huebler studied at the Cleveland Institute of Art at the University of Michigan, then at the Académie Julian, Paris. Like numerous young American artists who, despite the wave of Pop Art, remained loyal to Abstract art, his research led him, in terms of his early work, to 'minimal art'; his main preoccupation seemed to be gigantic dimensions. But in less than three years he switched to work which was more or less equivalent to Conceptual Art, and ultimately became one of its leading exponents, along with Joseph Kosuth, Sol Lewit, Robert Barry and Lawrence Weiner. His Conceptual Art enquiries focused on 'interpreting' the range of life of forms in multiple signs and places, rather than the internalising or integrity of objects typical of the 'minimalist' genre....