(b Rio de Janeiro, Jul 11, 1970).
Brazilian painter and photographer. Camargo was formally trained at the Escola de Belas-Artes (EBA) of the Universidade Federal do Rio de Janeiro in the late 1990s, and is best known for her pictorial meditations on urban and cinematic landscapes.
The EBA was an artistically conservative institution during Camargo’s tenure as a student, but she was nevertheless able to develop a visual language that differed from the school’s general preference for academic and early modernist styles. She was part of a group of students who concentrated on issues of urban experience and visual culture in Rio de Janeiro. Unlike most of her classmates, though, who engaged mostly with the multimedia language of urban intervention, Camargo remained a painter, with sporadic forays into photography and photocollage.
The mediated image plays a crucial role in her painting, as Camargo often reread fragments of urban imagery through the lens of cinematography. Filmmakers Andrei Tarkovsky and Werner Herzog are two of her most recurrent references. Camargo’s cinematic approach is most evident in her first solo show ...