Ancient science from which modern chemistry evolved. Based on the concept of transmutation—the changing of substances at the elemental level—it was both a mechanical art and an exalted philosophy. Practitioners attempted to combine substances containing the four elements (fire, water, earth, and air) in perfect balance, ultimately perfecting them into a fifth, the quintessence (also known as the philosopher’s stone) via the chemical process of distillation. The ultimate result was a substance, the ‘philosopher’s stone’, or ‘elixir of life’, believed capable of perfecting, or healing, all material things. Chemists imitated the Christian life cycle in their operations, allegorically marrying their ingredients, multiplying them, and destroying them so that they could then be cleansed and ‘resurrected’. They viewed their work as a means of attaining salvation and as a solemn Christian duty. As such, spiritual alchemy was sanctioned, legitimized, and patronized by the Church. Its mundane laboratory procedures were also supported by secular rulers for material gain. Metallurgists employed chemical apparatus in their attempts to transmute base metals into gold, whereas physicians and apothecaries sought ultimately to distill a cure-all elixir of life. The manifold possibilities inherent in such an outcome caused Papal and secular authorities to limit and control the practice of alchemy by requiring licences and punishing those who worked without authorization....
British, 20th century, male.
Born 13 November 1914, in Fulham, London; died 12 June 2000, in Aberdeen.
Painter, lithographer, wood engraver, poet. Still-lifes, landscapes, portraits.
Leonard Appelbee studied under Clive Gardiner at Goldsmiths College from 1931 to 1934, and under Barnett Freedman at the Royal College of Art ...
English designer, writer, architect and social reformer . He was educated at King’s College, Cambridge. As a young man he was deeply influenced by the teachings of John Ruskin and William Morris, and particularly by their vision of creative workmanship in the Middle Ages; such a vision made work in modern times seem like mechanical drudgery. Ashbee played many parts and might be thought a dilettante; but his purpose was always to give a practical expression to what he had learnt from Ruskin and Morris. An intense and rather isolated figure, he found security in a life dedicated to making the world a better place....
Swiss, 19th – 20th century, male.
Active in Germany.
Born 31 December 1849, in St Gall; died 1921, in Planegg.
Architect, painter, decorative designer, theorist. Designs (furniture/fabrics/metal objects/ceramics).
From 1868 to 1871 Hans Eduard von Berlepsch-Valendas was a student of architecture with Gottfried Sempers in Zurich. After graduating he abandoned architecture while he was living in Frankfurt, to go and train as a painter in Munich (...
Swiss architect, sculptor, painter, industrial designer, graphic designer and writer. He attended silversmithing classes at the Kunstgewerbeschule in Zurich from 1924 to 1927. Then, inspired by the Exposition Internationale des Arts Décoratifs et Industriels Modernes (1925), Paris, by the works of Le Corbusier and by a competition entry (...
Erich G. Ranfft
German medallist, sculptor and writer. He trained in medal arts and sculpture at the Kunstgewerbeschule in Frankfurt am Main (1891–7) and in Paris (1897–9) at the Académie Julian. He dedicated himself to making medals and assimilated the naturalistic and Impressionist styles current in French art, as in his baptismal medal ...
Italian goldsmith, medallist, sculptor and writer. He was one of the foremost Italian Mannerist artists of the 16th century, working in Rome for successive popes, in France for Francis I and in Florence for Cosimo I de’ Medici. Among his most famous works are the elaborate gold figural salt made for ...
Polish goldsmith, engraver and writer. He produced engraved frontispieces for J. Liberius’s book The Blessed Virgin Mary’s Sea Star (1670) and his own work St Elegius’s Life … (1687). He is noted in the guild records from 1689. Few of his silver pieces have been identified, as he did not use name marks. The impressive monstrance in St Mary’s church in Kraków is attributed to him. Works that are certainly by him include the ‘robes’ on the painting of the ...
French, 19th – 20th century, male.
Born 1867, in Annecy; died after 1926.
Painter, watercolourist, engraver, medallist, illustrator, art writer. Portraits, scenes with figures.
André Charles Coppier exhibited in Paris at the Salon des Artistes Français and at the Salon de la Société Nationale des Beaux-Arts, of which he was a member. He was awarded silver at the Exposition Universelle in Paris in ...
Anna Szinyei Merse
Hungarian painter, printmaker and writer. After a difficult childhood and military service during World War I, he learnt silversmithing and drawing in Dés (now Dej, Romania). From 1921 he worked in a factory in Budapest. He studied drawing in the evenings at the School of Applied Arts, then at the Free School of ...