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Article

Jan Jaap Heij

(b The Hague, Aug 18, 1871; d Amsterdam, Oct 19, 1934).

Dutch printmaker and painter. He trained at the Academie voor Beeldende Kunsten in The Hague, where he subsequently taught graphic art (1893–1911). In 1911 he succeeded Pieter Dupont as professor in graphics at the Rijksakademie in Amsterdam under the directorship of Antoon Derkinderen. In the early years of his career Aarts produced some paintings using the pointillist technique, mostly landscapes (The Hague, Gemeentemus.); he also carved some sculptures in wood. He is, however, best known for his graphic work. In technique and subject-matter, his prints have a great deal in common with those of Dupont. As the latter’s successor he devoted himself to the revival of engraving, which his predecessor had reintroduced; his own experiments in this medium (in particular his scenes with diggers and beggars, all c. 1900) are considered milestones in early 20th-century Dutch printmaking. He also applied his skills to etching, lithography, woodcutting and wood-engraving; of the latter his ...

Article

Pamela H. Simpson

(b Philadelphia, PA, April 1, 1852; d London, Aug 1, 1911).

American painter, illustrator, and muralist, active also in England. Abbey began his art studies at the age of 14 in his native Philadelphia where he worked with Isaac L. Williams (1817–95). Two years later he enrolled in night classes at the Pennsylvania Academy of Fine Art working under Christian Schussele (1824–1979), but by then Abbey was already a published illustrator. In the 1870s his drawings appeared in numerous publications, but it was his work for Harper & Brothers that proved most important to his career. In 1871 he moved to New York, and in 1878, Harper’s sent him on a research trip to England. He found such affinity with the country that he made it his home for the rest of his life. After 1889 he devoted more time to painting, was elected a Royal Academician in 1898, and in 1902 was chosen by Edward VII (...

Article

French, 19th – 20th century, male.

Born 27 May 1873, in La Varenne-St-Hilaire.

Draughtsman, humorist, poster artist, illustrator.

Jack Abeillé collaborated on many newspapers and publications. He participated in collective exhibitions dedicated to humorous art, both in France and abroad. Most notably, he was one of the illustrators of ...

Article

German, 20th century, male.

Born 26 August 1882, in Berlin; died 4 July 1939, in Berlin.

Draughtsman, illustrator, poster artist, caricaturist.

Symbolism, Jugendstil.

Hermann Abeking was still very much influenced by the Jugendstil, and particularly by Aubrey Beardsley and Jan Toorop. He worked on several German magazines, including the ...

Article

Roman Prahl

(b Mirotice, nr Písek, Nov 18, 1852; d Prague, July 10, 1913).

Czech painter, illustrator and designer. He studied at the Academy of Fine Arts in Prague under Josef Mathias von Trenkwald (1824–97) and Jan Swerts (1820–79), and he rarely travelled, except to Vienna in 1873 and Italy in 1877. He was one of the leading Bohemian artists of the so-called Generation of the National Theatre. The décor of this theatre, opened in 1881 and again after a fire in 1883, marked a national artistic rebirth. Aleš, together with František Ženíšek, had won the competition in 1877 to decorate the walls, lunettes and ceilings of the theatre foyer. Aleš’s cycle My Country, designed for the lunettes, is one of the most famous Czech works of art.

In the late 1870s Aleš emerged as a draughtsman and painter with a rich imagination. He outlined many cycles to be finished later and he studied heraldry, which contributed to the development of his original ornamental style. He applied this style for the first time on painted furniture, as in ...

Article

Romanian, 19th – 20th century, male.

Born 1849, in Romania; died 11 November 1906, in Paris.

Painter, draughtsman, poster artist. Landscapes, waterscapes.

Hugo d'Alesi was known principally for his colour posters. He undertook a lot of work for railway companies, producing tasteful depictions of picturesque places in France and abroad....

Article

Eleanor Jones Harvey

(b Allegheny, PA, Oct 7, 1856; d New York, May 31, 1915).

American painter and illustrator. He began his career in New York in 1875 as a political cartoonist and illustrator for Harper’s Weekly. In 1877 he went to Paris for his first formal art training, and then to Munich, where he enrolled at the Kunstakademie under Gyuala Benczúr. In 1878 he joined a colony of American painters established by Frank Duveneck in Polling, Bavaria. In 1879 they travelled to Italy, where Alexander formed friendships with James McNeill Whistler and Henry James. In 1881 he returned to New York, working as an illustrator for Harper’s, as a drawing instructor at Princeton and as a highly successful society portrait painter (see fig.). He also exhibited at the National Academy of Design. By 1893 his reputation in both Europe and America had soared, and in 1895 he was awarded a prestigious commission for a series of murals entitled the Evolution of the Book...

Article

Christopher Newall

(b Burton on Trent, Staffs, Sept 26, 1848; d Haslemere, Surrey, Sept 28, 1926).

English illustrator and painter. The daughter of a physician, she was brought up in Altrincham, Ches, and, after her father’s death in 1862, in Birmingham. She studied at the Birmingham School of Design and, from 1867, at the Royal Academy Schools, London. From 1869 she provided illustrations for Joseph Swain and subsequently for the Graphic and Cornhill magazines. She exhibited watercolours at the Dudley Gallery. In 1874 she married the Irish poet William Allingham, and her consequent financial independence allowed her to abandon black-and-white illustration. Her new circle of friends included Tennyson, Ruskin and Thomas Carlyle, whose portrait she drew (version of 1879; Edinburgh, N.P.G.). In 1875 she was elected an associate of the Old Water-Colour Society (she became a full member in 1890 after the prohibition on lady members was withdrawn); she was a regular exhibitor there.

After 1881, when the family moved to Witley, Surrey, Allingham developed a characteristic style and subject-matter in her watercolours: views of the vernacular architecture of southern England, garden scenes (such as ...

Article

Anne Pastori Zumbach

[Albrecht]

(b Anet, Berne, April 1, 1831; d Anet, July 16, 1910).

Swiss painter and illustrator. An early interest in art was kindled by visiting the exhibitions of the Société des Amis des Arts in Neuchâtel in 1842, and he took private drawing lessons with Louis Wallinger (1819–86) between 1845 and 1848. However he began studying theology in Berne in 1851, continuing these studies at the university in Halle. During his stay in Germany he became acquainted with major German collections, notably the Gemäldegalerie in Dresden, which impressed him deeply. His father reluctantly consented to an artistic career, and in 1854 Anker moved to Paris, where he joined the studio of Charles Gleyre. He studied at the Ecole Impériale des Beaux-Arts in Paris from 1855 until c. 1860, meanwhile selling portraits. In 1861 he travelled in nothern Italy, copying Old Masters such as Titian and Correggio.

In the course of this training Anker started painting large original compositions, such as ...

Article

Philip Ward-Jackson

(b London, June 18, 1828; d London, Dec 4, 1905).

English sculptor, silversmith and illustrator. He was the son of a chaser and attended the Royal Academy Schools, London. At first he gave his attention equally to silverwork and to sculpture, exhibiting at the Royal Academy from 1851. An early bronze, St Michael and the Serpent, cast in 1852 for the Art Union, shows him conversant with the style of continental Romantics, and his debut in metalwork coincided with the introduction into England of virtuoso repoussé work by the Frenchman, Antoine Vechte (1799–1868). In the Outram Shield (London, V&A), Armstead displayed the full gamut of low-relief effects in silver, but its reception at the Royal Academy in 1862 disappointed him, and he turned his attention to monumental sculpture. Among a number of fruitful collaborations with architects, that with George Gilbert I Scott (ii) included a high degree of responsibility for the sculpture on the Albert Memorial in Kensington Gardens, London. Here Armstead’s main contribution was the execution of half of the podium frieze (...

Article

R. W. A. Bionda

[Flor; Pieter Florentius Nicolaas Jacobus]

(b Surabaya, Java, June 9, 1864; d The Hague, June 9, 1925).

Dutch painter, illustrator and printmaker. He moved to the Netherlands c. 1875, and was taught first by Johan Hendrik Frederik Conrad Nachtweh (1857–1941). He attended the Rijksacademie van Beeldende Kunsten in Amsterdam from 1883 to 1888, studying under August Allebé and Barend Wijnveld (1820–1902). He then spent a year studying life drawing at the Koninklijke Academie voor Schone Kunsten in Antwerp under Charles Verlat before returning to Amsterdam, where he initially applied himself to painting landscapes in the countryside around The Hague and in Nunspeet in Gelderland in the style of the Hague school.

Arntzenius settled in The Hague in 1892. He was particularly active as a painter of Impressionist townscapes in both oil and watercolour from c. 1890 to 1910. His crowded street scenes with their misty, rainy atmosphere, such as The Spuistraat (The Hague, Gemeentemus.), were particularly successful and despite their greater emphasis on intimacy and tonality are reminiscent of the work of George Hendrik Breitner and Isaac Israëls. Arntzenius may have collaborated with ...

Article

Michèle Lavallée

[Fr.: ‘new art’]

Decorative style of the late 19th century and the early 20th that flourished principally in Europe and the USA. Although it influenced painting and sculpture, its chief manifestations were in architecture and the decorative and graphic arts, the aspects on which this survey concentrates. It is characterized by sinuous, asymmetrical lines based on organic forms; in a broader sense it encompasses the geometrical and more abstract patterns and rhythms that were evolved as part of the general reaction to 19th-century historicism. There are wide variations in the style according to where it appeared and the materials that were employed.

Art Nouveau has been held to have had its beginnings in 1894 or 1895. A more appropriate date would be 1884, the year the progressive group Les XX was founded in Belgium, and the term was used in the periodical that supported it, Art Moderne: ‘we are believers in Art Nouveau’. The origin of the name is usually attributed to ...

Article

Anne Pastori Zumbach

(b Lausanne, Aug 18, 1872; d Lausanne, Oct 11, 1957).

Swiss draughtsman, painter and illustrator. He began his career as an apprentice banker but abandoned this to study music and languages in Dresden, and then painting at the South Kensington School of Art, London (1895). In 1896 he went to Paris where he took courses in anatomy and became the pupil of Luc Olivier Merson and possibly of Whistler. In 1897 he entered the Ecole des Beaux-Arts but continued to frequent Merson’s studio. At the end of 1899, after a short stay in Bavaria, Auberjonois went to Florence, where he passed several months studying and copying the paintings of the Old Masters and painting the Tuscan landscape. Returning to Paris in 1901, he began to work independently, exhibiting for the first time at the Salon in Paris and at the Exposition Nationale Suisse des Beaux-Arts in Vevey. From 1901 to World War I he lived alternately in Paris and in Switzerland....

Article

Phillip Dennis Cate

[Georges] (Hulot)

(b Beauvais, April 26, 1863; d Paris, Feb 6, 1938).

French illustrator, typographical designer, writer and printmaker . He went to Paris in 1883 to pursue a literary career. His first humorous essays were published that year in the Chat Noir journal. He was introduced to the many avant-garde artists and writers who frequented the Chat Noir cabaret in Montmartre and contributed to the journal. Of these Henri Rivière and Eugène Grasset were especially important to his artistic development, Rivière coaching Auriol in drawing while Grasset introduced him to typographical design. Auriol’s close association with Rivière culminated in the latter’s album of lithographs, Les Trente-six Vues de la Tour Eiffel (1902; for illustration see Japonisme), for which Auriol designed the decorative cover, end-papers and typography.

Auriol served as writer, illustrator and editor of the Chat Noir for ten years (1883–93). He produced book covers for the Chat-Noir Guide (1888) and the two-volume Les Contes du Chat Noir...

Article

French, 19th – 20th century, male.

Born 1877, in Paris; died 1931, in Paris.

Painter, poster artist, lithographer, humorist artist.

Barrère showed work at the Salon des Humoristes in 1929. He studied law and medicine before beginning his career as an illustrator, working first for some of the humorous publications popular at the time. His first opportunity came from the magazine ...

Article

Hungarian, 19th – 20th century, male.

Born 16 April 1873, in Budapest.

Painter, draughtsman, illustrator, poster artist.

Art Nouveau.

Arpad Basch studied with Karlovsky in 1873 at the school of arts and crafts in Budapest, then in Munich with Hollósy, and in Paris with Léon Bonnat and Jean Paul Laurens....

Article

Austrian, 19th – 20th century, male.

Born 17 February 1870, in Vienna.

Painter, draughtsman, illustrator, caricaturist. Figure compositions.

Baurnfeind was the grandson of the great romantic painter and illustrator Moritz von Schwind. He attended the art academy in Vienna and travelled to Karlsruhe, Munich and Paris, where he studied under William Bouguereau at the Académie Julian. After returning from Paris he settled in Munich in ...

Article

American, 19th – 20th century, male.

Born 24 January 1879, in New York; died 5 February 1956, in New York.

Painter, watercolourist, graphic artist. Landscapes, cityscapes, genre scenes.

Gifford Beal, brother of Reynolds Beal, studied with William Merritt Chase at Shinnecock Summer School, Long Island (...

Article

American, 20th century, male.

Born 1932, in San Francisco.

Painter.

With sharp and almost photographic realism, Robert Bechtle paints glowing shiny cars, depicting every detail with extreme precision. He has also painted scenes from everyday life, which are often autobiographical. After studying at the California College of Arts and Crafts in Oakland, he taught at the San Francisco State University for 30 years....

Article

German, 19th – 20th century, male.

Born 14 April 1868, in Hamburg; died 27 February 1940, in Berlin.

Painter, draughtsman, engraver, architect, designer, decorative artist, graphic designer. Posters, furniture, wallpaper, carpets, glassware, ceramics, table services, jewellery, silverwork, objets d'art, typefaces.

Jugendstil, functional school.

Die Sieben (Group of Seven), Deutscher Werkbund...