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Article

American, 20th century, male.

Born 24 January 1940, in New York.

Painter, sculptor, performance artist, video artist. Multimedia.

Body Art, Conceptual Art.

Vito Acconci was born in the Bronx, New York and lives and works in Brooklyn. He studied at Holy Cross College in Worcester, Massachusetts and at the University of Iowa. He has taught in various art schools and universities and in particular at the School of the Art Institute of Chicago, Yale University and the Parsons School of Design in New York....

Article

American, 20th – 21st century, male.

Born 19 February 1946, in Washington DC.

Painter, sculptor, draughtsman, engraver, photographer, video artist, glassmaker, decorative designer. Theatre design.

AfriCobra Group.

Akili Ron Anderson attended the Corcoran School of Art and Howard University in Washington DC where he lives and works. He is a member of AfriCobra (African Commune of Bad Relevant Artists) founded in ...

Article

Armenian, 20th–21st century, male.

Born 23 May 1938, in Kharkiv, Ukraine; died 12 November 2009, in New York City.

Vagrich Bakhchanyan studied with avant-garde painter and designer Vasily Ermilov (1894–1967) at the Kharkov Studio for Decorative Art in the late 1950s. In 1967...

Article

British, 20th century, male.

Born 1904; died 1980.

Painter (including gouache), watercolourist, draughtsman (including ink), illustrator, designer, photographer. Portraits, landscapes. Stage sets, stage costumes.

Sir Cecil Beaton was influenced, in the first half of the 20th century, by the Russian ballets of Diaghilev and the fashionable world surrounding Coco Chanel. He was particularly known as a theatrical costume designer, for the famous musical comedies ...

Article

Yugoslav, 20th – 21st century, male.

Active in France.

Born 7 October 1951, in Belgrade (now in Serbia).

Draughtsman, newspaper cartoonist, painter, designer, film producer. Comic strips, posters, stage costumes and sets.

Enki Bilal was the son of General Tito's former tailor. He arrived in Paris with his family in ...

Article

French, 20th century, male.

Born 1945, in Paris.

Painter, installation artist, intervention artist, performance artist, photographer. Multimedia.

Conceptual Art, Land Art, Body Art.

The beginnings of Borgeaud's work, as it was to develop subsequently, can be dated from 1969, the year of the exhibition event ...

Article

German, 20th – 21st century, male.

Born 1950.

Painter, lithographer, performance artist, photographer. Artists' books.

Fluxus.

Wolf Adam Bottinelli trained at the art academy in Kassel. He appears to have a very free idea of the act of creation, which has brought him close to the ...

Article

Chinese, 20th – 21st century, male.

Active in Japan and the USA.

Born 8 December 1957, in Quanzhou City (Fujian Province).

Painter, draughtsman, mixed media, video artist, installation artist, performance artist.

Cai Guo-Qiang trained in stage design at the Shanghai drama institute from 1981 to 1985...

Article

Isobel Whitelegg

(b La Vega, Mantanzas, 1959).

Cuban painter, photographer, installation and performance artist, active also in the USA. Campos-Pons studied at the Higher Institute of Art, Havana (1980–85). Initially a painter, her graduation show Acoplamientos (1985; Havana, HIA) was concerned with representations of the female body as a device for prohibition and control, and her early work focused on the role of women in society and their representation within the history of art. In 1988 she went to the USA as a visiting artist at the Massachusetts College of Art, Boston, and in 1991 she settled permanently in Boston. Using shaped canvases, her first works displayed an interest in the interrelationship between painting and three-dimensional media. While living in the USA she also expanded her interest in sculpture and installation to include elements of video and performance.

Living abroad also brought her relationship to Cuba into sharper relief; work produced in the early 1990s addressed her own displacement in relation to the enforced migration of her ancestors as slaves, and the way in which an imagined Africa is collectively created in contemporary Cuba by story-telling, the cultivation of traditional medicinal plants and the practice of the Afro-Caribbean Santería religion. Using performance and video as a form of self-portraiture, another aspect of her practice focuses on her attempt to build a coherent identity as an Afro-Cuban woman living in the USA. With the aim of achieving simultaneity between performance and its immediate capture in the production of an unalterable image, her self-portraits employ large-format colour Polaroid photography, as in the diptych ...

Article

French, 20th century, male.

Born 1944, in Lyons; died 8 April 1997, in Turkey, as the result of an accident.

Sculptor of assemblages, installation artist, collage artist, draughtsman, engraver, mixed media, illustrator, performance artist, designer, video artist. Multimedia, stage sets.

Land Art.

Jean Clareboudt studied at the École d'Arts Appliqués ...

Article

Grant B. Romer

revised by Stephen C. Pinson

(b Cormeilles-en-Parisis, nr Paris, Nov 18, 1787; d Bry-sur-Marne, Paris, July 10, 1851).

French photographer, inventor, painter, printmaker, entrepreneur, and stage designer. He began his artistic training at the public school of drawing, and possibly served as an architect’s apprentice, in Orléans. He began his career in Paris around 1804 as a student of the stage designer Ignace-Eugène-Marie Degotti (c. 1759–1824), who led the painting studio of the Paris Opéra. Daguerre first appears as a day labourer in the records of the Opéra in 1808 and held various posts as a painter through to 1816. He also may have been a student of Jacques-Louis David, and early biographies of Pierre Prévost (1764–1823) state that Daguerre was one of Prévost’s assistants in the production of immense panorama paintings; extant documentation has not been found to support either claim, however. Daguerre exhibited his first independent work at the Salon of 1814, Interior of a Chapel in Feuillants Church (Paris, Louvre), which was purchased by Louis XVIII. During the next twenty years he exhibited four paintings and two lithographs at the Salon. He received the Légion d’honneur in ...

Article

Silvia Lucchesi

[Marius Pictor]

(b Bologna, Sept 8, 1852; d Venice, March 18, 1924).

Italian painter, photographer, architect and illustrator. He trained initially as a musician and only later became a painter, studying (1872–8) at the Accademia di Belle Arti in Bologna under the history and portrait painter Antonio Puccinelli (1822–97). He made several short trips to Paris and London before moving to Rome where he became friends with Vincenzo Cabianca (1827–1902), a plein-air painter, and joined the group founded by Nino Costa, In Arte Libertas (see Rome, §III, 7). He made his name in 1885 when he exhibited 18 paintings at the group’s first exhibition. In the 1880s he experimented with photography, and in certain cases photographs acted as preliminary stages for his paintings. In 1892 he settled definitively in Venice and two years later adopted the pseudonym ‘Marius Pictor’. His work expressed the romantic and literary climate of the fin-de-siècle, and his painting is linked with the work of such writers as Charles Baudelaire and Edgar Allan Poe. De Maria’s work derives from flower painting and from the painting of Alexandre-Gabriel Decamps; brushstrokes are carefully built up, and rough, chalky colour is thickly applied. He was extremely skilful in his manipulation of colour and light to express the richness of his imagination. He liked to create evocative images and to represent the most fantastic and unusual aspects of nature, as in the famous painting the ...

Article

American, 20th century, male.

Born 1935, in Cincinnati.

Painter (gouache), watercolourist, assemblage artist, happenings artist, draughtsman, lithographer, photographer.

Neo-Dadaism, Pop Art.

Jim Dine spent his childhood in his father’s painting and plumbing tool shop. He studied at the University of Cincinnati and then at Ohio University, leaving with a Bachelor of Arts in 1957. He also followed courses at Boston Museum School. In 1958 he settled in New York, participating in the birth of Pop Art and, more especially, Happening Art, participating in avant-garde group exhibitions. However, this allegiance to Pop Art has to be moderated to some extent; even though historically he lived this experience, he always added a somewhat poetic, sentimental nuance and retained an attachment to pictorial problems, something that brought him closer to another artist who found himself isolated during this period: Cy Twombly....

Article

Belgian, 20th – 21st century, male.

Born 14 December 1958, in Antwerp.

Draughtsman, watercolourist, installation artist, performance artist, director, scenographer, film writer.

Jan Fabre attended the art academy and the arts and crafts institute in Antwerp. He is a visual artist, but also a choreographer, dancer and playwright (his first play was written in ...

Article

Swiss, 20th – 21st century, female.

Active since 1985 active in Paris, since 1998 in Berlin.

Born 1959, in Evilard.

Painter, installation artist, video artist, performance artist.

Neo-Conceptual Art.

Favre settled in Paris in 1985, then in Berlin in 1998. Her work, which draws on different sources, is eclectic and even seems contradictory. She divides her time between performance, sound, video, theatre, writing and painting. Generally, she produces work in series revolving around a chosen object, such as a chair, a pillow or a cupboard. Using a single colour, white, she then invites us to reflect....

Article

Amanda du Preez

Term used to indicate the complex visual matrix incorporating the one who looks as well as the one who is looked at. This means the one who imposes the gaze and the one who is the object of the gaze are both implicated in the construction of the gaze. The concept was addressed initially by Sigmund Freud’s concept of scopophilia (‘pleasure in looking’ or voyeurism) and later in Jacques Lacan’s formulation of the mirror stage and its role in identity formation. Lacan formulated the complex role of the gaze in constructing the relation between interior self and exterior world as two kinds of subjects—not only as a powerful subject gazing at the world but also as a lacking, objectified subject encountering the gaze outside himself. For the most part the link between the gaze and power is entrenched in theories on the gaze, since the directed gaze of the powerful subject has the ability to subjugate and even petrify its objects as exemplified in the terrifying gaze of Medusa in Greek mythology. The construction of the gaze happens within an asymmetry of power. In recent times, the gaze has become a trope within visual culture for the critical analysis of several entwined ideas concerning class, race, ethnography, sex, gender, religion, embodiment, ideology, power, and visuality. In this article the powerful directed gaze is analysed through the categories of the clinical gaze, colonial gaze, touristic gaze, and the male gaze. Finally, theorizing possibilities of going beyond the gaze are considered....

Article

Latvian, 20th century, male.

Born 24 October 1962, in Riga, Latvian SSR (now Latvia).

Painter, graphic artist, multimedia artist. Allegorical subjects, abstraction and portraiture. Sculptural objects, conceptual installations.

Of the generation that came of age during Latvia’s transition from Soviet occupation to political independence, Kristaps Ģelzis distinguished himself as the most cerebral of that nation’s artists while, paradoxically, anchoring his work in intrinsic properties of base materials, the timelessness of simple forms, and labour-intensive craft. The son and younger brother of renowned architects, Ģelzis resolved to pursue another creative vocation, first studying violin while attending Riga’s 50th Secondary School, then taking preparatory classes for the Latvian Art Academy in lieu of attending the art high school. As a student in the academy’s department of graphic art ...

Article

American, 20th century, male.

Born 1 June 1937, in Nashville (Tennessee).

Painter, sculptor, draughtsman, performance artist, environmental artist, installation artist, film maker.

Neo-Dadaism, Pop Art.

Born Charles Rogers Grooms, the red-headed Red Grooms studied at the School of the Art Institute of Chicago (1955...

Article

German, 20th century, male.

Born 1942, in Augsburg.

Painter (mixed media), draughtsman, sculptor, photographer. Figures, nudes, landscapes. Stage costumes and sets.

New Fauves.

Hacker attended the art academy in Munich before settling in Berlin. In 1974, he was guest professor at the school of fine art in Hamburg. After producing works ascribable to kinetic art, Hacker became interested in the problems of creative activity, and displayed them in exhibitions alongside objects based on popular art. In ...

Article

Barbara Lange

revised by Andrés Mario Zervigón

[Herzfeld, Helmut ]

(b Berlin, June 19, 1891; d Berlin, April 26, 1968).

German photomontagist, draughtsman, typographer, stage designer, and film director. After a difficult childhood owing to the persecution of his father for his political beliefs, he studied art at the Königliche Kunstgewerbeschule in Munich from 1907 to 1911, specializing in advertising art. In 1912 he took his first job in a paper packaging company (for which he completed graphic design work) in Mannheim, moving to Berlin in 1913, where he and his brother Wieland Herzfeld made contact with avant-garde circles. (Wieland changed his surname to Herzfelde in early 1914.) Heartfield’s experiences in World War I led him to conclude that the only worthy art was that which took account of social realities (see Eclipse of the Sun on the Rhine, 1957). He destroyed all his early work.

From 1916 Heartfield collaborated closely with George Grosz and in the summer of 1917, like Grosz, anglicized his name, although he did not adopt this form officially until after the war. His earnest criticism of bourgeois society found its expression in his commitment to the ...