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Jan Jaap Heij

(b The Hague, Aug 18, 1871; d Amsterdam, Oct 19, 1934).

Dutch printmaker and painter. He trained at the Academie voor Beeldende Kunsten in The Hague, where he subsequently taught graphic art (1893–1911). In 1911 he succeeded Pieter Dupont as professor in graphics at the Rijksakademie in Amsterdam under the directorship of Antoon Derkinderen. In the early years of his career Aarts produced some paintings using the pointillist technique, mostly landscapes (The Hague, Gemeentemus.); he also carved some sculptures in wood. He is, however, best known for his graphic work. In technique and subject-matter, his prints have a great deal in common with those of Dupont. As the latter’s successor he devoted himself to the revival of engraving, which his predecessor had reintroduced; his own experiments in this medium (in particular his scenes with diggers and beggars, all c. 1900) are considered milestones in early 20th-century Dutch printmaking. He also applied his skills to etching, lithography, woodcutting and wood-engraving; of the latter his ...

Article

Pamela H. Simpson

(b Philadelphia, PA, April 1, 1852; d London, Aug 1, 1911).

American painter, illustrator, and muralist, active also in England. Abbey began his art studies at the age of 14 in his native Philadelphia where he worked with Isaac L. Williams (1817–95). Two years later he enrolled in night classes at the Pennsylvania Academy of Fine Art working under Christian Schussele (1824–1979), but by then Abbey was already a published illustrator. In the 1870s his drawings appeared in numerous publications, but it was his work for Harper & Brothers that proved most important to his career. In 1871 he moved to New York, and in 1878, Harper’s sent him on a research trip to England. He found such affinity with the country that he made it his home for the rest of his life. After 1889 he devoted more time to painting, was elected a Royal Academician in 1898, and in 1902 was chosen by Edward VII (...

Article

French, 19th – 20th century, male.

Born 27 May 1873, in La Varenne-St-Hilaire.

Draughtsman, humorist, poster artist, illustrator.

Jack Abeillé collaborated on many newspapers and publications. He participated in collective exhibitions dedicated to humorous art, both in France and abroad. Most notably, he was one of the illustrators of ...

Article

German, 20th century, male.

Born 26 August 1882, in Berlin; died 4 July 1939, in Berlin.

Draughtsman, illustrator, poster artist, caricaturist.

Symbolism, Jugendstil.

Hermann Abeking was still very much influenced by the Jugendstil, and particularly by Aubrey Beardsley and Jan Toorop. He worked on several German magazines, including the ...

Article

French, 20th century, female.

Born 13 August 1937, in Paris.

Painter, draughtsman.

Achimsky studied at a school of graphic art and began her working life as a draughtswoman in advertising and the cinema. She began to paint in 1972 and exhibited at group exhibitions in Paris and in the provinces. She exhibited regularly at the Salon d'Automne from ...

Article

Amy Fox

American graphic design firm. Founded in 1993 by Sean Adams (b Reno, NV, 19 July 1964) and Noreen Morioka (b Sunnyvale, CA, 6 July 1965). Often described as simple and pure, AdamsMorioka design is distinguished by its clear, pragmatic approach, joined often with optimistic bright colour palettes. Adams and Morioka met while studying at the California Institute of the Arts (CalArts) programme under professors Lorraine Wilde and Lou Danziger. After graduating, Adams (BFA 1986) and Morioka (BFA 1988) went their separate ways. Adams moved to New York to work at the New York Public Library and returned to Los Angeles in 1989 to work for April Greiman, Inc. After graduation Morioka joined Gensler and Associates in San Francisco as a graphic designer. A year later she travelled to Tokyo to work for Landor and Associates. While there she continued to build on corporate identity skills taught to her by Lou Danziger and was exposed to Landor’s extensive system of developing a corporate identity and then documenting the range of ways the identity should and should not be used. Upon returning to the United States in ...

Article

Russian, 20th century, male.

Active from 1923 and naturalised in France.

Born 15 May 1898, in Saki; died 21 January 1980, in Paris.

Painter, engraver, graphic designer, illustrator. Portraits, circus scenes, landscapes, still-lifes, flowers.

Michael Adlen settled in Vienna when still very young, attended art school there and started exhibiting. In ...

Article

American, 20th – 21st century, female.

Born 1966, in New York.

Graphic artist, photographer.

Amy Adler studied at the Cooper Union in New York, receiving a BFA there in 1989. She also studied at the Hochschule der Kunste in Berlin, Germany, in 1987. She obtained a MFA from University of California (Los Angeles) in ...

Article

Romanian, 20th century, male.

Active in Israel from 1960.

Born 24 July 1912, in Romania.

Painter, engraver. Portraits, landscapes, animals.

Oswald Adler settled in Bucharest in 1934 and worked in advertising and graphic design. He trained late: he attended the academy of applied arts in Vienna in ...

Article

Afzal  

[Mir Afżal al-Ḥusaynī al-Tūnī]

(fl Isfahan, 1640–51).

Persian illustrator. Active during the reign of the Safavid shah ‛Abbas II (reg 1642–66), Afzal produced manuscript illustrations and single pages for albums in different styles. Most of the 62 paintings he made for the voluminous copy (St Petersburg, Saltykov-Shchedrin Pub. Lib., Dorn 333) of Firdawi’s Shāhnāma (‘Book of kings’) presented to the monarch by the head of the royal guard, Murtiza Quli Khan, are scenes of battles and combats in the Metropolitan style that was transferred from Herat to Bukhara (see Islamic art, §III, 4(vi)(c)). Unlike the tinted drawings of his contemporaries, Afzal’s single-page compositions use a rich, sombre palette highlighted with gold. Most depict the standard repertory of languid youths and lovers in the style of Riza, but are more erotic. Bishop with a Crosier (Los Angeles, CA, Co. Mus. A., M.73.5.456) is the only known Persian portrait of an Armenian religious figure; it shows a broad-faced, sensitively modelled figure similar in style to those in the ...