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Christine Robinson

[Ingrid Mwangi Robert Hutter]

(b Nairobi, 1975).

Kenyan and German performance artist, installation artist, photographer, and video artist. Mwangi’s work addresses notions of cultural difference, social conventions, racial categories, and national identity, primarily through an autobiographical lens. She has often utilized her body as a subject and engaged with questions related to her own African-European heritage. In 2005 Mwangi shifted from a mostly solo practice to a collaborative partnership with her husband, German artist Robert Hutter (b 1964). From that time, the pair has worked and exhibited exclusively under the name IngridMwangiRobertHutter. Together they have explored larger human experiences and universal issues of stereotypes, fear and negotiations between different cultures, genders, nationalities, and religions through multimedia works that have produced cross-cultural dialogues.

Mwangi was raised in Nairobi by a German mother and a Kenyan father. In 1990, as a teenager, she moved with her family to Germany and studied at the Hochschule der Bildenden Künste Saar in Saarbrücken from ...

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Kevin Mulhearn

(b Cape Town, 1964).

South African installation and multimedia artist. Searle received her MA from the Michaelis School of Fine Art, Cape Town, in 1995. Her work has regularly addressed the complex politics of identity in South Africa and the deep and contested historical roots that inflect its contemporary manifestations. She has often used her own body in her work and dealt with themes connected in some way to her own complicated heritage, but she has typically produced work that also speaks to broader issues of both local and global import.

Much of Searle’s art has grappled with the history of South Africa’s ‘coloured’ people, a multiracial population that was the outcome of centuries of cohabitation between indigenes, Europeans, and imported slave labour. In her photographic series Colour Me (1998–2000), Searle covered her skin with such spices as clove and turmeric, allowing her to acknowledge the trade in these commodities, which prompted European settlement on the southern tip of Africa in the 17th century and brought slaves to the region from present-day Malaysia and Indonesia. The dual video projection ...

Article

John-Paul Stonard

(b Chigwell, Essex, May 25, 1959).

English painter, sculptor and video artist. He studied in London at the Chelsea School of Art (1978–81) and Goldsmiths’ College (1983–5). From the mid-1980s his work has addressed the traditions and values of British society, its class system and organized religion. The range of approaches he has adopted reflects his wish to have a broad appeal and highlights his roots in a tradition of British left-wing thought. In the early 1990s he began using a personal enthusiasm for horse racing as a theme through which to explore issues of ownership and pedigree. Race Class Sex (oil on canvas, four parts, each 2.3×3 m, London, Saatchi Gal.), consists of four highly finished renderings of thoroughbred race-horses. As well as evoking the equestrian portraiture of George Stubbs, these works also direct attention toward issues of identity and the inheritance of social structures. This thematic culminated in A Real Work of Art...