1-7 of 7 results  for:

  • Art of the Middle East/North Africa x
  • Painting and Drawing x
  • Artist, Architect, or Designer x
  • Digital, Multimedia, and Sound x
Clear all

Article

Mary Chou

(b Bethlehem, 1970).

Palestinian conceptual artist. Jacir’s works use a variety of media including film, photography, installation, performance, video, sound, sculpture and painting. Jacir was raised in Saudi Arabia and attended high school in Rome, Italy. She received her BA from the University of Dallas, Irving, TX in 1992, her MFA from the Memphis College of Art, Memphis, TN in 1994, and participated in the Whitney Independent Study Program from 1998 to 1999. She became a professor at the International Academy of Art, Palestine in Ramallah in 2007. Jacir’s conceptual works explore the physical and psychological effects of social and political displacement and exile, primarily how they affect the Palestinian community. Her work investigated the impact of Israeli action on the Palestinian people and countered representations of Palestinians in the press as primarily militant. Jacir often collaborated with members of the Palestinian community, both local and international, in the creation of her works....

Article

Tunisian, 20th century, male.

Active in France from 1946.

Born 1926, in La Marsa.

Painter. Multimedia.

Koskas travelled to Paris in 1946, where he worked in the studio of André Lhote and Fernand Léger and formed a friendship with Vantongerloo. He was involved in theatre and cinema projects, notably with the director Jacques Baratier. After completing a number of figurative paintings influenced by Léger, he evolved towards abstraction ...

Article

Sheila S. Blair and Jonathan M. Bloom

(b. Shiraz, 1963).

Iranian artist. Moshiri graduated from the California Institute of Arts in 1984 and experimented with installations, video art and painting before returning to Tehran in 1991. He became known for a series of large oil paintings on canvas showing monumental jars and bowls with richly textured surfaces and flowing calligraphy that he began in 2001. The form and cracked and weathered surface of the jars reflects his fascination with archaeology, and the texts on them contain poems in nasta‛līq script. In some cases, his paintings contain only letters or numbers. Inspired by calligraphic practice sheets, known as siyāh-mashq, and by the alphanumeric system (abjad), he plays with the shape rather than the meaning of words. His more conceptual pieces include a vitrine of gilded objects (2003), Rogue gun installation (2004), and Ultimate Toy–Legold (2004). He has held a number of solo exhibitions, including one at Leighton House, London (...

Article

Iranian, 20th – 21st century, female.

Active in the USA.

Born 26 March 1957, in Qazvin, Iran.

Painter, video artist, installation artist, photographer. Multimedia.

Shirin Neshat was born in Iran but left to study art at the University of California, Berkeley, at the age of 17. She lives and works in New York. She won a Lion d’Or at the Venice Biennale in ...

Article

Sarkis  

Armenian, 20th century, male.

Active in France from 1964.

Born 1938, in Istanbul.

Painter, watercolourist, sculptor of assemblages, installation artist. Multimedia.

Conceptual Art, Art Narratif.

After studying in Istanbul from 1957 to 1960, Sarkis began to paint. He worked in Paris from 1964 onwards and taught at the École des Arts Décoratifs in Strasbourg. Between ...

Article

Israeli-British, 20th – 21st century, male.

Active in London from the late 1960s.

Born 1945, in Israel.

Video artist, painter, sculptor. Multimedia.

Amikam Toren spent his formative years in Tel Aviv learning to paint and draw under Peter Hesse. He had his first solo show at the Maserik Gallery in Tel Aviv in ...

Article

Turkish, 20th century, female.

Active and naturalised in France since 1965.

Born 1937, in Cairo, of Turkish origin.

Painter, draughtswoman. Multimedia.

Nil Yalter beagn as an Abstract painter, then used mainly video, complemented with paint­ings, drawings and objects removed from their contexts. From an ‘ethno-critical’ perspective, she draws parallels between Turkish women, imprisoned women and Turkish immigrant workers in altered surroundings, leaving viewers free to make their own interpretations. In ...