You are looking at  1-20 of 23 results  for:

  • Graphic Design and Typography x
  • Fashion, Jewellery, and Body Art x
Clear All

Article

Michèle Lavallée

[Fr.: ‘new art’]

Decorative style of the late 19th century and the early 20th that flourished principally in Europe and the USA. Although it influenced painting and sculpture, its chief manifestations were in architecture and the decorative and graphic arts, the aspects on which this survey concentrates. It is characterized by sinuous, asymmetrical lines based on organic forms; in a broader sense it encompasses the geometrical and more abstract patterns and rhythms that were evolved as part of the general reaction to 19th-century historicism. There are wide variations in the style according to where it appeared and the materials that were employed.

Art Nouveau has been held to have had its beginnings in 1894 or 1895. A more appropriate date would be 1884, the year the progressive group Les XX was founded in Belgium, and the term was used in the periodical that supported it, Art Moderne: ‘we are believers in Art Nouveau’. The origin of the name is usually attributed to ...

Article

German, 19th – 20th century, male.

Born 14 April 1868, in Hamburg; died 27 February 1940, in Berlin.

Painter, draughtsman, engraver, architect, designer, decorative artist, graphic designer. Posters, furniture, wallpaper, carpets, glassware, ceramics, table services, jewellery, silverwork, objets d'art, typefaces.

Jugendstil, functional school.

Die Sieben (Group of Seven), Deutscher Werkbund...

Article

Biba  

M. B. Whitaker

British fashion boutique. Established in 1963 by fashion illustrator Barbara Hulanicki (b 1936) as a mail-order catalogue, Biba swiftly evolved into a popular London boutique, and finally, from 1973 to 1975, a short-lived department store. Biba offered eclectic and affordable clothing, accessories, cosmetics and other products to students and teenagers, consequently becoming a fundamental driving force behind street fashion during the 1960s and 1970s (see fig.).

Barbara Hulanicki, born in Warsaw, worked as a fashion illustrator in London for a variety of magazines in the late 1950s and early 1960s. This introduced her to the privileged and dictatorial world of haute couture, which turned her away from high fashion. With the encouragement of her husband, Steven Fitz-Simon, she began designing and started the Biba Postal Boutique in 1963. This mail-order catalogue, named after her sister, was a quick success. Her most popular design for the catalogue was a gingham frock and kerchief that later became a staple of the Biba shop (...

Article

American, 20th century, male.

Born 1929, in Brooklyn (New York City).

Illustrator, graphic designer, theatre director. Stage costumes.

Remy Charlip studied at Black Mountain College. He became a professor at the University of California and settled in San Francisco. He is also a dancer and choreographer who worked for 11 years with the Merce Cunningham Company as a dancer, stylist and set designer. He has won numerous prizes, including the Boston Globe - Horn Book, two Obie Awards and three Isadora Duncan Awards. He has also been laureate of the San Francisco Public Library. For three years running, his books were recognised by the ...

Article

French, 20th century, male.

Born 1930; died 1978.

Painter, poster artist, lithographer. Figures, landscapes, scenes with figures, horse racing scenes. Stage costumes, advertising art.

Jean Charnotet trained under Paul Colin and Vertès. He exhibited in Paris, Deauville, Brussels and Rome. He did a great deal of work in the advertising industry....

Article

German, 19th – 20th century, male.

Active also active in France.

Born 6 March 1866, in Flensburg; died 5 January 1945, in Wiesbaden.

Painter, engraver, draughtsman, decorative designer, graphic designer. Portraits, landscapes, urban landscapes, still-lifes, flowers, decorative motifs. Designs for carpets, designs (furniture/posters/jewellery/book-binding).

Jugendstil.

Die Sieben (Group of Seven)...

Article

Valerio Rivosecchi

(b Faenza, Aug 4, 1909; d Rome, April 5, 1981).

Italian painter, illustrator and stage designer. He began his training in Faenza in the workshop of the Italian painter and ceramicist Mario Ortolani (1901–55). After living briefly in Bologna (1927) and Paris (1928) he settled in Rome in 1929, first exhibiting his work at the Venice Biennale in the following year. His paintings at this time, such as Nude (Susanna after her Bath) (1929; Faenza, Pin. Com.), were characterized by an emphasis on tonal relationships and on the influence of the Scuola Romana. In 1934 he began to work with growing success as an illustrator for the journals Quadrivio and Italia letteraria. The contacts he established with Paris were intensified with his move there in 1947, resulting in three one-man shows at the Galerie Rive Gauche (in 1950, 1953 and 1957), and in his paintings he evolved a cautious balance between the representation and the disassembling of the image. Some of his best-known series of paintings date from this time, including his ...

Article

Avis Berman

(b Roxbury, MA, Sept 14, 1867; d New York, NY, Dec 23, 1944).

American illustrator. Gibson’s graphic creation, the “Gibson Girl,” became a symbol of upper-middle-class American womanhood from 1890 to 1914. The Gibson Girl’s appearance and dress were widely imitated and her popularity helped shape social attitudes at a time when women’s roles were undergoing dramatic changes.

Growing up in Massachusetts and New York City, Gibson entered the Art Students League at 16, studying there for two years. In 1885 he left school to make a living as an illustrator. Gibson drew in pen-and-ink, his medium for the rest of his career, but his early sketches were stiff and labored. In 1886 he sold his first drawing for $4 to Life, a weekly humor magazine. Emulating the draftsmanship of the British cartoonists John Leech, Charles Keene, George Du Maurier and Phil(ip William) May, Gibson developed a freer and more economical style. He successfully sold arch scenes of politics and society to Life...

Article

Simon Houfe

(b Blackheath, July 21, 1817; d Blackheath, Oct 5, 1897).

English illustrator and painter. While articled to his father’s estate agency for two years, he spent his time sketching City of London costumes and liveries and regimental uniforms. This meticulous historical knowledge helped when he became a full-time artist in 1836, exhibiting oils at the Royal Society of British Artists and the British Institution, both in London. From 1842 he was the first artist to contribute historical scenes to the Illustrated London News, making a total of 30,000 illustrations in 40 years. Gilbert found ample employment in book illustration, his classical draughtsmanship being ideal for such publications as Howard Staunton’s Shakespeare (1856–60). He began to paint in watercolour in 1851, developing mastery as a colourist and in working on a large scale; he was elected to the Old Water Colour Society in 1854 and was its President in 1871. He became an ARA in 1872 and an RA in ...

Article

German, 20th century, male.

Born 17 May 1880, in Chemnitz; died 6 September 1944, in Stuttgart.

Painter, decorative designer, graphic designer. Objets d'art, ceramics, decorative arts, silverware, jewels.

Darmstadt Artists' Colony.

Paul Haustein studied at the Kunstgewerbeschule in Dresden in 1896, and then in 1897...

Article

Belgian, 20th century, male.

Born 1879 or 1880, in Liège; died 1956, in Brussels.

Painter, draughtsman, watercolourist, decorative designer, poster artist. Portraits. Stage costumes.

Georges Koister designed stage costumes and contributed to a number of papers in France and Belgium.

Liège: Portrait of Mme F. W....

Article

French, 20th century, female.

Born 27 July 1923, in Paris.

Painter, watercolourist, graphic designer. Stage sets, stage costumes.

Yahne Le Toumelin is the daughter of a sailor. She spent a large part of her youth in Croisic. The sea is always a presence in her paintings, transparent even in her least figurative work. Initially, in ...

Article

Belgian, 19th – 20th century, male.

Born 25 November 1865, in Schaerbeek (Brussels); died 15 July 1916, in Ukkel.

Painter (including gouache), draughtsman, engraver, designer, lithographer, illustrator, poster artist, potter. Figures, nudes, portraits, interiors with figures, scenes with figures, landscapes, urban landscapes, still-lifes, flowers, seascapes, boats, animals...

Article

Romanian, 20th century, male.

Active in Italy from 1971.

Born 20 April 1927, in Chisinau-Cris.

Painter, sculptor, graphic designer, designer, interior designer, scenographer. Stage sets, stage costumes, advertising art.

Ion Mitrici graduated from the N. Grigorescu Institute of Fine Arts in Bucharest in 1954. He was a member of the Union of Plastic Artists of Romania ...

Article

Czech, 19th – 20th century, male.

Active in France.

Born 24 August 1860, in Ivancice; died 14 July 1939, in Prague.

Painter (including gouache), watercolourist, pastellist, draughtsman, illustrator, lithographer, poster artist. Historical subjects, allegorical subjects, figures, portraits, costume studies. Murals, stage costumes and sets, coats of arms, designs (jewels/postage stamps/banknotes/furniture)...

Article

French, 19th – 20th century, male.

Born 1866, in Angers; died 1937, in Marly-le-Roi.

Painter, draughtsman, poster artist, designer. Stage sets, stage costumes.

Mültzer was attached to the Opéra-comique. He designed many sets and costumes over a period of about 40 years.

Article

Lourdes Font

(b Paris, 1902; d Paris March 14, 1955).

French fashion designer (see figs 1 and 2 ). From 1925 to 1953, Rochas was an innovator in Paris fashion. In the1930s he was known for architectural suits and coats, bold graphic patterns and Surrealist details, and in the post-war period for romantic designs inspired by the 19th century.

Rochas founded his Paris couture house in 1925, and within two years copies of his modern and practical daywear were sold in New York City department stores. In 1929 he was among those leading the way toward a new silhouette by raising waistlines and lowering hemlines. In 1931 he was inspired, like Elsa Schiaparelli , by the South-east Asian architecture and Balinese dancers at the Exposition Coloniale in Paris. By the end of the year he had shown broader shoulders and fuller sleeves in his collections. He continued the South-east Asian theme with his ‘Angkor’ coat of 1934, which had peaked shoulders, sleeves forming sharp points at the elbow and a silver-plated belt shaped like a palm frond. Other designs had flanges at the neckline and shoulders that projected from the body like cantilevered walls (...

Article

French, 20th century, male.

Born 1902, in Paris.

Painter, poster artist, worker in precious metals. Jewels.

Gérard Sandoz's father kept a goldsmith's shop and his uncle, the decorative artist and architect Paul Follot, introduced him to modern design. He created remarkably restrained jewellery, often made of composite materials....

Article

Joellen Secondo

(b ?N. England, ?1840–50; d 1894–7).

English illustrator and designer. He received architectural training under William Salmon of Glasgow. He began his career as a designer in the London studio of Christopher Dresser, where he executed countless designs for furniture, decorations, wallpapers, carpets, tapestries, metalwork and pottery, which according to Smith were passed off as the work of Dresser. Smith contributed some of the designs and lithographed the plates for Sketches of Artistic Furniture, the 1871 catalogue of the London furniture-makers Collinson & Lock. His first publication, Studies for Pictures: A Medley (London, 1868), is dedicated to Dresser. His next two books, Album of Decorative Figures and Ancient Greek Female Costume (both London, 1882), reveal his interest in figurative designs. His most scholarly work was a history of interiors, Ornamental Interiors, Ancient to Modern (London, 1888).

Smith’s penchant for drawing literary, allegorical and historical figures in historical costumes is evident in the themes of the books he chose to illustrate and in his designs for tiles. During the 1870s and 1880s he produced illustrations for Greek myths, fairy tales and the writings of Plutarch and Shakespeare. Smith was a prolific designer for ...

Article

Tony Mackle

(b Auckland, Aug 4, 1906; d Wellington, June 6, 1964).

New Zealand printmaker, book illustrator and painter . Taylor had no formal art training, but his work in both jewellery manufacturing and commercial advertising developed his superb skills as a draughtsman and his innate sense of design. Significantly, from 1944 to 1946 Taylor was appointed as art editor and illustrator for the Schools Publications branch of the New Zealand Education Department. He saw the merits of wood-engraving for illustration in school journals and during the remainder of his career created over 200 woodblock images of the flora and fauna of New Zealand and Maori mythology. International recognition for his wood-engraving came through exhibitions in New York (1954) and in Russia (1958).

In 1952 Taylor received a New Zealand Art Societies Scholarship with which he studied Maori life and society, publishing in 1959 Maori Myths and Legends through his own publishing house, The Mermaid Press. Taylor also illustrated books published by the Wingfield Press, Pelorus Press and A. G. & A. W. Reed, as well as encouraging the graphic arts and printmaking through his involvement with the New Zealand Print Council and the New Zealand Academy of Fine Arts....