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German, 14th century, male.

Painter.

Heinrich von Alich belonged to a third order and later entered the convent of St Peter in Erfurt. He painted the chapel of Corporis Christi in the convent's church in 1302, during restorations to the building.

Article

Italian, 14th century, male.

Died 1340, in Orvieto.

Draughtsman, sculptor (wood).

In 1305, Giovanni Ammannati was employed on the restoration of the bell-tower of the town hall in Siena. In 1329 he designed the stalls of Orvieto Cathedral, later supervising their execution. He is documented as living in Siena in ...

Article

Italian, 14th century, male.

Active in Gubbio (Umbria).

Sculptor.

Andrea di Paolo is mentioned with regard to payment for the restoration of a wall in the Palazzo del Podestà in 1383.

Article

Flemish, 14th century, male.

Sculptor.

Flemish School.

Between 1390 and 1391 Jean Hanoots carved the great door of the magistrates' hall in the Bruges town hall. He worked on the restoration of the bell tower from 1389 to 1396.

Article

Stephen L. Little

[Jen Jen-fa; zi Ziming; hao Yueshan Daoren]

(b Qinglongzhen [now Qingpu, Songjiang, Shanghai Municipality], 1255; d 1328).

Chinese painter. Under the Yuan dynasty (1279–1368) he became an official, rising to the level of Vice-President of the River Conservation Bureau. He was famous for his paintings of horses, which were much admired by both his Mongol and Chinese patrons. In horse painting he followed in the tradition of the Song-period (960–1279) artist Li Gonglin, which was characterized by use of the ‘iron-wire’ line and a minimum of shading. Ultimately, however, Ren’s style can be traced to the Tang (ad 618–907) painters Yan Liben and Han Gan.

Ren’s earliest surviving painting is dated 1280, indicating that he was a mature artist by his mid-twenties. Although he worked as an official under the alien Mongol emperors, he was capable of paintings that incorporated clear political messages. The most famous is Fat and Lean Horses (Beijing, Pal. Mus.), in which, according to his inscription, the fat horse represents the self-satisfied, wealthy official and the lean one the humble, poor, self-deprecating official. Most extant works by Ren are depictions of horses, but ...

Article

French, 14th century, male.

Sculptor.

Simon Saint-Omer carried out restoration work in the abbey church of Saint-Jean in Valenciennes.