T. L. Ingram
T. L. Ingram and Francis Russell
English family of merchants, bankers, politicians, collectors and patrons. John Baring (1697–1748) came from a Lutheran family in Bremen and settled in Exeter, Devon, in 1717. The success of his clothmaking business enabled him to acquire a large house, Larkbeare, and landed estate on the outskirts of the city. His portrait was painted by William Hoare (c. 1740s) and that of his wife, Elizabeth Baring (1702–66), by Gainsborough (c. 1750s; both London, Barings PLC). John Baring’s son (1) Sir Francis Baring, created 1st Baronet in 1793, was a merchant and financier and founder in 1762 of Baring Brothers in London, which became Baring Brothers & Co. Ltd. Francis had three sons who were partners in the firm: (2) Sir Thomas Baring (i), 2nd Baronet, (3) Alexander Baring, created 1st Baron Ashburton in 1835, and Henry Baring (1776–1848). Thomas Baring (i)’s sons included ...
(fl ?1363; d Paris, 1398–9).
French tapestry-weaver and textile dealer. He was one of the most successful of several French luxury textile merchants based mainly in Paris and Arras during the late 14th century and the only one whose work is known to have survived. He was a citizen of Paris and is referred to variously as a weaver of high-warp tapestries, a merchant of tapis sarrazinois, and, more generally, a merchant. His second wife, Marguerite de Verdun, who came from a family of weavers in Troyes, continued his business after his death with his son Jean (b c. 1371). Bataille worked for some of the most distinguished aristocratic clients of the French court from at least 1373 (and perhaps as early as 1363). References to his workshop are few, however, and the range and scope of his activities make it clear that he more commonly acted as a middleman, negotiating often sizable commissions (sometimes involving extended payment schedules), farming out work to individual workshops, buying textiles from as far away as Arras and Caen, and occasionally delivering goods as far away as Bruges. He became rich and, at least by ...
(b Venice, July 1, 1922).
French couturier, ready-to-wear designer and entrepreneur. Cardin is known for space-age style fashions in the 1960s, pioneering the ready-to-wear market and extensive licensing of his name (see fig.).
Cardin was born in Italy, but his family moved to France when he was two years old. He worked as a menswear tailor in Vichy, then as an accountant for the Red Cross during World War II. He later moved to Paris, where he was employed as an assistant at the couture houses of Jeanne Paquin, Elsa Schiaparelli and Christian Dior. Cardin helped execute Dior’s design of the famous ‘Bar’ suit for his inaugural ‘New Look’ collection in 1947. In 1950 he started his own business and designed costumes for theatre productions, including Jean Cocteau’s Beauty and the Beast. In 1953, he began designing small couture collections for women. At the time his fashions were similar to those of other Paris ...
(b London, Jan 3, 1817; d Richmond Hill, Surrey, Feb 17, 1901).
Merchant and collector. Cook became a partner in his father’s huge and successful textile manufacturing and wholesaling firm in 1843; on the death of his father in 1869, he became its head. During his professional life he was also one of the principal collectors of antique Greek and Roman sculpture in the Victorian period, acquiring his antiques mostly at auction between 1855 and 1870, at a time when such Neo-classical assemblages were beginning to go out of fashion. His marble sculptures, more than 80 in number, were displayed partly at his residence in Portugal (see Sintra) and partly in a private house museum at Doughty House, Richmond Hill, Surrey. They included fine examples such as the Venus Mazarin (now Malibu, CA, Getty Mus.), a good selection of Hellenistic Greek funerary reliefs and several Roman sarcophagi. When the collection was finally dispersed in 1947, the best pieces were divided between the ...
Danielle B. Joyner
From the time John Cassian established the first female foundation in Marseille in
(b Göteborg, Oct 5, 1827; d Göteborg, April 10, 1902).
Swedish collector and patron. He came from a Jewish merchant family in Göteborg where he managed a textile company with his brother Arthur and cousin Ludwig. He was also active in liberal politics. His art gallery (c. 1885), designed by Adrian Petterson (1835–1912) and installed in the attic of his house, was open to the public, in accordance with his democratic principles. His collecting was in part a way to achieve social acceptance. During the 1870s he bought such conventional works as those by the artists of the Düsseldorf school of genre painting, including Bengt Nordenberg’s In the Organ Loft (1868; Göteborg, Kstmus.). Although an honorary member of the Kungliga Akademi för de fria Konsterna, in the 1880s he actively supported the modernist group Opponenterna (The Opponents), led by Ernst Josephson, who disagreed with the practices of the Akademi. He brought Carl Larsson to Göteborg to teach non-traditional methods of drawing and painting at the Göteborgs Museum’s school (now the Valands Målarskola) and he commissioned from him such large paintings as the triptych ...
(b Barcelona, Dec 15, 1847; d Barcelona, July 9, 1918).
Catalan industrialist and patron. After completing his studies in England, he returned to Barcelona to head the textile manufacturing company founded by his father, Joan Güell i Ferrer. He strongly supported Catalan nationalism and used his patronage of such Catalan Renaixença figures as the poet Ramón Picó i Campamar, the novelist Robles i Rodríguez Alcántara, the painter Alexis Clapés (1850–1920) and especially the architect Antoni Gaudí, whom he met in 1878, to promote his progressive and paternalist visions of society. The first work by Gaudí for Güell was the gate-house of his finca at Pedralbes, outside Barcelona (1884); the turrets covered with coloured ceramics show Gaudí’s interest in Islamic architecture. The Palau Güell, Güell’s residence in Barcelona (1886–91), is an extraordinary neo-Gothic palace, which contains some of Gaudí’s most innovative interiors. The elaborate wrought-iron ornament of the entrance arches and bay windows is one of the earliest examples of the Catalan ...
Milo Cleveland Beach
(b Bombay, 1902; d New York, 1971).
American dealer of Indian birth. Following the decline of the family textile business, his father, Munchersa Heeramaneck, became an antiquities dealer and shrewdly developed a speciality in Chinese ceramics. As a youth, Nasli was assigned to the New Delhi office, but in 1922 he was sent to Paris to study and open a branch. He soon moved to New York, which became the final location for Heeramaneck Galleries. In 1939 Heeramaneck married Alice Arvine, an American portrait painter from New Haven, and she became an active partner in the business. They were responsible for the acquisition of many great works of Indian, Tibetan and Nepali sculpture, Mughal and Rajput painting, Ancient Near Eastern and Islamic art, and Central Asian (including nomadic) art by major American museums. They also formed a comprehensive private collection of South Asian art, including superlative paintings and sculptures from the Himalayan regions, and a smaller collection of ancient Near Eastern and Islamic art, both purchased by the ...
Athena S. E. Leoussi
British family of patrons of Greek origin. Constantine Ioannou Ipliktzis (b Constantinople [now Istanbul], 1775; d Athens, 1852) was the founder of the family fortune. In the 1820s he settled in Manchester, where he established himself as a textile merchant. His eldest son, Alexander Constantine Ionides (b Constantinople, 1 Sept 1810; d Hastings, E. Sussex, 10 Nov 1890), changed the family name to Ionides. He settled in Manchester, where he founded the firm Ionides & Co. in 1833. The following year he moved to London, where he served as Consul-General for Greece (1854–66) and as a director of the Crystal Palace. Alexander patronized several artists, in particular G. F. Watts, who became the chief portrait painter of the family. From the 1860s, influenced by his son Aleco, Alexander extended his patronage to Whistler, George Du Maurier, Edward John Poynter, Alphonse Legros and Henri Fantin-Latour, who were frequent guests in his house. On his death his collection was distributed to his children, with the exception of ...