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Article

French, 20th century, male.

Born 26 June 1909, in Dijon; died 6 December 1996, in Paris.

Painter, collage artist, engraver, draughtsman. Wall decorations, designs for mosaics, stained glass windows, tapestries, stage costumes and sets.

A pupil at the École des Beaux-Arts in Lyons in 1930, Bertholle studied in Paris from 1932-1934, and subsequently attended classes run by the painter Roger Bissière at the Académie Ranson, where he met his friends and associates Manessier, Etienne-Martin, Le Moal and Véra Pagava. He was artistic director of the Gien porcelain factory from 1943-1957, and taught at the École des Beaux-Arts in Paris from 1965-1980. He was a member of the Institut de France, a Chevalier of the Légion d'Honneur and a Commander of the Ordre des Arts et des Lettres. Initially an admirer of Puvis de Chavannes, whose work he had encountered at the city museum in Lyons, Bertholle later discovered Manet (at the Paris Exposition Universelle of 1932), and through the latter, Van Gogh and Renoir. Following his early, highly-coloured Expressionist period, Bertholle was greatly influenced by the Flemish fantasies of Breughel and Heironymus Bosch, and ultimately by the Surrealists - as may be seen in his painting of the ...

Article

Nelly Perazzo

(b Buenos Aires, Aug 28, 1897; d Buenos Aires, March 17, 1983).

Argentine painter, tapestry designer and stage designer. From 1922 to 1933 he lived in Europe, where he studied first in Germany at the artistic colony in Worpswede and then in Paris under André Lhote and Othon Friesz. He was untouched by the violence of German Expressionism, but he assimilated various influences in France, structuring forms in the manner of Cézanne, and combining these with the audacious colouring of Fauvism and the strict sense of order in Cubism, as in The Siesta (1926; Buenos Aires, Mus. N. B.A.)

On his return to Argentina, Butler applied these European influences to lyrical landscapes of the islands in the Parana Delta of the Tigre region near Buenos Aires, selecting unusual scenes into which he incorporated childhood reminiscences in the figures. Using arabesques to link nature and people in his essentially flat pictures, he projected himself on to the scenery of which he was so fond in pictures such as the ...

Article

Alberto Cernuschi

(b Montauban, Sept 30, 1894; d Perpignan, July 21, 1972).

French painter, printmaker, stage designer, illustrator and tapestry designer. He was encouraged to study art by Emile-Antoine Bourdelle, to whom he showed his drawings at the age of 16, and was taught by him at the Ecole de Dessin à la Manufacture des Gobelins. From 1912 to 1914 he attended the Ecole des Arts Décoratifs in Montauban, and after serving in the infantry during World War I he moved to Paris, where he showed his work regularly at such exhibitions as the Salon des Indépendants and the Salon d’Automne.

Desnoyer lived and worked among the Cubists, but like the Fauves he favoured bright primary colours, marrying colour and line in landscapes, still-lifes and portraits. His debt to both movements is visible in paintings such as La Foire du Trône (1927; Paris, Pompidou). He also produced an illustrated edition of La Fontaine’s Dies Irae (Editions Mortier, 1947) and stage designs for the Opéra Comique in Paris, for example for Henri Barrand’s ...

Article

French, 19th century, male.

Born 9 February 1811, in Paris; died 22 April 1889, in Paris.

Painter, decorative artist, draughtsman. Landscapes, seascapes, urban landscapes, flowers. Murals, designs for tapestries, designs for carpets, stage sets.

Jules Diéterle was a pupil of Cicéri. In 1841 he founded an association of decorative artists which included Charles Séchan and Edouard Despléchin and which continued to operate until ...

Article

French, 19th – 20th century, male.

Born 11 January 1869, in Versailles; died 1929.

Draughtsman, watercolourist, designer. Figures, scenes with figures. Designs for tapestries, patterns (fabrics), stage costumes and sets.

Orientalism.

Jacques Drésa is known for his tapestry and fabric patterns, but he was also a set designer, particularly at the Théâtre des Arts (...

Article

French, 20th century, male.

Born 1886 or 1890, in Excideuil (Dordogne); died 1967 or 1973.

Painter, draughtsman, illustrator, designer. Landscapes. Stage costumes and sets, designs for fabrics.

Pierre Henri Dumas won first place in the National Art Workers' Competition ( Concours National des Ouvriers d'Art...

Article

(b Tumba, nr Stockholm, Nov 23, 1899; d nr Stockholm, May 17, 1970).

Swedish painter, draughtsman, tapestry and stage designer. After studying under various artists in Tumba and elsewhere, in 1922–3 he attended the Konsthögskolan in Stockholm and in 1922 visited Berne, Nuremberg and Berlin. His early works, such as Jeårj (1923; Stockholm, Mod. Mus.), were loosely painted and naive in appearance and drew on vernacular art. In 1924 he visited Paris and Italy, and in 1924–5 he helped decorate the cinema in Malmö, one of numerous early decorative projects. In 1925 he was a founder-member of the Fri Konst group of artists, which included Carl Alexandersson (1897–1941), Sven Hempel (1896–1944) and others. The following year the membership was expanded to nine by the addition of such artists as Gustav Alexanderson (b 1901) to form the Nio Unga (Nine Young Men) group. Erixson travelled extensively around Europe in the late 1920s, and in 1932, after the dissolution of Nio Unga, he was a founder-member of ...

Article

Hungarian, 19th – 20th century, male.

Born 1877, in Budapest; died 1928.

Painter, draughtsman, decorative designer. Patterns (fabrics), stage costumes, posters.

Geza Farago was initially a fabric designer in a cotton fabric factory, then went to Paris where he was apprenticed as a painter, draughtsman and decorator in several workshops, notably at the Académie Colarossi....

Article

S. Kontha

(b Budapest, April 17, 1904; d Budapest, Jan 26, 1986).

Hungarian painter, illustrator, mosaicist, tapestry designer, stage designer, poster designer, printmaker, sculptor, teacher and administrator. From 1922 to 1929 he studied at the Hungarian Academy of Fine Arts (Magyar Kepzőmüvészeti Főiskolá) in Budapest under Gyula Rudnay (1878–1957) and János Vaszary (1867–1939). In the mid-1920s he became acquainted with Béla Uitz’s General Ludd series (1923; Budapest, N.G.) and in Venice he saw the work of such Russian avant-garde artists as Rodchenko and El Lissitzky and such Italian Futurists as Severini. In 1926 in Paris he studied the works of Léger, Braque, Picasso and others in the collection of Léonce Rosenberg. He was also influenced by the art of Brancusi and Joseph Csáky, as well as André Breton’s Manifeste du surréalisme (Paris, 1924). From the outset, Hincz’s work revealed a number of different objectives. Although he experimented with abstraction, the reference to the figure is always present in one form or another. His profound interest in humanity and its social interaction was based on, and motivated by, this interest in the figure. His early paintings are expressionist in mood and are composed of flattened forms in a shallow space in a manner reminiscent of Cubo–Futurist art. Elements of Purism and Surrealism are also present. After World War II he became increasingly preoccupied with realism, political agitprop art and the problems inherent in creating new symbols; a study trip to Korea, China and Vietnam in ...

Article

Bulgarian, 20th century, male.

Born 1 January 1932, in Assenovgrad.

Painter, sculptor, mosaicist, illustrator. Decorative panels, frescoes, stage sets, patterns (fabrics).

Ivan Kirkov studied at the national academy of fine arts in Sofia where he attended painting classes with Ilia Petrov and Kirk Tsonev, completing his training there in ...