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Article

4th century, male.

Painter.

Ancient Greek.

Pliny Antenorides was, with Euphranor, a follower of Aristides - though not Aristides the famous painter of the time of Alexander but probably the grandfather of the latter and an architect, sculptor and painter. Nothing is known of the works of Antenorides....

Article

5th century, male.

Active in Attica in the second half of the 5th century BC.

Stone worker, sculptor (?).

Ancient Greek.

Archedemus was involved with the transformation of one of the largest natural grottoes to the south of Mount Hymettus (near the modern village of Vari) into a sanctuary dedicated to Pan, the Nymphs and the Charites (the Graces). At the foot of the central wall of the grotto, Archedemus has depicted himself (?) in his working clothes, with his pointed hammer and set square....

Article

Sophie Page

Astrology is the art of predicting events on earth as well as human character and disposition from the movements of the planets and fixed stars. Medieval astrology encompassed both general concepts of celestial influence, and the technical art of making predictions with horoscopes, symbolic maps of the heavens at particular moments and places constructed from astronomical information. The scientific foundations of the art were developed in ancient Greece, largely lost in early medieval Europe and recovered by the Latin West from Arabic sources in the 12th and 13th centuries. Late medieval astrological images were successfully Christianized and were adapted to particular contexts, acquired local meanings and changed over time.

Astrology developed into a scientific branch of learning in ancient Greece, but because of the opposition of the Church Fathers it was transmitted to early medieval Europe in only fragmentary form in technically unsophisticated textbooks and popular divinatory genres. Literary and scientific texts provided more general ideas about the nature and attributes of the planets which were influential on later iconography. The first significant astrological images appear in 11th-century illustrated astronomical texts (e.g. London, BL, Cotton MS. Tiberius BV), which were acquired and produced by monasteries to aid with time-keeping and the construction of the Christian calendar....

Article

6th century, male.

Active during the second half of the 6th century BC.

Born in Magnesia ad Maeandrum.

Sculptor, architect.

Ancient Greek.

Bathycles, like many other Ionians in Asia, moved westwards under the threat from the Medes as first Lydia and then the coastal towns fell. He came eventually to work in Greece. Around 530 BC, he designed the vast decorative construction known as the ...

Article

2nd century, male.

Born in Laconia.

Sculptor, architect (?).

Ancient Greek.

Batrachus, with his compatriot Sauras, is mentioned by Pliny in his discussions of sculptors in marble ( Natural History 36. 42) as the builder of the temples of Jupiter Stator and Juno Regina. According to Pliny, because the two artists' names did not feature in the act of consecration, they signed their work by carving 'in columnarum spiris' (on a twisted column) a frog (batrachus) and a lizard (saurus). Quite apart from the matter of their curious (but not impossible) names, the anecdote still seems unlikely to be true. Firstly, it does not appear to have been the custom in the 2nd century BC to mark the consecration of temples with an inscription. Secondly, we know from Vitruvius the name of the architect who built the temple of Jupiter Stator: the Cypriot Hermodorus of Salamis. If they ever existed, Batrachus and Sauras were probably just ordinary decorative sculptors....

Article

6th century, male.

Active during the second half of the 6th century BC.

Born in Chios.

Sculptor, architect.

Ancient Greek.

Boupalus' work is known from the writings of Pausanias. Mention is made of a statue of Fortune, crowned with a polos (head-dress) and holding in her hand the horn of Amalthea. It is likely that Boupalus was the originator of this type of statue, so often copied by the Romans. They, and Augustus in particular, much appreciated his work, examples of which were placed in the temple of Apollo on the Palatine. Boupalus worked with his sculptor brother Athenis in several towns in Asia Minor and at Delos....

Article

15th century, male.

Born c. 1400 BC.

Sculptor, architect, inventor. Mythological subjects.

Ancient Greek.

A legendary figure, said to be the great-grandson of Erechtheus, king of Athens, Daedalus was supposed to have invented the saw, the brace, masts and sails for ships, and a range of other practical devices. According to a familiar story, the council of the Areopagus in Athens banished him to exile in Crete for having killed his nephew out of jealousy. In Crete, according to later sources, he built the Labyrinth (which some have identified as the Minoan palace at Cnossus). He is said to have been the first Greek to carve figures in the round and with separated legs....

Article

Sarah P. Morris

[Gr.: ‘cunning worker’; Lat. Daedalus]

(?fl c. 600 bc).

Legendary Greek craftsman. He is conventionally associated with Bronze Age Crete and was credited in antiquity with a variety of technical and artistic achievements.

The earliest reference to Daidalos is in the Iliad, where he is named as maker of a choros for Ariadne at Knossos. In the 2nd century ad Pausanias recorded seeing this choros as a white marble relief at Knossos (IX.xl.2), but the term used in the Iliad could mean equally a painting, dancing-floor or dance. In the Classical period (c. 480–323 bc) Daidalos was mentioned primarily as a sculptor of ‘magic’ statues, both in drama (e.g. Euripides: Hecuba 838; Aristophanes: Daidalos frag. 194) and in philosophy (Plato: Menon 97d and Euthyphro 11c). In Athens he was given an Athenian pedigree as the son of Palamaon or Eupalamos, son of Metion, of the line of Erechtheos, and thus related to Hephaistos (e.g. Plato: Alcibiades I.121). He was also reputedly the teacher or father of the early ...

Article

Dimitris Plantzos

[Satra]

Greek city situated on the island of Crete, by the north-west foothills of mount Psiloritis (anc. Ida), 30 km south-east of the present-day city of Rethymnon. It was a centre for Aegean and Greek culture from the Prehistoric to the Byzantine periods (4th millennium bc–7th century bc).

Ancient Eleutherna is a typical example of a Cretan polis (city) inhabited continuously from at least from the 9th century bc (the so-called ‘Dark Age’ of Greek history) to the late Roman and Byzantine period (6th–7th century bc). Even before that, archaeological finds suggest the existence of a continuous presence on the site from the late Neolithic (4th millennium bc) through to a flourishing Minoan site of the 3rd to 2nd millennia bc. Although later construction all but eliminated traces of prehistoric architecture, there is still significant evidence to confirm unbroken habitation. In historical times (9th century...

Article

Epeius  

13th century BC, male.

Activec.1270 BC.

Sculptor, architect.

Ancient Greek.

The mythical Epeius, son of Panopeus, is said by Pausanias to have made the famous Trojan Horse, and a Hermes for the temple of Apollo Lycius in Argos.