1-10 of 25 results  for:

  • Contemporary Art x
  • Sculpture and Carving x
  • East Asian Art x
  • Installation Art, Mixed-Media, and Assemblage x
Clear all

Article

Chinese, 20th – 21st century, male.

Active in France since 1970.

Born 1948, in China.

Sculptor, installation artist.

After living in Hong Kong from 1962 to 1970, Chan moved to Paris, where he studied at the École des Beaux-Arts. He has taken part in many Salons and group exhibitions in Paris, notably the Salon de Mai, the Salon de Jeune Sculpture, and the MAC ...

Article

Mary M. Tinti

(b Houston, TX, 1951).

American sculptor, installation and conceptual artist. His multimedia works investigate the pathology of contemporary culture. Mel Chin was born and raised in Houston, Texas to parents of Chinese birth and received his BA in 1975 from the Peabody College in Nashville, Tennessee. The works in Chin’s oeuvre are diverse in both medium and subject, but a consistent undercurrent of social, political, and environmental responsibility runs throughout. Whether a sculpture, film, video game, installation, public project or earthwork, Chin’s artworks consistently targeted a broad spectrum of pressing cultural and ecological interests and spread their message in subtle, if not viral ways.

In the 1980s, Chin produced a number of sculptures that set the stage for his ever-evocative artistic journey. The Extraction of Plenty from What Remains: 1823 (1988–9) is a frequently referenced piece from this period. It is a symbolic encapsulation of the effects of the Monroe Doctrine, referencing the complicated dealings between the US (represented by truncated replicas of White House columns) and Central America (represented by a cornucopia of mahogany branches, woven banana-tree fiber, and a surface layer of hardened blood, mud, and coffee grinds). From the 1990s, however, Chin moved away from strictly gallery-based installations and began creating works that directly engaged contemporary culture in a variety of physical and theoretical landscapes....

Article

Japanese, 20th – 21st century, male.

Active in the USA.

Born 1955.

Assemblage sculptor.

Kenji Fujita constructs monumental assemblages out of various objects, which, while remaining abstract, still refer to reality.

New York, 2 May 1991: Elephant’s Ear (1988, mural sculpture, acrylic on wood, galvanised tin, moulded plastic and rubber piping...

Article

Chinese, 20th – 21st century, male.

Born 1962, in Beijing.

Painter, sculptor, mixed-media installation artist, animation artist.

Gu Dexin is a self-taught artist and co-founder of the New Mark Group (later became the Analysis Group) in the late 1980s. This group, working collaboratively, is more interested in questioning the importance of concepts, language, and authorship, such as ...

Article

Japanese, 20th – 21st century, female.

Born 14 March 1953, in Kurume (Fukuoka).

Sculptor, installation artist.

After studying at the Tokyo National University of Fine Arts and Music, Hirakawa Shigeko was awarded a scholarship by the French government. She settled in Paris in 1983, where she studied at the École Nationale des Beaux-Arts in Olivier Debré’s studio ...

Article

Korean, 20th – 21st century, female.

Active in the USA.

Born 1957, in Taegu.

Installation artist, sculptor, performance artist, video artist.

Kim Soo-ja settled in New York. She uses Korean cloth in her work, which she folds, crumples or hangs; for her the fabric has symbolic weight, one tied to the culture of her country. The cloth becomes a metaphorical relation with her body. Rolled in a bundle to form a ...

Article

Korean, 20th – 21st century, female.

Born 1964, in Yongwol.

Sculptor, installation artist, performance artist, draughtswoman.

Lee Bul graduated from Hong-Ik University in Seoul with a bachelor of fine arts in sculpture. She settled in Seoul. Lee seeks to explore feminine archetypes by creating a universe inhabited by monsters and imaginary creatures based on Korean legends and contemporary technology (notably cyborgs), or manga imagery. She has also used her own nude body in her performances. Whether making unliveable, solitary cubicles - as in her karaoke pods - or strolling about in one or other of her outlandish costumes, she tries to destabilise established values through her objects and creatures. For instance, in her sculpture ...

Article

Chinese, 20th – 21st century, male.

Born 1957, in Guangzhou.

Installation artist, sculptor.

Liang Juhui teaches at Guangzhou art academy. He belongs to the Long-Tailed Elephant Group , a set of artists who since 1990 have been critical of the Chinese government’s movement towards capitalism. He makes aerial sculptures in vivid colours....

Article

Morgan Falconer

(b Tokyo, Jan 16, 1957).

Japanese sculptor and installation artist. He finished undergraduate and postgraduate studies at the Tokyo National University of Fine Arts and Music in 1986 and came to prominence in the late 1980s with installations of digital counters in the form of light-emitting diodes. He made his first counter in 1988 and subsequently retained this form as his basic building block: a large, two-digit red display, it continually counts from 1 to 99, never reaching 100 or registering zero. Often he wired together several counters together so that they triggered each other at various points; he called these groups ‘Regions’ and saw them as representing a symbolic universe. In the first half of the 1990s he produced work as part of his 133651 series: ranging from small groupings of counters to large, complex installations, each work consisted of a row of ten two-digit counters with up to five wired together. Such a unit allows a total of 133,651 combinations to appear, hence the title. The project ...

Article

Japanese, 20th – 21st century, female.

Active in New York.

Born 1967, in Tokyo.

Sculptor, photographer, video artist.

Mariko Mori first studied fashion design in Japan before working as a model during the late 1980s. She then went on to study in London at the Byam Shaw School of Art and Chelsea College of Art and Design in London. In ...