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Article

Thorsten Opper

Source of a group of Roman and Greek works of art, in particular a group of Greek bronze sculptures and statuettes. In 1900 sponge-divers discovered the remains of an ancient shipwreck in the sea off the Greek island of Antikythera. In one of the first operations of this kind, they salvaged some its cargo. A new investigation of the wreck site took place in 1976 and succeeded in recovering many further objects, as well as (still unpublished) remains of the hull. All the finds are now in the National Archaeological Museum in Athens. The ship, which must have foundered in the second quarter of the 1st century bc, carried a mixed cargo of ‘antique’ and contemporary bronze and marble statuary, as well as luxury products such as bronze furniture attachments, rare and expensive types of glass, gold ingots etc. It also contained the so-called Antikythera Mechanism, an elaborate type of astrolabe....

Article

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time.

Astrology developed into a scientific branch of learning in ancient Greece, but because of the opposition of the Church Fathers it was transmitted to early medieval Europe in only fragmentary form in technically unsophisticated textbooks and popular divinatory genres. Literary and scientific texts provided more general ideas about the nature and attributes of the planets which were influential on later iconography. The first significant astrological images appear in 11th-century illustrated astronomical texts (e.g. London, BL, Cotton MS. Tiberius BV), which were acquired and produced by monasteries to aid with time-keeping and the construction of the Christian calendar....

Article

Dimitris Plantzos

Greek city situated at the foothills of Mt Olympus in northern Greece (district of Pieria), 14 km south of modern city of Katerini. It was an important Macedonian political and cultural centre from the Classical to the Roman periods (6th century bc–4th century ad). By the 6th century bc it seems that the Macedonians were gathering at Dion in order to honour the Olympian gods, chiefly Zeus; according to myth, Deukalion, the only man to survive the flood at the beginning of time, built an altar to Zeus as a sign of his salvation. His sons, Macedon and Magnes, lived in Pieria, near Olympus, and became the mythical ancestors of the Macedonians. The altar allegedly erected by Deukalion remained the centre of the cult life at Dion throughout its history.

King Archelaos of Macedon (c. 413–399 bc) organized athletic and dramatic contests in the framework of the religious celebrations, following the practice of the Greeks in the south, such as at the great sanctuaries of Olympia and Delphi. Philip II (...

Article

Dimitris Plantzos

[Satra]

Greek city situated on the island of Crete, by the north-west foothills of mount Psiloritis (anc. Ida), 30 km south-east of the present-day city of Rethymnon. It was a centre for Aegean and Greek culture from the Prehistoric to the Byzantine periods (4th millennium bc–7th century bc).

Ancient Eleutherna is a typical example of a Cretan polis (city) inhabited continuously from at least from the 9th century bc (the so-called ‘Dark Age’ of Greek history) to the late Roman and Byzantine period (6th–7th century bc). Even before that, archaeological finds suggest the existence of a continuous presence on the site from the late Neolithic (4th millennium bc) through to a flourishing Minoan site of the 3rd to 2nd millennia bc. Although later construction all but eliminated traces of prehistoric architecture, there is still significant evidence to confirm unbroken habitation. In historical times (9th century...

Article

3rd century BC, male.

Painter.

Ancient Roman.

Erigonus, active in 236 BC, is said by Pliny to have started out by grinding colours for Nealces.

Article

4th century, male.

Activec.300 BC.

Painter.

Ancient Roman.

Fabius, a member of the illustrious family of the Fabii, was criticised for dishonouring the family name by becoming a painter - it is thought that the epithet Pictor (the painter) was given to ridicule him. He is cited as the first Roman painter. In 304 BC he decorated the temple of Salus in Rome, probably with a scene showing the battle in which Bibulus defeated the Samnites. These paintings existed until the time of the emperor Claudius when the temple was destroyed by fire. He cannot have been very famous in his time for Pliny seems not to have known of him and makes no mention of him in his writings. An interval of some 150 years was to pass before the advent of the next named Roman painter....

Article

5th century, male.

Active in 491 BC.

Born in Sicily or Greece.

Sculptor, painter.

Ancient Roman.

Gorgasus, along with Damophilus, completed the decoration of the temple of Ceres in Rome, executing terracotta statues and wall paintings.

Article

3rd century, male.

Activec.220 BC.

Painter.

Ancient Roman.

Pacuvius, the tragic poet, took up painting as a hobby as he grew older. He produced a number of works that were seen and admired in the temple of Hercules in the Forum Boarium at Rome, but their style and subject is unknown....