Carl Van de Velde
Christine Mullen Kreamer
(b Jan 25, 1930; d Lomé, Jan 4, 2010).
Togolese painter, sculptor, engraver, stained glass designer, potter and textile designer. Beginning in 1946, he received his secondary education in Dakar, where he also worked in an architecture firm. He travelled to France and received his diplôme supérieur from the Ecole des Beaux-Arts, Paris. A versatile artist, Ahyi is best known for his murals and for monumental stone, marble and cement public sculptures. His work reflects the fusion of his Togolese roots, European training and an international outlook, and he counts among his influences Moore, Braque, Modigliani, Tamayo, Siqueiros and Tall. His work combines ancient and modern themes and materials, maternity being a prominent topic. The messages of his larger, public pieces operate on a broad level to appeal to the general populace, while smaller works often reflect his private engagement with challenges confronting the human condition. His compositions are both abstract and figurative and evoke the heroism and hope of the two world wars, Togo's colonial period and the struggle for independence from France, as well as the political efforts of the peoples of Vietnam, South Africa and Palestine. Ahyi has won numerous international prizes, including the prize of the city of Lyon (...
Thomas Dacosta Kaufmann
(b ?Milan, 1527; d Milan, July 11, 1593).
Italian painter, draughtsman and tapestry designer, active also in Austria and Bohemia. He came from a distinguished Milanese family that included a number of archbishops of the city; his father was the painter Biagio Arcimboldo. Giuseppe is first documented in 1549, working with his father for Milan Cathedral; he received payments until 1558 for supplying paintings, designs for an altar baldacchino and stained-glass windows for the cathedral: the Story of Lot and the Life of St Catherine in the south transept windows are usually attributed to him. He collaborated with Giuseppe Meda in designing the gonfalone of St Ambrose in Milan, probably sometime soon after 1558. In 1556 he received a commission to paint the south wall and vault of the south transept of Monza Cathedral, also in Lombardy, a work that must have been completed by 1562. Portions of a fresco of the Tree of Jesse on the south wall there can be attributed to him. In ...
Italian, 20th century, male.
Born 1941, in Aricò.
Sculptor, painter, glassmaker. Religious subjects, figures, animals.
Gianni Aricò received a diploma in architecture from Venice University in 1971. In 1974 he set up his sculpture studio in the de-consecrated church of S Andrea della Zirada in Venice....
Descriptive term applied to a style of decorative arts that was widely disseminated in Europe and the USA during the 1920s and 1930s. Derived from the style made popular by the Exposition Internationale des Arts Décoratifs et Industriels Modernes held in Paris in 1925, the term has been used only since the late 1960s, when there was a revival of interest in the decorative arts of the early 20th century. Since then the term ‘Art Deco’ has been applied to a wide variety of works produced during the inter-war years, and even to those of the German Bauhaus. But Art Deco was essentially of French origin, and the term should, therefore, be applied only to French works and those from countries directly influenced by France.
The development of the Art Deco style, or the Style moderne as it was called at the time, closely paralleled the initiation of the 1925...
[Fr.: ‘new art’]
Decorative style of the late 19th century and the early 20th that flourished principally in Europe and the USA. Although it influenced painting and sculpture, its chief manifestations were in architecture and the decorative and graphic arts, the aspects on which this survey concentrates. It is characterized by sinuous, asymmetrical lines based on organic forms; in a broader sense it encompasses the geometrical and more abstract patterns and rhythms that were evolved as part of the general reaction to 19th-century historicism. There are wide variations in the style according to where it appeared and the materials that were employed.
Art Nouveau has been held to have had its beginnings in 1894 or 1895. A more appropriate date would be 1884, the year the progressive group Les XX was founded in Belgium, and the term was used in the periodical that supported it, Art Moderne: ‘we are believers in Art Nouveau’. The origin of the name is usually attributed to ...
Informal movement in architecture and the decorative arts that championed the unity of the arts, the experience of the individual craftsman, and the qualities of materials and construction in the work itself.
The Arts and Crafts Movement developed in the second half of the 19th century and lasted well into the 20th, drawing its support from progressive artists, architects and designers, philanthropists, amateurs, and middle-class women seeking work in the home. They set up small workshops apart from the world of industry, revived old techniques, and revered the humble household objects of pre-industrial times. The movement was strongest in the industrializing countries of northern Europe and in the USA, and it can best be understood as an unfocused reaction against industrialization. Although quixotic in its anti-industrialism, it was not unique; indeed it was only one among several late 19th-century reform movements, such as the Garden City movement, vegetarianism, and folksong revivals, that set the Romantic values of nature and folk culture against the artificiality of modern life....
Austrian, 20th century, male.
Active in Weimar.
Born 1906, in Silesia; died 1941, in Jena.
Painter. Designs for stained glass, murals.
Oswald Baer studied architecture in Vienna, then sculpture in Weimar, and was one of the founders of the Weimar Secession in 1932...
(b Brussels, Aug 20, 1848; d Ixelles, Brussels, Dec 13, 1914).
Belgian architect, designer, painter and writer . He came from a family of artists: one brother, Charles Baes, was a glass painter and two others, Henri Baes and Pierre Baes, were decorative painters. Jean Baes studied decorative design at the Académie Royale des Beaux-Arts, Brussels, and, from 1867 to 1871, in the firm of Charle-Albert. He subsequently trained in architecture in the studios of Emile Janlet, Wynand Janssens and Alphonse Balat. Baes devoted most of his professional career—which was cut short in 1895 by a debilitating illness—to architecture but he also worked as an interior designer, a graphic designer, an architectural draughtsman and, especially, as a watercolourist of architectural subjects. In 1872 he was a founder-member of Belgium’s Société Centrale d’Architecture and after 1874 he collaborated on its journal, L’Emulation. In 1886 he became Assistant Director of the newly established Ecole des Arts Décoratifs, Brussels, where his pupils included Paul Hankar and ...
Laura Mattioli Rossi
Italian family of artists, architects and collectors . Pietro Bagatti Valsecchi (b Milan, 15 April 1802; d Milan, 27 Nov 1864) was adopted by Baron Lattanzio Valsecchi and assumed the latter’s surname and inherited his estate. He gained a degree in mathematics and physics but later devoted himself to painting miniatures on ivory, enamel, glass, metal and porcelain, specializing in these techniques in Paris and Geneva. Returning to Milan, he soon gained considerable recognition for such work and took part in major exhibitions. In 1837 he presented a group of works at the Salon in Paris, including a miniature copy on ivory of Francesco Hayez’s Mary Queen of Scots Mounting the Scaffold (1827; Milan, Bagatti Valsecchi Col.) and a copy on porcelain of Francesco Podesti’s Raphael’s Studio (Milan, Bib. Ambrosiana). In 1842 he was made a noble of the Austrian Empire for his artistic achievements, and the Emperor Ferdinand acquired one of his paintings on porcelain, ...
(b ?Schwäbisch Gmünd, 1484 or 1485; d Strassburg [now Strasbourg, France], 1545).
German painter, printmaker, draughtsman and stained-glass designer. Such contemporaries as Jean Pélerin (De artificiali perspectiva, 1521) and the Alsatian humanist Beatus Rhenanus in 1526 counted him among the greatest artists of his time. In the opinion of specialists today, Baldung’s work places him only half a step behind Grünewald, Dürer and Hans Holbein the younger. A prodigious and imaginative artist of great originality, versatility and passion, Baldung was fascinated with witchcraft and superstition and possessed a desire for novelty of subjects and interpretation that sometimes borders on the eccentric. The new themes he introduced include the supernatural and the erotic. He was the first to show the erotic nature of the Fall in his chiaroscuro woodcut of Adam and Eve (1511; Hollstein, no. 3) and illustrated the successive stages of mating behaviour of horses in his woodcut series of Wild Horses in the forest (1534; Hollstein, nos 238–40); and he is remembered especially for his images of witches. Dürer influenced him only in an early stage but not lastingly. Baldung had a very different sensibility and lacked Dürer’s sense of decorum. Grünewald, whose monumental ...
(fl second half of the 15th century).
Italian master builder and architect. During 1465 and 1466 his name appears in the wages book of the Ospedale Maggiore of Lodi, for which he produced doors, oculi and windows in terracotta. In 1479 he was appointed engineer of the city of Milan, and in 1489 he is mentioned as ducal engineer. He worked on the fortifications at Biasca in 1481, and in the same year Gian Galeazzo Sforza, Duke of Milan (reg 1476–94), recommended Battaggio and Giovanni Antonio Amadeo to succeed Guinoforte Solari as architect to the Fabbrica del Duomo. Amadeo was appointed, but Battaggio did not manage to enter the conservative Milanese workshop either then or two years later, when Ludovico Sforza proposed him in preference to Hans Niesenberger. In 1484 Conte Manfredo Landi III (d 1491) commissioned Battaggio and Agostino Fonduli to finish and decorate the façade of his palazzo in Piacenza (now the Palazzo dei Tribunali). This work included the window-frames, the string course bearing heads of Roman emperors and scenes of the marine thiasos and the ...
(b in or near Kufstein, Tyrol, ?June 16, 1712; d Augsburg, before Sept 7, 1761).
German draughtsman and painter. Kilian, his earliest biographer, stated that after training as a blacksmith with his father, he learnt the art of glass painting in Salzburg. Following travels through Austria, Hungary and Italy, Baumgartner was authorized in late 1733 to live in Augsburg, on condition that he only worked as a glass painter.
Only a few examples of Baumgartner’s own glass paintings have survived; however, he must have meanwhile worked intensively on drawings for copperplate engraving. There are hundreds of these drawings; they were made with extreme care, often on tinted paper and often on a very large scale, for publishers in Augsburg such as Klauber, Engelbrecht and Kilian. Designs in oil on canvas for engravings, such as Moses Ordering the Killing of the Midianite Women (1760; Augsburg, Schaezlerpal.), were a particular speciality of Baumgartner. By far the largest series numerically is for a calendar of saints, the ...
German, 19th – 20th century, male.
Born 14 April 1868, in Hamburg; died 27 February 1940, in Berlin.
Painter, draughtsman, engraver, architect, designer, decorative artist, graphic designer. Posters, furniture, wallpaper, carpets, glassware, ceramics, table services, jewellery, silverwork, objets d'art, typefaces.
Jugendstil, functional school.
Die Sieben (Group of Seven), Deutscher Werkbund...
Jean van Cleven
(b Courtrai [Flem. Kortrijk], April 25, 1821; d Marke, June 18, 1894).
Belgian architect, designer, mural and glass painter. Born into a prominent family, he was originally destined for a career in politics or administration but became known, in the words of W(illiam) H(enry) J(ames) Weale, as the ‘ Pugin of Belgium’ (Building News, xxxvi, 1879, p. 350). From 1837 to 1842 he read law at Leuven University and followed a basic training as an artist at the Academie voor Schone Kunsten in Courtrai and as a pupil of L. Verhaegen and Jules Victor Génisson (1805–60). Under the guidance of Paulus Lauters he became a skilful draughtsman of landscapes; he also took lessons with the sculptor C. H. Geerts (1807–55), who was an important pioneer of the Gothic Revival style. Through personal contacts with Charles Forbes René, Comte de Montalembert, and A. W. N. Pugin (see Pugin family, §2) and through his tours of England in ...
Belgian, 20th century, male.
Born 1914, in Raeren.
Painter, fresco artist. Designs for stained glass.
Blank studied at the Liège institute of architecture and decorative arts. He is known primarily for stained glass and fresco work executed with a severe economy of style.
Dutch, 17th century, male.
Active in Utrecht.
Glass painter, architect.
Booch is mentioned in 1639-1640 and 1644-1645. A painter called Hermann Both was living in The Hague in 1637.
Belgian, 20th century, male.
Born 1909, in Ghent.
Painter, illustrator, architect. Portraits, urban landscapes, still-lifes. Wall decorations, designs for stained glass, posters.
René Bruynseraede was educated at Ghent academy. He participated in group exhibitions from 1928, almost without exception in Belgium and predominantly in his native Ghent. He exhibited solo from ...
French, 20th century, female.
Born 1895; died 15 July 1972.
Painter, draughtsman. Nudes, portraits. Murals, designs for stained glass.
Anne Carlu was the wife of architect Jean Carlu. She worked on a monumental scale on the decoration of public spaces. Anne Carlu's drawings are mainly serene and classic portraits and nudes....
Cuban, 20th century, male.
Born 17 June 1932, in Havana.
Painter. Designs for stained glass.
Jorge Pérez Castano studied architecture at the university in Havana. He traveled to Paris where he studied stained glass.