Norwegian sculptor, designer and medallist. He became familiar with handicraft in his father’s furniture workshop. In 1954 he began five years’ study as a commercial artist at the Håndverks- og Kunstindustriskole in Oslo and from 1957 to 1963 he worked as an illustrator for a newspaper. He studied at the Kunstakademi in Oslo from ...
German, 16th – 17th century, male.
Active in Augsburg in 1570.
Born c. 1547, in Colmar; died 1617, in Augsburg.
Spanish, 14th century, male.
Ramon Andrea worked on the silver retable decorated with enamels in Gerona Cathedral.
The term is used to denote a decorative motif shaped like a basket handle, and is applied to metalwork (from the 16th century) and chairbacks (from the 18th century); in architecture the term denotes a three-centred arch.
Descriptive term applied to a style of decorative arts that was widely disseminated in Europe and the USA during the 1920s and 1930s. Derived from the style made popular by the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris in 1925, the term has been used only since the late 1960s, when there was a revival of interest in the decorative arts of the early 20th century. Since then the term ‘Art Deco’ has been applied to a wide variety of works produced during the inter-war years, and even to those of the German Bauhaus. But Art Deco was essentially of French origin, and the term should, therefore, be applied only to French works and those from countries directly influenced by France....
Decorative style of the late 19th century and the early 20th that flourished principally in Europe and the USA. Although it influenced painting and sculpture, its chief manifestations were in architecture and the decorative and graphic arts, the aspects on which this survey concentrates. It is characterized by sinuous, asymmetrical lines based on organic forms; in a broader sense it encompasses the geometrical and more abstract patterns and rhythms that were evolved as part of the general reaction to 19th-century historicism. There are wide variations in the style according to where it appeared and the materials that were employed....
Informal movement in architecture and the decorative arts that championed the unity of the arts, the experience of the individual craftsman, and the qualities of materials and construction in the work itself.
The Arts and Crafts Movement developed in the second half of the 19th century and lasted well into the 20th, drawing its support from progressive artists, architects and designers, philanthropists, amateurs, and middle-class women seeking work in the home. They set up small workshops apart from the world of industry, revived old techniques, and revered the humble household objects of pre-industrial times. The movement was strongest in the industrializing countries of northern Europe and in the USA, and it can best be understood as an unfocused reaction against industrialization. Although quixotic in its anti-industrialism, it was not unique; indeed it was only one among several late 19th-century reform movements, such as the Garden City movement, vegetarianism, and folksong revivals, that set the Romantic values of nature and folk culture against the artificiality of modern life....
Ornamental motif (derived from
Rainer K. Wick
German school of art, design and architecture, founded by Walter Gropius. It was active in Weimar from 1919 to 1925, in Dessau from 1925 to 1932 and in Berlin from 1932 to 1933, when it was closed down by the Nazi authorities. The Bauhaus’s name referred to the medieval Bauhütten or ...
German, 19th – 20th century, male.
Born 14 April 1868, in Hamburg; died 27 February 1940, in Berlin.
Painter, draughtsman, engraver, architect, designer, decorative artist, graphic designer. Posters, furniture, wallpaper, carpets, glassware, ceramics, table services, jewellery, silverwork, objets d'art, typefaces.
Jugendstil, functional school.
Die Sieben (Group of Seven), Deutscher Werkbund...
He was educated at Winchester and Oxford, and in 1877 he was articled to the architect Basil Champneys. Encouraged by William Morris, in 1880 Benson set up his own workshop in Hammersmith specializing in metalwork. Two years later he established a foundry at Chiswick, a showroom in Kensington and a new factory at Hammersmith (all in London), equipped with machinery to mass-produce a wide range of forms, such as kettles, vases, tables, dishes and firescreens. Benson’s elegant and spare designs were admired for their modernity and minimal use of ornament. He is best known for his lamps and lighting fixtures, mostly in copper and bronze, which are fitted with flat reflective surfaces (e.g. ...
Swiss, 19th – 20th century, male.
Active in Germany.
Born 31 December 1849, in St Gall; died 1921, in Planegg.
Architect, painter, decorative designer, theorist. Designs (furniture/fabrics/metal objects/ceramics).
From 1868 to 1871 Hans Eduard von Berlepsch-Valendas was a student of architecture with Gottfried Sempers in Zurich. After graduating he abandoned architecture while he was living in Frankfurt, to go and train as a painter in Munich (...
French cabinetmaker and silversmith. The silver and silver-gilt produced in his workshop rivals that of his contemporaries Henri Auguste and Jean Baptiste Claude Odiot. By 1789 Biennais had established himself at 283, Rue Saint-Honoré, Paris, as a cabinetmaker and tabletier (a dealer in and maker of small objects). After ...
German family of goldsmiths, furniture-makers and engravers. Lorenz Biller (i) (fl c. 1664–85) achieved prominence with works for Emperor Leopold I, for whom he made a centrepiece with a knight on a horse (1680–84; Moscow, Kremlin, Armoury) that was sent to Moscow as an ambassadorial gift. Lorenz Biller (i)’s sons, ...
French, 19th – 20th century, male.
Born 23 October 1875; died 13 September 1945, in Paris.
Decorative artist, goldsmith.
Bizouard's gold-plated models were exhibited at the Exposition des Arts Décoratifs in 1925 and were award-winners. They were also exhibited at the Exposition Nationale des Beaux-Arts, the Salon des Artistes Décorateurs and at the Salon d'Automne ...
Term applied to mouldings, usually ogee in section, which project before the face of the work which they decorate, as in a raised moulding around a panel. The purpose of bolection mouldings is to cover the join between two members with differing surface levels. The term is used both in architecture and in the decorative arts, such as cabinet-making and silverwork....
French, 20th century, male.
Born 13 December 1875, in Dijon; died 30 November 1960, in Paris.
Sculptor, medallist, decorative artist. Mythological subjects, historical portraits, figures, animals. Monuments, low reliefs, groups, statues, medals.
Henri Louis Bouchard was the son of a carpenter and a seamstress. He studied at the École des Beaux-Arts in Dijon before entering the studio of Barrias at the École des Beaux-Arts in Paris, where he was awarded the Grand Prix de Rome for sculpture in ...
Dutch, 19th century, male.
Born 1793, in Rotterdam; died 1854, in Rotterdam.
Painter, decorative artist, draughtsman. Landscapes with figures.
Bouwmeester began working under the auspices of his father, who was a goldsmith. He was subsequently a pupil of Zangendyck and was active at Utrecht. He was a decorative painter and a painter of landscapes with figures....
French, 20th century, male.
Born 24 December 1880, in Paris; died 1960.
Ironworker, decorative designer. Furniture.
Edgar William Brandt exhibited at the Salon des Artistes Français where he was placed hors-concours. He became a jury member in 1908. He was also a member of the jury of the Salon d'Automne and the Salon des Artistes Décorateurs. He was awarded a medal of honour by the Société des Artistes Français in ...
British, 20th century, male.
Born 4 January 1887, in London; died 1941.
Painter, illustrator, metal worker, textile designer. Landscapes.
Gregory Brown designed posters for railway companies, the Empire Marketing Board and for the Underground Group from 1914 to 1940. He won a gold medal for textile design at the ...