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Christopher Newall

English painter, illustrator, designer, writer and teacher. He showed artistic inclinations as a boy and was encouraged to draw by his father, the portrait painter and miniaturist Thomas Crane (1808–59). A series of illustrations to Tennyson’s The Lady of Shalott (Cambridge, MA, Harvard U., Houghton Lib.) was shown first to Ruskin, who praised the use of colour, and then to the engraver ...

Article

British, 19th century, male.

Born 24 March 1834, in Walthamstow (Essex); died 3 October 1896, at Kelmscott House, Hammersmith, London.

Painter, draughtsman, designer, typographer, poet, architect. Designs (furniture/wallpapers/fabrics/stained glass windows).

Symbolism, Arts and Crafts, Art Nouveau.

Pre-Raphaelite.

William Morris the son of a successful City of London bill-broker, grew up in Walthamstow, on the edge of Epping Forest, and was educated at Marlborough College, in Wiltshire....

Article

Peter Stansky

English designer, writer and activist. His importance as both a designer and propagandist for the arts cannot easily be overestimated, and his influence has continued to be felt throughout the 20th century. He was a committed Socialist whose aim was that, as in the Middle Ages, art should be for the people and by the people, a view expressed in several of his writings. After abandoning his training as an architect, he studied painting among members of the Pre-Raphaelites. In ...

Article

Judith A. Neiswander

English designer, painter and writer. Born to an aristocratic family and educated at Eton College, Eton, Berks, and Christ Church, Oxford, he spent a brief period as an Anglican clergyman under the inspiration of the evangelical Oxford movement. In 1850 he designed and painted the ceiling of Merton College Chapel, Oxford (...

Article

Dinah Birch

English writer, draughtsman, painter and collector. He was one of the most influential voices in the art world of the 19th century. His early writings, eloquent in their advocation of J(oseph) M(allord) W(illiam) Turner and Pre-Raphaelitism and their enthusiasm for medieval Gothic, had a major impact on contemporary views of painting and architecture. His later and more controversial works focused attention on the relation between art and politics and were bitter in their condemnation of what he saw as the mechanistic materialism of his age....