1-10 of 98 results  for:

  • Contemporary Art x
Clear all

Article

Filipino, 20th century, male.

Born 1930, in Bohol, Philippines.

Sculptor. Figures, historical subjects, religious subjects, allegory, myths.

Napoleon Veloso Abueva graduated in 1953 from the University of the Philippines College of Fine Arts (UPCFA), where he was mentored by the first National Artist for Sculpture, Guillermo Tolentino. He received another scholarship from the Fulbright/Smith–Mundt Foundation and in ...

Article

Lisa M. Binder

(b Anyako, Ghana, June 13, 1944).

Ghanaian sculptor, active in Nigeria. He earned a bachelor’s degree in sculpture (1968) and a postgraduate diploma in art education from the University of Science and Technology, Kumasi, Ghana (1969). After graduation he taught at the Specialist Training College (now University of Winneba), Ghana, in a position vacated by the eminent sculptor Vincent Kofi. From 1975 he was Professor of Sculpture at the University of Nigeria, Nsukka. Anatsui’s practice often makes use of found objects including bottle caps, milk-tins and cassava graters. However, he is not concerned with recycling or salvaging; instead he seeks meaning in the ways materials can be transformed to make statements about history, culture and memory.

His early work consists of ceramic sculptures manipulated to reconfigure pieces of memory. In 1978 he began his Broken Pots series, which was exhibited the following year at the British Council in Enugu, Nigeria. Several of the ceramic works were made of sherds that were fused together by a grog-like cement of broken pieces. Making art historical references to ...

Article

Togolese, 20th – 21st century, male.

Born 11 November 1968, in Lomé.

Painter (mixed media).

A self-taught artist, Tetevi Azankpo works with recycled materials such as rusting receptacles, lengths of metal wire and rubber to produce fantasy figurines.

He has exhibited at group exhibitions, among them ...

Article

John-Paul Stonard

(b Merseyside, June 23, 1966).

English sculptor and conceptual artist. She studied at Kingston Polytechnic, Surrey (1986–9), and at Goldsmiths’ College of Art in London (1992–3). She had her first solo exhibition at City Racing, London, in 1994, and in the following year was included in General Release: Young British Artists at the XLVI Venice Biennale. Banner came to prominence with her ‘wordscapes’, large text works that recount the plots of feature films or other events. The first of these was Top Gun (pencil on paper, 2.13×4.57 m, 1993), a hand-written account of the film Top Gun presented on a cinematic scale. The ‘wordscapes’ led to the publication in 1997 of The Nam, 1000 pages of continuous text describing the Vietnam war movies Apocalypse Now, Born on the Fourth of July, Full Metal Jacket, Platoon, Hamburger Hill and The Deer Hunter. This unreadable text points to the excess of violence in such films, the numbing of critical faculties, as well as the mythologizing and fictionalizing framing devices used to interpret historical events. Towards the end of the 1990s she became interested in the implications of punctuation signs, dwelling on their qualities as abstract marks that give structure to text. By selecting a variety of fonts, enlarging the full stop signs to ...

Article

Francis Summers

(b Philadelphia, Dec 17, 1960).

American sculptor, active in England. He obtained a BFA from Tyler School of Art, Philadelphia, PA, and an MFA from Goldsmiths’ College, London, in 1988. Exploring his interest in the government of behaviour by social constraint, he first used clothes and hair as materials before turning to animal remains and casts of human organs for his increasingly unsettling work. His The Cat and the Dog (1995; London, Saatchi Gal., see 1996 exh. cat., p. 4) consists of two skinned animal hides with perfectly reconstructed heads and feet. Described by the artist as frozen smiles, the animal objects act as abstract surrogates for socially repressed bestial tendencies. Be Your Dog (1997; see 1998 exh. cat., p. 10), consisting of scalped dog ears mounted on a wall as an invitation to wear them, illustrates this theme even more forcefully. Other works by Baseman represent human body parts. Muscle (1997...

Article

German, 20th – 21st century, male.

Active in London.

Born 1976, in Hamburg.

Video artist.

Bernd Behr is a graduate of Goldsmiths College in London in the arts. His most notable creation is a film on DVD, Theatre of Emptiness ( Théâtre du Vide), which consists of a loop of film of a man climbing a high gateway. This film was shot at the exact spot where Yves Klein took his famous photograph ...

Article

British, 20th – 21st century, male.

Born 1951, in Bradford.

Painter, engraver, draughtsman. Figures, portraits.

Tony Bevan was educated at Bradford School of Art (1968-1971), Goldsmiths College (1971-1974) and the Slade School of Fine Art (1974-1976).

Bevan has been compared to Francis Bacon, Edvard Munch and Philip Guston. He paints the human form, depicting extreme psychological states of anxiety and alienation, yet concentrating as much on the body as on the face. Using charcoal, he draws straight onto the wet canvas to create densely worked areas which contrast with flat expanses of strong colour in acrylic. Heavy outlines in red or black show the structures of the body beneath the skin, so that the figures seem to be covered in scars. This imparts a rough physicality to the figures, which seem deformed and haggard, recalling the suffering faces of the French writer and actor Antonin Artaud; but in their stylisation the lines also take on a life of their own as abstract forms. The starkness of portrayal can be viewed as aggressive or confrontational, but the figures also appear vulnerable, with a focus on the more fragile parts of the body, such as the neck, wrists or insides of the arms....

Article

John-Paul Stonard

(b Bradford, July 22, 1951).

English painter. He studied at the Bradford School of Art (1968–71) and then in London at Goldsmiths’ College (1971–4) and the Slade School of Fine Art (1974–6). In his early work he painted single figures in a manner that suggested extreme psychological states. His use of charcoal and intensely chromatic acrylic paint, which he makes himself, give his painting a distinctively rich, scorched appearance. Bevan developed his psychological portraiture throughout the 1980s and 90s, often working in series on individual subjects. The Prophet (1982; Munich, Staatsgal. Mod. Kst), is a large portrait of a handcuffed male with a pair of open scissors lodged in his head. The psychic state it represents is so extreme, it seems, that it can only be represented metaphorically. The social psychology of his work became more explicit in The Meeting (2.94×2.85 m, 1992; see 1993 exh. cat.), a painting of nine male figures (distributed over six canvases) singing in a mechanical, disconnected fashion. The underlying existentialism of this work recalls the paintings of Francis Bacon, Bevan’s obsession with open mouths providing another point of comparison. The tense frontal aspects also bring to mind the Expressionistic portraiture of Edvard Munch, the pose embodying states of anxiety, introspection and despair. Toward the end of the 1990s Bevan stripped his images to a bare minimum, producing a disturbing series of paintings in which disembodied heads float like scarred, trussed balloons, for instance ...

Article

Spanish, 20th – 21st century, male.

Active in France.

Born 1952, in Benicarlo.

Painter, sculptor, engraver, medallist. Landscapes with figures, urban landscapes. Statuettes.

Jorge Borras trained at the Real Academia Catalana de Bellas Artes de San Jorge in Barcelona. He is general secretary of the association of Spanish artists and intellectuals in France. Borras specialised in statuettes of young women captured in everyday postures. A certain softness of form is balanced by graceful signs of movement. For the Paris Mint, he created a medallion of Pope Benedict XIII, the last Avignon pope....

Article

John-Paul Stonard

(b Hexham, Northumberland, Feb 13, 1966).

English painter and sculptor. He completed a foundation course at Norwich School of Art (1984–5), a BFA at Bath Academy of Art (1985–8), and an MFA at Goldsmiths’ College, London (1990–92). His paintings typically reproduce the work of artists such as Frank Auerbach and Karel Appel in a slick, ‘photographic’ manner. He arrived at this manner of working after basing paintings on photographs of modernist buildings; a sense of thwarted utopianism became a central tenet in his later work. His first painting after Auerbach, Atom Age Vampire (oil on canvas, 0.82×0.72 m, 1991; priv. col., see 1996 exh. cat., p. 19), was a minutely copied, flattened rendering of the thickly impastoed original. Although such works are critical of the expressionist doctrine of emotional investment in gesture and materiality, they also retain an element of adolescent fantasy and absorption, as suggested by the title. Another strand of Brown’s art consists of copies of science fiction illustrations by Chris Foss (...