1-5 of 5 results  for:

  • Contemporary Art x
  • East Asian Art x
  • Photography x
  • Painting and Drawing x
Clear all

Article

Chinese, 20th – 21st century, male.

Active in Japan and the USA.

Born 8 December 1957, in Quanzhou City (Fujian Province).

Painter, draughtsman, mixed media, video artist, installation artist, performance artist.

Cai Guo-Qiang trained in stage design at the Shanghai drama institute from 1981 to 1985...

Article

Hyewon Lee

(b Seoul, March 13, 1967).

Korean multimedia artist active in Germany and the UK. Koo studied Western painting at Hongik University, Seoul (1985–90), and multimedia art at the Ecole National Supérieure des Beaux-Arts, Paris (1991–7). While Koo’s drawings and photographs capture inconspicuous details of her daily life and surroundings, her installations incorporate such mundane objects as coins, rubber bands, sugar cubes, empty bottles, washing sponges and Walt Disney cartoon characters. Her interest in the fragments of everyday life not only reflects a sustained cultural interest in le quotidien in France, but is in tune with many Korean artists of her generation, who rose to significance in the Korean art world in the late 1990s, turning to small items of daily use rather than pursuing excessive visibility or the monumentality evident in the works of their predecessors.

More often than not, nestled down at insignificant corners of an exhibition space, Koo’s small-scale installations evade a viewer’s eyes at first glance. Sometimes an installation is even invisible, as in one of her two installations for the ...

Article

Sook-Kyung Lee

One of the characteristics of Korean contemporary art is a continuous effort in employing and interpreting international art practices and discourses. Art movements from Europe and North America in particular, including Abstract Expressionism, Art informel, Minimalism, Conceptual art and Post-modernism, have influenced many Korean artists’ styles and ideas since the 1950s, providing formal and conceptual grounds for critical understandings and further experiments. Whilst some artists who maintained traditional art forms such as ink painting and calligraphy exercised modernist styles and abstract forms largely within the norms and conventions of traditional genres, a large group of artists proactively adapted to Western styles, employing new materials and techniques as well as the notions of avant-garde and experimentalism (see fig.).

A major critique of the reception of Western art and aesthetics came from ‘Minjung art’ (People’s Art) in the 1980s as part of instigating a nationalist and politically charged art strategy. Several art historians and critics who emerged in the 1990s also expanded the scope of the debate with postcolonial and pluralist points of view. The shift in social, economic and political environments played an important role in changing sensibilities in art, along with the advances of technology and new media in the 2000s. The high degree of diversity and sophistication of Korean art in terms of media and subject matters became widely acknowledged within and outside the nation, and an increasing number of artists started to work on the cutting edge of international art....

Article

Chinese, 20th – 21st century, female.

Born 1958, in Keelung, Taiwan.

Painter, watercolourist, photographer.

Chuan-chiu Kuo studied at the national art academy. She works and exhibits as both a painter and a photographer. As a photographer she worked for Earth Geography Magazine until 1987. Since 1989...

Article

Chinese, 20th – 21st century, male.

Active in Beijing.

Born 1969, in Huangshi (Hubei Province), China.

Painter, photographer, performance artist.

Ma Liuming graduated from the Department of Oil Painting at the Hubei Academy of Fine Arts in Wuhan in 1991. Ma is best known as a member of the Beijing East Village collective, which worked on the outskirts of Beijing in the early 1990s. A pioneer of performance art in China, Ma focused his practice on issues of gender and sexuality through the use of his own body. During his time in the East Village, Ma developed a feminine alter ego, Fen-Ma Liuming. His performances primarily focused on domestic activities and often featured the act of cooking, such as in ...