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Article

Native American (Grand Traverse Band of Ottawa Nation, Ojibwe), 20th century, female.

Born 1967, in Michigan.

Black ash basket weaver, painter.

Kelly Jean Church received an Associate of Arts degree from the Institute of American Indian Studies in 1996, a Bachelor of Arts degree in painting/sculpture from the University of Michigan in ...

Article

Martine Reid

(b Masset, Queen Charlotte Islands, BC, Nov 4, 1946).

Native American Haida sculptor, metalworker, printmaker and blanket-maker. He was the grandson of the Haida blanket- and basket-maker Florence Davidson (1895–1993), and great-grandson of the Haida wood-carver Charles Edenshaw. He began carving argillite as a teenager in Masset, and in 1966 he met Bill Reid, who offered him workshop space in Vancouver. There Davidson developed new carving skills and learnt the fundamentals of the two-dimensional (‘formline’) designs used by the Haida and other tribes of the northern Northwest Coast (see Native North American art, §III, 2). In 1969 he returned to Masset to carve a 12.2 m-high totem pole, the first heraldic column to be raised on the Queen Charlotte Islands since the end of the 19th century. In 1987 Davidson and his crew produced a set of three totem poles entitled Three Variations on Killer Whale Myths for the Pepsicola Sculptural Garden in Purchase, NY. In these totem poles Davidson worked within the strict conventions of the Haida style, refining it by introducing subtle variations in design but preserving a degree of conservative austerity in which movement and individual expression are sacrificed to overall unity of form. In his early work in silver Davidson used flat patterns influenced by Edenshaw, and he went on to develop these into an innovative style of his own in screenprints, silver and bronze. Davidson’s younger brother, ...

Article

Native American (Eastern Band of Cherokee), 20th–21st century, female.

Born 1957, in Baltimore.

Multimedia artist, photographer, illustrator, basket-weaver with paper.

Shan Goshorn, given the Cherokee Wolf Clan name of Yellow Moon, began training in silversmithing at the Cleveland Institute of Art and transferred to the Atlanta College of Art for her final year, receiving a BFA degree in painting and photography (double major) in ...

Article

Native American (Tongva-Acjachemen), 20th–21st century, female.

Born 1952, in California.

Painter, writer, tribal scholar, cartoonist, basket weaver, illustrator, indigenous language activist.

As cofounder of Advocates for Indigenous California Language Survival, L. Frank Manriquez, a California Indian artist and activist, has become particularly associated with the movement for language revitalisation and recovery of indigenous knowledge in the state. A multi-talented figure with a gift for humour, especially in her cartoon works, she has exhibited nationally and internationally, and is a board member of the Cultural Conservancy, supporting indigenous rights, self-determination and the protection of native lands. She also makes and teaches about baskets and is a board member of the California Indian Basketweavers Association. As the author of ...

Article

Canadian First Nations (Inuit, Utkusiksalingmiut), 20th century, female.

Born 1906, in Back River region (Nunavut); died 2 March 1985, in Baker Lake (Nunavut).

Textile artist, draughtsman, printmaker, graphic artist.

Inuit art.

For the first four decades of her life, Jessie Oonark lived on the land, first with her parents Killivuk (mother) and Aglaquark (father), and later with her husband, Quablunaaq. A few years after Quablunaaq’s death in ...

Article

Frederick J. Dockstader

(b Albuquerque, NM, May 25, 1948).

Native American Hopi weaver and painter. The daughter of an Anglo mother and a Hopi father, she is one of the most complicated personalities in contemporary Native American art. She attended Santa Fe School and Verde Valley School but did not enter the world of art until 1982. Her interest in exploring ancient as well as modern techniques has led her into the intricacies of a turkey feather cape and of an Inca shawl. In company with the few other weavers deeply concerned with their craft, she valued the involvement of the preparation of the handspun and dyed yarn as much as the execution of the weaving. She adopted the horizontal loom in order to facilitate her experimental work. She has also taught and lectured on various facets of textile art. A commission to turn the designs of Frank Lloyd Wright into textiles was echoed in her own Wright series, although the two are from totally different generations. Many of her designs combine Modernist elements with traditional motifs, as in ...

Article

Frederick J. Dockstader

(b Navajo Reservation, AZ, c. 1920).

Native American Navajo weaver. She began weaving as a young girl and in time matured into a master craftsman. In the 1990s she had ceased to weave, but enjoyed helping her daughter-in-law, Priscilla Taugelchee (b ?1950), with her work. Taugelchee capped a long career of developing her skills and those of others by demonstrating and lecturing throughout the US. Unlike many Navajo weavers, she dyed and spun her own yarn and rarely wove textiles of less than 110 yarn count. She was a master of the ‘Two Grey Hills’ style which features a tightly woven fabric, marked by geometrical designs in diamonds, frets and triangles on brown, black, white and an occasional tan on a grey background, woven with vegetable-dyed yarns. Her finished products are among the most highly sought after of all Navajo weavers.

See also ; and Sakiestewa, Ramona.

D. Dedera: Navajo Rugs (Flagstaff, 1975) F. J. Dockstader...

Article

Native American (Seneca Nation of New York), 21st century, female.

Born 1967, in Seattle.

Installation artist, sculptor, printmaker.

Marie Watt, an artist with Seneca ancestry, chooses to work in the areas of installation, sculpture and lithography to address themes which historically have had an impact on wider indigenous experience, including the ideas of community, continuity and exchange. She was born in Seattle, Washington, in ...