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Article

Spanish, 20th century, male.

Active in France from 1958.

Born 26 February 1937, in Madrid.

Painter (including mixed media), watercolourist, decorative designer, sculptor, engraver, draughtsman. Scenes with figures, figures, portraits. Stage sets.

Nouvelle Figuration, Figuration Narrative.

Eduardo Arroyo was educated at the Lycée Français in Madrid and then at the School of Journalism. At the age of 21, he left Franco's Spain for Paris, where he was to remain in exile for some 20 years. Although his original intention was to be a journalist rather than a painter, he saw painting as the most accessible and effective medium for his main aim, which was political militancy. He taught himself to paint, but this was made easier by the fact that it was not so much any possible aesthetic dimension to the work that interested him, but rather its immediate intelligibility and the power of the image. He brought together a mixture of techniques to create the effective image. Collage in its various forms was a constant feature of his style. In his early work, he often turned to what was then called 'Modification': that is, taking either a genuine picture from a second-hand shop, or a reproduction (as in the case of a work by Goya, Velázquez or Miró), and superimposing pictorial additions to alter the meaning, generally with the aim of being controversial and often humorous as well. He rapidly became a master of minimalist techniques, and soon began to exhibit at group shows. Some of these early shows were at the traditional exhibition centres, such as the Salon des Grands et Jeunes d'Aujourd'hui and the Salon de Mai. He was an influential member of the Salon de la Jeune Peinture, where he exhibited from 1960 onwards, and his exhibitions there between 1964 and 1969 (with Aillaud and Récalcati) triggered militant activity that led to a temporary change in the group's name....

Article

French, 20th century, male.

Born 14 April 1920, in Paris; died 1 June 1999.

Painter (including gouache), sculptor, engraver, lithographer, draughtsman, designer. Landscapes. Wall decorations, stage sets.

Olivier Debré began exhibiting his paintings in 1941, which were still Expressionist in style, at the Galerie Aubry in Paris, where in 1943, he displayed one of his first abstract works. In 1948 he began to exhibit his works at the Paris Salons: initially at the Salon des Surindépendants, in 1949 at the Salon d'Automne and the Salon de Mai, where he continued to exhibit. In 1952 and 1953 he took part in the first and second Salons d'Octobre, which were organised by Charles Estienne. In 1954 he exhibited at the Salon Comparaisons for the first time; in 1955 his work appeared at the Lissone Prize exhibition in Italy; and in 1957 he showed his works at the Salon des Réalités Nouvelles for the first time. After this he began participating in more and more national and international collective exhibitions: he was invited to the Marzotto Prize in 1961, and to the Paris Salon des Grands et Jeunes d'Aujourd'hui for the first time in 1962. In 1964, he won first prize at the Menton Biennale; in 1965 he became a member of the committee at the Salon des Réalités Nouvelles; in 1967 he participated in the exhibition of contemporary painting in the European Pavilion at the International Exhibition in Montreal, and also ...

Article

Austrian, 20th century, male.

Born 1930, in Vienna.

Painter, draughtsman, engraver, illustrator, sculptor, collage artist, decorative designer. Scenes with figures, figures. Stage sets.

Groups: Hundsgruppe (Dog’s group), Phantastischer Realismus group.

Ernst Fuchs enrolled at the Akademie der Bildenden Künste in Vienna in 1945. From 1946 to 1950, he was a pupil of Gütersloh, whom Salvador Dalí considered the most important painter of his time (after himself). In around 1950, he was one of the founders of the Viennese ...

Article

American, 20th century, male.

Born 1910, in Philadelphia; died 1975.

Painter, sculptor, decorative designer. Stage sets.

Gabriel Kohn's father was an engraver, and he studied under him before being admitted at the Cooper Union in 1929 to study sculpture with Gaetano Cecere. He went on to learn modelling at the Institute of Design, while working for New York sculptors in the early 1930s. From ...

Article

Russian, 20th century, male.

Active since 1975 in France.

Born 5 July 1940, in Moscow.

Painter (including gouache/mixed media), watercolourist, engraver, decorative designer, sculptor. Stage sets.

Yuri Kuper was the son of a violinist, and studied at the academy of fine art in Moscow from 1957 to 1963...

Article

Mexican, 20th century, male.

Born 18 August 1920, in Guadalajara (Jalisco).

Painter (mixed media/gouache), sculptor, engraver, decorative artist, draughtsman. Figures, nudes, portraits, interiors with figures, landscapes, animals. Stage sets.

Juan Soriano had no artistic training other than some instruction on 19th century Mexican and European art. When very young he apparently received advice from Roberto Montenegro and Jesús Reyes Ferreira. In 1935 he was appointed to teach in Mexico art school. He often visited Europe, especially Rome and Paris, where he lived....

Article

Canadian, 20th century, male.

Born 13 June 1924, in Toronto (Ontario); died 1990.

Painter, collage artist, draughtsman, sculptor, illustrator, engraver, decorative designer. Murals, stage costumes and sets.

Op Art.

Painters Eleven.

Harold Barling Town studied at the Western Technical Institute and the Ontario College of Art in Toronto ...