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Article

Canadian First Nations (We Wai Kai/Cape Mudge Band), 21st century, male.

Born 1975, in Richmond (British Columbia).

Painter, sculptor, printmaker, photographer.

The aesthetic of Sonny Assu (Liǥwilda’x̱w/Laich-kwil-tach) is a confluence of Northwest Coast formline motifs and popular Western culture. He is well versed in the traditional Kwakwaka’wakw arts of drum, blanket and basket making and uses these as the starting place of many of his artworks. Drawing on a pop sensibility, mass-media culture is used as a conduit to explore and expose these Kwakwaka’wakw traditions as well as the artist’s own mixed heritage. By bringing these seemingly desperate elements together, Assu’s works challenge popular notions of authenticity regarding Indigenous people and their art. Moreover, while the works may appear whimsical at first glance, they offer a sharp critique of Western society’s culture of consumption as it relates to colonisation, both historical and ongoing, in North America....

Article

American, 20th – 21st century, female.

Born 1949, in New Haven (Connecticut).

Painter (mixed media), draughtswoman, watercolourist, engraver, lithographer.

Neo-Pop Art.

Carroll Dunham almost always paints on panels, integrating the natural unevenness of the wood into the structure of the work. Influenced by Pop Art, she creates biomorphic abstractions and tragi-comic figures combining grotesqueness and power. These creatures, which come from comic book culture and what is known as 'low art', are nevertheless painted with a skill that places them in the pictorial tradition of 'high art'. Peter Schjeldahl has compared her work to a confrontation between and a graffitist in a public toilet and Helen Frankenthaler. The interior violence of the paintings became more accentuated in the 1990s, expressing the multiple contradictions of contemporary American society....

Article

Reena Jana

(b Cologne, Germany, 1969).

American mixed-media artist of German birth and Asian descent. Ezawa studied at the Kunstakademie in Düsseldorf (1990–94) before moving to San Francisco in 1994. He received a BFA from the San Francisco Art Institute (1995) and an MFA from Stanford University, Palo Alto, CA (2003). Ezawa is not a photographer, but his work centers around photography; he has used a variety of media, from digital animations to paper collages and aquatint prints, to revisit some of the world’s most familiar, infamous and historically significant news photographs, television broadcasts and motion-picture stills (see The Simpson Verdict). All of Ezawa’s work utilizes the artist’s signature style of flat, simple renderings that are cartoonlike and also suggest the streamlined and colorful style of Pop artist Katz, Alex.

Ezawa’s project, The History of Photography Remix (2004–6), exemplifies his approach to exploring the power of photographs as a mirror of reality and yet also a force that can manipulate memories of events and people. The project consists of images appropriated from art history textbooks, such as American photographer Cindy Sherman’s ...

Article

American, 20th – 21st century, female.

Born 1952, in San Antonio (Texas).

Painter (oil), printmaker. Portraits.

Pop Art.

Deborah Kass studied at the Art Students' League (1968-1970), the Whitney Museum of American Art Independent Study Program (1972), and Carnegie-Mellon University, obtaining a BFA in painting. She taught at the Rhode Island School of Design, the Art Institute of Chicago, the Boston Museum School of Fine Arts, the State University of New York, and the Skowhegan School of Painting and Sculpture....