You are looking at  1-2 of 2 results  for:

  • Digital, Multimedia, and Sound x
  • African Art x
  • Prints and Printmaking x
  • Painting and Drawing x
Clear All

Article

South African, 20th–21st century, male.

Born 28 April 1955, in Johannesburg.

Draughtsman, engraver, graphic designer, film producer, sculptor, theatre and opera designer and producer. Multimedia, animated films.

Land Art.

Although William Kentridge has practised his creativity in many domains and in a wide range of media (animated films, land art, sculpture, printmaking, theatre and opera design and production, installations), it is chiefly his large-scale charcoal drawings in process (drawing for animation) and his unique, short, animated films and their projection that have given him international fame....

Article

Shannen Hill

(b Vryburg, 1953).

South African painter, printmaker, photographer, installation artist and video artist. She received an BA (1974) and an MA (1976) in Fine Arts from Rhodes University, Grahamstown, and a postgraduate diploma from Portsmouth Polytechnic, UK (1979). Her work has appeared in many exhibitions: the Venice Biennale (1993), the Bienal de Havana (1994, 1997), the Johannesburg Biennale (1995, 1997) and Kwanju Biennale in Korea (1995). She has explored different media and themes since gaining recognition for her high relief oil paintings of the 1980s, but her concerns remain those of process, conceptual dualities, histories told and remembered. Through narrative, allegory, appropriation, parody and punning, her subjects challenge racialized and gendered representations, and reveal history as ever-mediated. In Piling Wreckage Upon Wreckage (1989; Cape Town, N.G.) a black girl sits atop an expansive pile of objects (e.g. silverware, a grand piano, paintings) that denote civilized taste and fill the space to suggest limitlessness and domination. Unlike Western prototypes, the girl is overwhelmed by the debris and cannot control its associative meanings. Siopis continued to question ideological constructions in her work on urban domestic identities of the mid-1990s. Her work of the late 1990s was autobiographical, though firmly entangled within aparteid's complex past. ...