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Sarah Urist Green

(b Kabul, June 5, 1973).

Afghan video and performance artist and photographer, active also in the USA. After fleeing Soviet-occupied Kabul with her family in the late 1980s, Abdul lived as a refugee in Germany and India before moving to Southern California. She received a BA in Political Science and Philosophy at California State University, Fullerton, and an MFA at the University of California, Irvine, in 2000. Abdul first returned to a post-Taliban Afghanistan in 2001, where she encountered a place and people transformed by decades of violence and unrest. Since that time, Abdul has made work in Kabul and Los Angeles, staging herself in performances and creating performance-based video works and photography that explore ideas of home and the interconnection between architecture and identity.

Beginning in the late 1990s, Abdul made emotionally intense performance art informed by that of Yugoslavian artist Marina Abramović and Cuban-born American artist Ana Mendieta. At the time unable to travel to Afghanistan, Abdul created and documented performances in Los Angeles that probed her position as Afghan, female, Muslim, a refugee and a transnational artist. In ...

Article

Francis Summers

Reviser Jessica Santone

(b Belgrade, Nov 30, 1946).

Serbian performance artist, video artist and installation artist. She attended the Academy of Fine Arts in Belgrade (1965–70) before completing her post-diploma studies at the Academy of Fine Arts, Zagreb, in 1972. Her early works included sound recordings installed on bridges, paintings of truck crashes, and experiments with conceptual photography (see Widrich, pp. 80–97). In her first significant performance, Rhythm 10 (1973), she repeatedly and rapidly stabbed the spaces between her fingers with various knives. Later, in Rhythm 0 (1974; see Ward, pp. 114–30), she invited gallery visitors to choose from 72 available objects to use on her body, as she stood unresponsive for 6 hours. Her infamous performance Thomas’ Lips (1975; see M. Abramović and others, pp. 98–105), in which she cut, flagellated, and froze herself, established her practice as one that dramatically explored the physical limits of the human body, as seen in the work of Gena Pane or Chris Burden (...

Article

American, 20th century, male.

Born 24 January 1940, in New York.

Painter, sculptor, performance artist, video artist. Multimedia.

Body Art, Conceptual Art.

Vito Acconci was born in the Bronx, New York and lives and works in Brooklyn. He studied at Holy Cross College in Worcester, Massachusetts and at the University of Iowa. He has taught in various art schools and universities and in particular at the School of the Art Institute of Chicago, Yale University and the Parsons School of Design in New York....

Article

Frazer Ward

(Hannibal)

(b New York, Jan 24, 1940).

American poet, performance, video, and installation artist, and urban designer. Acconci worked for an MFA degree at the University of Iowa from 1962 to 1964. He initially devoted himself to poetry and writing that emphasized the physicality of the page and then began to produce visual work in real space in 1969. He worked as a performance artist from 1969 until 1974. His performance work addressed the social construction of subjectivity. A central work, Seedbed (1972; New York, Sonnabend Gal.), saw Acconci masturbate for six hours a day, hidden under a sloping gallery floor, involving visitors in the public expression of private fantasy. Between 1974 and 1979 he made a series of installations often using video and especially sound, mainly in gallery spaces, examining relations between subjectivity and public space. For Where We Are Now (Who Are We Anyway) (1976; New York, Sonnabend Gal.), a long table in the gallery and recorded voices suggested a realm of public or communal debate, but the table extended out of the window over the street like a diving board, countering idealism with the realities of city life. In the 1980s Acconci made sculptures and installations, many viewer-activated, invoking basic architectural units and domestic space. ...

Article

Finnish, 20th – 21st century, female.

Active in Helsinki.

Born 1959, in Hämeenlinna.

Video installation artist, film producer, photographer, performance artist.

Conceptual Art.

Eija-Liisa Ahtila was a student at the university of Helsinki from 1980 to 1985 and studied film and video at the London College of Painting. In ...

Article

American, 20th century, male.

Born 7 May 1943, in Wichita (Kansas).

Sculptor, environmental artist, performance artist, video artist.

Terry Allen studied at the Chouinard Art Institute in Los Angeles, receiving a BFA in 1966. His work is inspired by his travels in Mexico, Thailand, China and Colorado. He has taught at California State University Fresno (...

Article

Sofia Hernández Chong Cuy

American installation artists, active also in Puerto Rico. Jennifer Allora (b Philadelphia, Mar 20, 1974) graduated with a bachelor’s degree in art from the University of Richmond, Virginia (1996), and Guillermo Calzadilla (b Havana, Cuba, Jan 10, 1971) graduated with a Bachelor of Fine Arts from the Escuela de Artes Plastica in San Juan, Puerto Rico (1996). Allora and Calzadilla met in Italy in 1995 during a study abroad program in Florence. They then lived together in San Juan for a year before moving to New York City where they started working collaboratively while each participated in different residency and study programs. In 1998–1999, Allora participated in the year-long Whitney Independent Study Program, while Calzadilla participated in the P.S.1 Contemporary Arts Center National Studio Program.

Allora & Calzadilla’s first important international exhibition was the XXIV Bienal de São Paulo in 1998 curated by Paulo Herkenhoff, which investigated the idea of cultural cannibalism known in Brazilian literature as ...

Article

Daniel Montero

(b Mexico City, 1970).

Mexican installation artist, video artist, and performance artist. Amorales studied at the Gerrit Rietveld Academie, after attending Rijksakademie van Beeldende Kunsten (1996–1997), both in Amsterdam. He worked with images and signs of different types that when modified, combined, and recoded produce new images and meanings in turn. Based on pre-existing information and images he found on the Internet, Amorales created a particular way of working, more closely resembling that of a design studio than a traditional artist’s atelier. In his workspace and with a team of assistants, he proposed different ways of understanding the forms in which signs circulate and are appropriated, inquiring into notions of authorship, communication, and artistic media. From 1998 Amorales collected images from the Internet and converterted them into black, white, and red vectors. This collection is now known as the Liquid Archive. With these images, he produced several artworks in which multiplicity, repetition, and juxtaposition are constant. For example, in the video ...

Article

American, 20th – 21st century, male.

Born 19 February 1946, in Washington DC.

Painter, sculptor, draughtsman, engraver, photographer, video artist, glassmaker, decorative designer. Theatre design.

AfriCobra Group.

Akili Ron Anderson attended the Corcoran School of Art and Howard University in Washington DC where he lives and works. He is a member of AfriCobra (African Commune of Bad Relevant Artists) founded in ...

Article

Margaret Barlow

(b New York, Feb 27, 1935).

American performance artist, photographer and filmmaker. In the mid-1950s she studied acting at the Tamara Daykarhanova School for Stage, New York, and creative writing at the College of the City of New York. Her performances can be seen as autobiographical, with invented roles based partly on historical characters. Set-pieces recurring in performances from the early 1970s included the King of Solana Beach, inspired by a portrait of Charles I, King of England, by Anthony van Dyck; Eleanor Antinova, giving the recollections of a black dancer in Serge Diaghilev’s Ballets Russes; and the Angel of Mercy, Florence Nightingale in the Crimea. Antin considered her performances as a means of self-definition as an artist and woman in the late 20th century. The presentations incorporated pithy commentaries on contemporary social and political issues. The spontaneous nature of her activity can be linked to the early years of American film-making, when participants devised dramatic scenarios in an ad hoc sequence. By interspersing her personal experience and vision with episodes from the past, Antin attempted to redefine traditional boundaries associated with women, power and art. For ...

Article

Agung Hujatnikajennong

(b Bandung, May 21, 1961).

Indonesian installation, video and performance artist and writer. Arahmaiani graduated from the Fine Art Department of Bandung Institute of Technology in 1983 and then continued her studies at the Paddington Art School, Sydney (1985–6) before attending the Akademie voor Beeldende Kunst & Vormgeving (AKI), Enschede (1991–2). During the 1980s she was also part of a rebellious young artists’ movement in Indonesia.

Arahmaiani is known for her specific point of view in responding to the domination of academicism in the Indonesian art world, which became her departure point in developing Happenings and performance art during the early 1980s; a boom era of painting and commercialization that occurred as a result of the economic boosting under the Indonesian New Order regime. One of her most important works, Newspaper Man (1981), in which she wrapped her body in newspaper advertisements and walked through the streets and shopping malls of Bandung, stimulated a more vibrant practice and discourse on the use of human body as an art medium in Indonesian art. ...

Article

(b Nagoya, July 6, 1936; d New York, NY, May 18, 2010).

Japanese painter, performance artist, and film maker, active in the USA. He studied medicine and mathematics at Tokyo University (1954–8) and art at the Musashino College of Art in Tokyo, holding his first one-man exhibition at the National Museum of Modern Art in Tokyo in 1958 and contributing to the Yomiuri Independent exhibitions from 1958 to 1961. In 1960 he took part in the ‘anti-art’ activities of the Neo-Dadaism Organizers in Tokyo and produced his first Happenings and a series of sculptures entitled Boxes, which consisted of amorphous lumps of cotton wads hardened in cement; many of these were put in coffin-like boxes, though one entitled Foetus was laid on a blanket. In pointing to the sickness of contemporary society, these works caused a great scandal in Tokyo.

In 1961 Arakawa settled in New York, where soon afterwards he addressed himself to the idea of a work being ‘untitled’. In taking as his subject this apparent lack of subject, he emphasized the areas of the picture surface where the subject ‘ought to be’ by means of a few well-placed coloured framing marks, as in ...

Article

Christiane Paul

(b Buffalo, NY, May 25, 1978).

American computer artist, performance artist, video artist, installation artist, composer, sculptor, and printmaker. He graduated in 2000 from the Oberlin Conservatory of Music, where he originally studied classical guitar but later switched to the technology of music. At Oberlin he also met Paul B. Davis with whom he formed the Beige Programming Ensemble in 2000, and released a record of 8-bit music entitled The 8-Bit Construction Set. In 2010 he co-founded, with Howie Chen and Alan Licht, the band Title TK.

Arcangel’s body of work has consistently addressed a series of themes, such as the manner in which we express ourselves through technological tools and platforms (from Photoshop to YouTube) in funny, original, creative, and awkward ways. His projects often explore our fascination with technology by playfully undermining our expectations of it and limiting viewers’ control. Another theme that frequently surfaces is the speed of technological obsolescence and the absurdity of a given technology’s lifecycle, which often moves from the cutting-edge of design to an insult of good taste (see Siegel, pp. 81–2). Arcangel connects these themes to the history of art, drawing parallels between pop-cultural vernacular and approaches in the fine art world and combining high tech and do-it-yourself (DIY) approaches. Among his best-known works are his hacks and modifications of Nintendo game cartridges and obsolete computer systems from the 1970s and 1980s (...

Article

Ulrike Gaisbauer

(b Pressburg, Aug 28, 1940).

Austrian painter, writer, film maker and musician. While still at school he wrote short novels and songs, drew comic strips, composed pieces for ocarina and piano and was three times Austrian junior national yachting champion. From 1957 to 1963 he was a student at the Hochschule für Angewandte Kunst in Vienna. His sensual pictures, which express a totally egocentric personality, sparkle with lively imagination. They incorporate the idea of metamorphosis as a consistent leitmotif and are therefore always undergoing a process of transformation. The idea of beauty, as part of a wide-ranging aesthetic view of the world, often forms the core of his artistic statements and is the basis of his numerous actions.

Attersee’s invented words and objects, for example Food-ball or Prosthesis-alphabet, are the result of an intellectual exploration of ordinary objects in everyday reality, as well as of current linguistic patterns. From 1967 to 1968 he produced his ...

Article

Italian, 20th – 21st century, female.

Active in New York.

Born 1969, in Genoa.

Performance artist, installation artist, video artist, photographer.

Neo-Conceptual Art.

Beecroft attended the Accademia Ligustica di Belle Arti Pittura in Genoa from 1987 to 1988 and then went on to study directing at the Accademia di Belle Arti de Brera ...

Article

Canadian First Nations (Anishinaabe), 20th century, female.

Born 22 March 1960, in Upsala (Ontario).

Performance artist, installation artist, sculptor, video artist.

Rebecca Belmore was sent from her home to attend high school in Thunder Bay (Ontario), where she was billeted with a non-Aboriginal family. She graduated from the experimental art programme at Toronto’s Ontario College of Art and Design in ...

Article

French, 20th – 21st century, male.

Born 1966, in Lille.

Installation artist, photographer, video artist, film producer, writer, musician.

Stéphane Bérard lives and works in Haute-Provence. Both poet and sculptor, he casts a quizzical and ironic eye on the flotsam of everyday life. His inventions include the ...

Article

Swiss, 20th – 21st century, male.

Active in Zurich and New York.

Born 1970, in Schaffhausen.

Installation artist, video artist, photographer, performance artist.

Olaf Breuning originally trained as a photographer before going on to do a degree at the Hochschule für Gestaltung in Zurich. He won a travel bursary to the USA in ...

Article

Established in 2009, New York (New York), United States.

Art collective.

The Bruce High Quality Foundation is an anonymous artist collective that creates installations, videos, paintings, sculptures, performances, and exhibitions. The founding members keep their identities anonymous but are known to be a group of male artists who met while obtaining their undergraduate degrees at the Cooper Union in the late 1990s. The foundation is known for its tongue-in-cheek works, which use canonical art works as the basis for humorous, prank-style images and performances: in ...

Article

Andrew Wilson

(b Ardning, Styria, Sept 27, 1938).

Austrian performance artist, draughtsman, painter and film maker. He studied commercial graphic art at the Akademie für Angewandte Kunst in Vienna between 1957 and 1960. Following visits to Spain and the Venice Biennale of 1960, he started to paint gestural abstractions and came into contact with the Austrian painter Alfons Schilling (b 1934). In 1961 this development was interrupted when he was called up for military service, after which he found it difficult to return to painting, and by the end of 1962 he had started to concentrate on the act of painting rather than on the finished works themselves. He was persuaded by Otto Muehl to create, with his wife Anni, his first Aktion or performance, Ana, in November 1964, which he recorded on film in the first of a series of collaborations with the film maker Kurt Kren (b 1920). This led to his first self-painting ...