1-20 of 167 results  for:

  • Sculpture and Carving x
  • Eighteenth-Century Art x
Clear all

Article

Italian, 17th – 18th century, male.

Active in Florence.

Sculptor, medallist.

Cited by Zani. Alberghetti would appear to come from a well-known family of artists of the same name who worked from the Renaissance to the end of the 18th century as both casters and sculptors in Ferrara, Florence and Venice (where several were in charge of casting operations at the Artillery)....

Article

Mark Jones

(b Bordeaux, Nov 4, 1761; d Paris, Dec 10, 1822).

French medallist, engraver and illustrator. He was first apprenticed to the medallist André Lavau (d 1808) and then attended the Académie de Peinture et de Sculpture in Bordeaux. In 1786 he travelled to Paris and entered the workshop of Nicolas-Marie Gatteaux. His first great success was a large, realistic and highly detailed medal representing the Fall of the Bastille (1789); because it would have been difficult and risky to strike, he produced it in the form of single-sided lead impressions or clichés, coloured to resemble bronze. The following year he used this novel technique again, to produce an equally successful companion piece illustrating the Arrival of Louis XVI in Paris. Andrieu lay low during the latter part of the French Revolution, engraving vignettes and illustrating an edition of Virgil by Firmin Didot (1764–1836). He reappeared in 1800, with medals of the Passage of the Great St Bernard...

Article

Polish, 18th – 19th century, male.

Born 1770, in Dukla; died after 1824, in Warsaw.

Sculptor, medallist.

Karl Barrend studied under Mathhaei Mattersperger, Casanova and Höckner in Dresden. In 1794 he showed several of his wax reliefs at the art exhibition held in the town. In ...

Article

Belgian, 18th – 19th century, male.

Born 8 September 1768, in Namur; died 10 June 1826.

Architect, sculptor, engraver, metal worker.

Barbier studied first in Belgium before completing his studies in Antwerp at the studio of J. Verbekt. He was appointed sculptor of the king's buildings and lived for a time at the Louvre. His works include medallions of ...

Article

French, 18th century, male.

Born 3 August 1793, in Paris; died 10 June 1855, in Neuilly-sur-Seine.

Engraver, medallist, draughtsman. Coins, banknotes, postage stamps, seals.

Barre was apprenticed at the age of twelve to a carver, foundry worker and gilder. Four years later, he was drafted into the fire service in Paris, where he worked until ...

Article

Italian, 18th century, male.

Active in Bolognac.1700.

Sculptor, medallist.

Sculpted a Holy Family group for the archbishop's palace in Bologna, and the figures on either side of the altar in the degli Angeli church.

Article

Lucia Pirzio Biroli Stefanelli

(b Cremona, Oct 26, 1770; d Cremona, 1854).

Italian gem-engraver and medallist. His numerous works, almost all dispersed, are documented in literary sources. His work, executed with meticulous attention to detail, consists primarily of cameo reproductions of paintings on large size stones. His masterpiece is considered to be the Tent of Darius (1828; Cremona, Mus. Civ.), carved in white Brazilian topaz and based on the painting by Charles Le Brun (Versailles, Château). The former work was commissioned by Bartolomeo Turina of Cremona, as were Angelica and Medoro, Wealth Conquered by Cupid, the head of Niobe and Rinaldo and Armida (all Cremona, Mus. Civ.). Beltrami also received sizeable commissions from the Bonaparte family; these include portraits of Napoleon and Josephine and the Myth of Psyche, portrayed on 16 white cornelians (untraced) supplied to him for that purpose by the Empress Josephine. Other commissions were from the Austrian imperial family, among them an onyx cameo of a wreathed bust of ...

Article

Flemish School, 18th century, male.

Born 22 September 1704, in Mons (Hainaut); died, in Italy.

Sculptor.

Bettignies was the third son of Claude-Joseph de Bettignies(1675-1740), an architect, sculptor and goldsmith in Mons.

Article

French, 18th – 19th century, male.

Born 5 July 1760, in Carpentras; died after 1812.

Goldsmith, sculptor.

Brother of Jean Pierre Xavier and Jean Joseph Xavier Bidauld. He worked in Toulouse, making sculptures in metal and wood.

Article

Elisabeth Gurock

(b Lyon, 1642; d Frankfurt am Main, Aug 13, 1713).

German medallist and wax-modeller. She was the daughter of Georg Pfründt, wax-modeller, medallist and engraver. In 1659 she married the medallist Johann Bartholomäus Braun (fl 1636–74; d 1684); thus before 1659 her works are signed a.m.p., and after that year, a.m.b. Braun first worked in Nuremberg, and later in Frankfurt am Main, becoming particularly recognized as a portraitist. In the style of Alessandro Abondio she produced wax portrait reliefs of numerous members of the princely houses of the Netherlands, Germany and other countries; on two occasions she was summoned to the Viennese court. An example of her work is a portrait of Ludwig William, Margrave of Baden (Brunswick, Herzog Anton Ulrich-Mus.). Braun also modelled free-standing wax figures, such as the signed statuette of Count Karl in armour (Kassel, Hess. Landesmus.). She did not, however, limit herself to portraits, but also executed mythological scenes, such as the signed sculpture of the ...

Article

Hannelore Hägele

(b Geisslingen, Feb 7, 1742; d Durlach, 1811).

German medallist and engraver. In 1768 he began his career in Augsburg, where he exhibited medals of the municipal curators Langenmantel and Amman and of Paul von Stetten. He later went to Karlsruhe, where he became court medallist and die-engraver; he also worked in Durlach. Stylistically, his medals, often initialled j.m.b., closely resemble those of Franz Andreas Schega and Johann Karl Hedlinger. Portrait medals of Charles V, Duke of Württemberg and Charles Frederick, Margrave of Baden were Bückle’s best works. He also executed the commemorative medal of Count Demetrius Galitzin (1793) and a silver medal (1773; Domanig, no. 771) depicting a hunting scene, awarded as a prize by the School of Forestry and Hunting Science. His pupil J. H. Boltschhauser became a medal engraver to the Mannheim court.

H. Bolzenthal: Skizzen zur Kunstgeschichte der modernen Medaillen-Arbeit (1429–1840) (Berlin, 1840) K. Domanig: Die deutsche Medaille in kunst- und kulturhistorischer Hinsicht...

Article

Gertrud Seidmann

(bapt London, Oct 30, 1730; d London, Feb 1814).

English gem-engraver, medallist, wax modeller and miniature painter. Of humble origins, he was self-taught as an engraver but studied drawing and modelling at the St Martin’s Lane Academy and in the gallery of casts belonging to Charles Lennox, 3rd Duke of Richmond, known as the Duke of Richmond’s Academy. He exhibited with the Society of Artists, of which he was a director, from 1760 until 1769, and gained three premiums from the Society of Arts between 1763 and 1766. In 1769 he enrolled at the Royal Academy as a student, became an ARA the following year and in 1771 was the first of the elected Academicians, presenting as his diploma work a cornelian intaglio of Neptune (London, RA). He enjoyed great success and attracted wide patronage for more than two decades, engraving principally antique subjects (e.g. Sabina, yellow sard intaglio; Baltimore, MD, Walters A.G.), allegorical scenes (e.g. Sacrifice to Minerva...

Article

Jorge Luján-Muñoz

(b Guatemala City, Sept 16, 1781; d Guatemala City, Nov 21, 1845).

Guatemalan painter, printmaker, and medallist. He entered the mint in 1795 as an apprentice engraver but on the recommendation of its director, Pedro Garci-Aguirre, also became Master Corrector at the Escuela de Dibujo de la Sociedad Económica de Amigos del País, Guatemala City, in 1796, holding the post until 1804. He continued working at the mint until 1809 and demonstrated outstanding skill both as a medallist and engraver of coins and as an engraver and etcher. He returned to the mint in 1823 as second engraver, remaining in the post until his death.

Despite the quality of his work as a printmaker and medallist, Cabrera gained artistic recognition especially as a miniature painter, working mostly in watercolour on ivory in a meticulous technique. He produced some miniatures on religious themes and others of birds, but the majority, measuring no more than 50 mm in height or width, were portraits of members of the Guatemalan aristocracy and bourgeoisie. It is not known exactly how many he produced, but from the middle of the 1830s he began to number them, starting from 500; the highest known number of the approximately 200 authenticated miniatures is 745. Although he suffered some illness, he was most productive during the last five years of his life. An evolution can be discerned from his earliest works, dating from ...

Article

French, 18th century, male.

Born 25 August 1678, in Paris; died 1755.

Sculptor, caster, metal worker.

Son of Philippe Caffieri the Elder. He made a number of busts in bronze, notably that of Baron de Bezenval, Regimental Colonel of the Swiss Guards. He was the father of the sculptor Jean-Jacques Caffieri, and Philippe Caffieri the Younger....

Article

French, 18th century, male.

Born 1714, in Paris; died 1774.

Caster, metal worker, sculptor.

Son of Jacques Caffieri. He was admitted to the Académie de St-Luc in 1754. His second wife was Antoinette Rose Lambert Noland.

Article

Gordon Campbell

Article

Italian, 18th century, male.

Active in Bologna.

Draughtsman, engraver, sculptor.

Published a Raccolta di Cartelle Pubblicate per uso della gioventù studiosa with Panfili in 1795. He was also a goldsmith.

Article

Lucia Pirzio Biroli Stefanelli

Italian family of gem-engravers and medallists. Giuseppe Cerbara (b Rome, 15 July 1770; d Rome, 6 April 1856) was the son of Giovanni Battista Cerbara (b Rome, 1748; d Rome, 1811) and was one of the best-known gem-engravers and medallists working in Rome in the 18th century and the early 19th. His artistic achievements brought him many honours: in 1812 he was elected Fellow of the Accademia di S Luca, in 1815 Fellow of the Akademie der Bildenden Künste in Vienna and in 1825 Fellow of the Royal Academy of Fine Art of Antwerp. In 1831 he was elected to the Congregazione dei Virtuosi del Pantheon and in 1834 to the Accademia Fiorentina di Belle Arti. From 1822 he held the post of Incisore Camerale to the papal mint with Giuseppe Girometti; the artists were responsible for producing a medal on alternate years. Appointed Incisore Particolare dei Sommi Pontefici by ...

Article

French, 18th century, male.

Born 1726, in Avignon; died 30 March 1793, in Aix-en-Provence.

Sculptor. Historical subjects, figures, architectural views, animals. Medallions, medals, monuments, statues, low reliefs.

Jean Pancrace Chastel taught sculpture at the art college in Aix-en-Provence from 1774 to around 1788.

Aix-en-Provence: Mausoleum at Reillane...

Article

Françoise de la Moureyre

(b Paris, baptJune 10, 1646; d Paris, Dec 31, 1732).

French sculptor and bronze-caster. He came from a family of goldsmiths of Flemish origin who settled in Paris in the early 17th century. Early biographers state that he trained with Michel or François Anguier and at the Académie Royale. He spent six years at the Académie de France in Rome, where he is said to have studied above all the sculpture of Bernini. This was followed by four years in Venice. He applied for admission to the Académie in 1678, and he was received (reçu) in 1681 with a marble statuette of Polyphemus (Paris, Louvre), inspired by Annibale Carracci’s fresco in the Palazzo Farnese, Rome. From this time until 1720 he enjoyed a highly successful career in royal service and in the employ of the Church and of private clients. He devoted much energy to the affairs of the academy, eventually holding the office of Chancellor. He worked in every branch of sculpture, from monumental marble and bronze statues to small bronze statuettes and candlesticks....