The arena in which a buyer seeks to acquire, either directly or through an agent, a particular work of art for reasons of aesthetics, connoisseurship, investment, or speculation. The historical beginnings of the art market lie in patronage. With the growth of Collecting for aesthetic and worldly motives rather than religious ones came a corresponding growth in ...
Bruce Tattersall and Natasha Degen
Irish bishop, philosopher, writer, collector, and traveller of English descent. He established the basis of his reputation as a philosopher while still a Fellow of Trinity College, Dublin, with An Essay towards a New Theory of Vision (Dublin, 1709) and the Principles of Human Knowledge...
Michelle P. Brown
English museum curator and collector. He was the son of a coal merchant and in 1884 joined the family firm, where he remained until the end of 1891. He had early on been attracted by the aesthetics and politics of the Arts and Crafts Movement and the Pre-Raphaelite Brotherhood, and had met and assisted such figures as John Ruskin, William Morris and Octavia Hill (...
Act of assembling groups of objects. Any account of collecting works of art has to cover a very wide field of enquiry. Its history is often obscure and complicated, and many issues such as aesthetics, finance, psychology, and indeed the definition of the phenomenon must also be considered, including how culturally widespread collecting is. It can be identified in most of the great civilizations throughout history, from China and Japan to the Islamic and Western worlds, and in each instance there are many features in common. Although some of the general points made in this article apply to all forms of collecting, it concentrates on the example provided by the West. Collecting in other civilizations is discussed under the appropriate geographic or cultural headings. There are also sections discussing collecting in most modern country surveys....
Enrico Castelnuovo, Jaynie Anderson, Stephen B. Little, Christine M. E. Guth, S. N. Chaturvedi and Anna Tummers
Term given to the technique or art of recognizing works of art. In the Western world this particularly involves the evaluation, distinction, and appreciation of the work’s quality and, above all, the ability to determine the time and place of its execution and, as far as possible, the identity of the artist. A lack of signatures, precise documentation, and other information concerning most figurative works has meant that the establishment and development of criteria and classification and thus the practice of attribution have been highly dependent on the development of collecting and of an art market. Connoisseurship is not an exclusively Western phenomenon, however: it has evolved alongside the development of collections of art in such countries as China, where the role of the connoisseur was established as early as the Bronze Age....
English philosopher, aesthetician and patron. Shaftesbury has been described as the first great aesthetician that England produced, and his writings were both original and influential. His education was entrusted to the philosopher John Locke, who had him instructed in Greek and Latin from an early age. So quickly and thoroughly did he learn these languages that by the age of 11 he could read and discuss the Classics, an interest he was always to maintain. During his three years of travel in Holland, France and Italy he learnt French and developed his taste for modern and Classical sculpture, architecture, painting and music. He served in Parliament for three years and succeeded to the earldom and a seat in the House of Lords in ...
Austrian psychoanalyst and collector. After studying at the University of Vienna and working first in histology, then in neurology, he spent the winter of 1885–6 in the clinic of the great French pathologist, Jean-Martin Charcot (1825–93). From Charcot Freud learnt that every hysterical symptom is ideogenic, in other words an idea plays a crucial part in its genesis. The bodily extent of the symptom corresponds not to any neuro-physiological unit but to what the idea denotes, and the symptom may be alleviated through talking out the idea, for example under hypnosis. The pathogenic idea is invariably unconscious, or inaccessible to consciousness. Over the years Freud, while maintaining a clinical practice in Vienna, elaborated and transformed this hypothesis, and out of it psychoanalytic theory emerged....
English writer, connoisseur and collector (see fig.). He was the son of a clergyman from a wealthy dynasty of iron-masters. His father died in 1764, and shortly afterwards he inherited a considerable estate from his uncle, which ensured his financial independence. He was a sickly child and was educated at home, becoming well versed in Classical history, Latin and Greek. In ...
Indian collector and writer. He is best known for his monumental collection of Indian art at the Bharat Kala Bhavan in Varanasi. Every piece reflects his highly developed sense of aesthetics, discriminating taste and in-born connoisseurship. The collection spans a very wide range of Indian art and (mainly Hindi literary) documents, local culture etc. Rai Krishnadasa’s early career was as a Hindi author, but he motivated ...
Jeffrey Abt and Helen Searing
Reviser Katherine Stadtmiller
Institution primarily for the preservation, display, and study of works of cultural interest, but increasingly characterized by a broader range of social functions. The origins of the modern museum can be traced to Classical times. It was only after the Renaissance, however, that it came to be regarded as a vital public institution. Although museum history has traditionally been surveyed in the context of the history of Collecting and of the temporary Exhibition, the substantial growth in knowledge of each topic warrants their separate treatment. Architecturally, this institutional history has been accompanied by the development of an important building type. More detailed studies of major individual museums may be found under the headings for the cities in which they are located, while national historical overviews are contained within country and regional survey articles.
Jeffrey Abt and Katherine Stadtmiller
Mouseion (Gr.), the etymological root of ‘museum’, was the term for ancient Greek temples dedicated to the muses of the arts and sciences, which by ...
English painter, collector and writer. The foremost portrait painter in England in the 18th century, he transformed early Georgian portraiture by greatly enlarging its range. His poses, frequently based on the Old Masters or antique sculpture, were intended to invoke classical values and to enhance the dignity of his sitters. His rich colour, strong lighting and free handling of paint greatly influenced the generation of Thomas Lawrence and Henry Raeburn. His history and fancy pictures explored dramatic and emotional themes that became increasingly popular with both artists and collectors in the Romantic period. As first president of the Royal Academy in London, he did more than anyone to raise the status of art and artists in Britain. His ...
English writer, draughtsman, painter and collector. He was one of the most influential voices in the art world of the 19th century. His early writings, eloquent in their advocation of